dark

I was spawned from the glacier,
A thousand miles due north
Beyond Cape Chidley;
And the spawning,
When my vast, wallowing bulk went under,
Emerged and heaved aloft,
Shaking down cataracts from its rocking sides,
With mountainous surge and thunder
Outraged the silence of the Arctic sea.

Before I was thrust forth
A thousand years I crept,
Crawling, crawling, crawling irresistibly,
Hid in the blue womb of the eternal ice,
While under me the tortured rock

To the Almighty on his radiant Throne,
Let endless Hallelujas rise!
Praise Him, ye wondrous Heights to us unknown,
Praise Him, ye Heavens unreach'd by mortal Eyes,
Praise Him, in your degree, ye sublunary Skies!

Praise Him, you Angels that before him bow,
You Creatures of Celestial frame,
Our Guests of old, our wakeful Guardians now,
Praise Him, and with like Zeal our Hearts enflame,
Transporting then our Praise to Seats from whence you came!

Praise Him, thou Sun in thy Meridian Force;

It was the winter wild,
While the heaven-born Child
All meanly wrapt in the rude manger lies;
Nature in awe to Him
Had doffed her gaudy trim,
With her great Master so to sympathize:
It was no season then for her
To wanton with the sun, her lusty paramour.

Only with speeches fair
She woos the gentle air
To hide her guilty front with innocent snow,
And on her naked shame,
Pollute with sinful blame,
The saintly veil of maiden white to throw,
Confounded that her Maker's eyes

As evening falls,
The walls grow luminous and warm, the walls
Tremble and glow with the lives within them moving,
Moving like music, secret and rich and warm.
How shall we live to-night, where shall we turn?
To what new light or darkness yearn?
A thousand winding stairs lead down before us;
And one by one in myriads we descend
By lamplit flowered walls, long balustrades,
Through half-lit halls which reach no end. . . .

Take my arm, then, you or you or you,
And let us walk abroad on the solid air:

Well, as you say, we live for small horizons:
We move in crowds, we flow and talk together,
Seeing so many eyes and hands and faces,
So many mouths, and all with secret meanings,—
Yet know so little of them; only seeing
The small bright circle of our consciousness,
Beyond which lies the dark. Some few we know—
Or think we know. . . Once, on a sun-bright morning,
I walked in a certain hallway, trying to find
A certain door: I found one, tried it, opened,
And there in a spacious chamber, brightly lighted,

The door is shut. She leaves the curtained office,
And down the grey-walled stairs comes trembling slowly
Towards the dazzling street.
Her withered hand clings tightly to the railing.
The long stairs rise and fall beneath her feet.

Here in the brilliant sun we jostle, waiting
To tear her secret out . . . We laugh, we hurry,
We go our way, revolving, sinister, slow.
She blinks in the sun, and then steps faintly downward.
We whirl her away, we shout, we spin, we flow.

Now, when the moon slid under the cloud
And the cold clear dark of starlight fell,
He heard in his blood the well-known bell
Tolling slowly in heaves of sound,
Slowly beating, slowly beating,
Shaking its pulse on the stagnant air:
Sometimes it swung completely round,
Horribly gasping as if for breath;
Falling down with an anguished cry . . .
Now the red bat, he mused, will fly;
Something is marked, this night, for death . . .
And while he mused, along his blood
Flew ghostly voices, remote and thin,

What shall we talk of? Li Po? Hokusai?
You narrow your long dark eyes to fascinate me;
You smile a little. . . .Outside, the night goes by.
I walk alone in a forest of ghostly trees . . .
Your pale hands rest palm downwards on your knees.

'These lines—converging, they suggest such distance!
The soul is drawn away, beyond horizons.
Lured out to what? One dares not think.
Sometimes, I glimpse these infinite perspectives
In intimate talk (with such as you) and shrink . . .

From time to time, lifting his eyes, he sees
The soft blue starlight through the one small window,
The moon above black trees, and clouds, and Venus,—
And turns to write . . . The clock, behind ticks softly.

It is so long, indeed, since I have written,—
Two years, almost, your last is turning yellow,—
That these first words I write seem cold and strange.
Are you the man I knew, or have you altered?
Altered, of course—just as I too have altered—
And whether towards each other, or more apart,

We sit together and talk, or smoke in silence.
You say (but use no words) 'this night is passing
As other nights when we are dead will pass . . .'
Perhaps I misconstrue you: you mean only,
'How deathly pale my face looks in that glass . . .'

You say: 'We sit and talk, of things important . . .
How many others like ourselves, this instant,
Mark the pendulum swinging against the wall?
How many others, laughing, sip their coffee—
Or stare at mirrors, and do not talk at all? . . .