children

Nothing is so beautiful as spring --
When weeds, in wheels, shoot long and lovely and lush;
Thrush's eggs look little low heavens, and thrush
Through the echoing timber does so rinse and wring
The ear, it strikes like lightnings to hear him sing;
The glassy peartree leaves and blooms, they brush
The descending blue; that blue is all in a rush
With richness; the racing lambs too have fair their fling.

What is all this juice and all this joy?
A strain of the earth's sweet being in the beginning

Where is thy dwelling-place? Echo of sweetness,
   Seraph of tenderness, where is thy home?
Angel of happiness, herald of fleetness,
   Thou hast the key of the star-blazon'd dome.
   Where lays that never end
   Up to God's throne ascend,
And our fond heart-wishes lovingly throng,
   Soaring with thee above,
   Bearer of truth and love,
Teacher of heaven's tongue -- Spirit of Song!

Euphony, born in the realms of the tearless,
   Mingling thy notes with the voices of Earth;

Where Pyramids and temple-wrecks are piled
Confusedly on camel-coloured sands,
And the mute Arab motionlessly stands,
Like some swart god who never wept or smiled,--
I picked up mummy relics of the wild
(And sea-shells once with clutching baby hands),
And felt a wafture from old Motherlands,
And all the morning wonder of a Child

To find Sphinx-money. So the Beduin calls
Small fossils of the waste. Nay, poet's gold;
'Twill give thee entrance to those rites of old,

My daughter plays on the floor
with plastic letters,
red, blue & hard yellow,
learning how to spell,
spelling,
how to make spells.

I wonder how many women
denied themselves daughters,
closed themselves in rooms,
drew the curtains
so they could mainline words.

A child is not a poem,
a poem is not a child.
there is no either/or.
However.

I return to the story
of the woman caught in the war
& in labour, her thighs tied
together by the enemy

And with that she
began nursing her child again, singing a sort of
lullaby to it as she did so, and giving it a vio­
lent shake at the end of every line: -- --
"Speak roughly to your little boy,
And beat him when he sneezes;
He only does it to annoy,
Because he knows it teases."CHORUS
(in which the cook and the baby joined): -- -- "Wow! wow! wow!"While the Duchess sang the second verse of
the song, she kept tossing the baby violently up
and down, and the poor little thing howled so,

A vanished house that for an hour I knew
By some forgotten chance when I was young
Had once a glimmering window overhung
With honeysuckle wet with evening dew.
Along the path tall dusky dahlias grew,
And shadowy hydrangeas reached and swung
Ferociously; and over me, among
The moths and mysteries, a blurred bat flew.

Somewhere within there were dim presences
Of days that hovered and of years gone by.
I waited, and between their silences
There was an evanescent faded noise;

SOUND, sweet song, from some far land,
Sighing softly close at hand,

Now of joy, and now of woe!

Stars are wont to glimmer so.

Sooner thus will good unfold;
Children young and children old
Gladly hear thy numbers flow.

High and dry upon the shingle lies the fisher's boat to-night;
From his roof-beam dankly drooping, raying phosphorescent light,
Spectral in its pale-blue splendour, hangs his heap of scaly nets,
And the fisher, lapt in slumber, surge and seine alike forgets.

Hark! there comes a sudden knocking, and the fisher starts from sleep,
As a hollow voice and ghostly bids him once more seek the deep;
Wearily across his shoulder flingeth he the ashen oar,
And upon the beach descending finds a skiff beside the shore.

You that with allegory's curious frame,
Of others' children changelings use to make,
With me those pains for God's sake do not take:
I list not dig so deep for brazen fame.

When I say "Stella," I do mean the same
Princess of Beauty, for whose only sake
The reins of Love I love, though never slake,
And joy therein, though nations count it shame.

I beg no subject to use eloquence,
Nor in hid ways do guide Philosophy:
Look at my hands for no such quintessence;

In truth, oh Love, with what a boyish kind
Thou doest proceed in thy most serious ways:
That when the heav'n to thee his best displays,
Yet of that best thou leav'st the best behind.

For like a child that some fair book doth find,
With gilded leaves or colored vellum plays,
Or at the most on some find picture stays,
But never heeds the fruit of writer's mind:

So when thou saw'st in Nature's cabinet
Stella, thou straight lookst babies in her eyes,
In her cheek's pit thou didst thy pitfall set: