dark

Between the dark and the daylight,
When the night is beginning to lower,
Comes a pause in the day's occupation,
That is know as the children's hour.

I hear in the chamber above me
The patter of little feet,
The sound of a door that is opened,
And voices soft and sweet.

From my study I see in the lamplight,
Descending the broad hall stair,
Grave Alice, and laughing Allegra,
And Edith with golden hair.

A whisper and then a silence:
Yet I know by their merry eyes,

Does pleasant spring return once more?
Does earth her happy youth regain?
Sweet suns green hills are shining o'er;
Soft brooklets burst their icy chain:
Upon the blue translucent river
Laughs down an all-unclouded day,
The winged west winds gently quiver,
The buds are bursting from the spray;
While birds are blithe on every tree;
The Oread from the mountain-shore
Sighs, "Lo! thy flowers come back to thee--
Thy child, sad mother, comes no more!"

Alas! how long an age it seems

Seest thou younder craggy Rock,
Whose Head o'er-looks the swelling Main,
Where never Shepherd fed his Flock,
Or careful Peasant sow'd his Grain.
No wholesome Herb grows on the same,
Or Bird of Day will on it rest;
'Tis Barren as the Hopeless Flame,
That scortches my tormented Breast.

Deep underneath a Cave does lie,
Th' entrance hid with dismal Yew,
Where Phebus never shew'd his Eye,
Or cheerful Day yet pierced through.

In that dark Melancholy Cell,

There was a cold
In which

A line of water across the chest risen
(dream)

Impetuate, or
Impetuates

Orthograph you cherish, a hand her
Of doubt importance

Her imbroglio the winnowing of ever
Does establish

An imbroglio, ever
she does repeatedly declare

to no cold end
Admonish wit, at wit's end, where "wit" is

***

The cold of which
her azul gaze impart a stuttered pool

Memoria address me here (green)

Echolalic fear

Your naturally beautiful reflection will gain entry into the clear waters of the
Gambhira River, as into a clear mind. Therefore it is not fitting that you, out
of obstinancy, should render futile her glances which are the darting leaps of
little fish, as white as night-lotus flowers.

Removing her blue garment which is her water, exposing her hips which are
her banks, it is clutched by cane-branches as if grasped by her hands.
Departure will inevitably be difficult for you who tarries, O friend. Who,

A certain yaksha who had been negligent in the execution of his own duties,
on account of a curse from his master which was to be endured for a year and
which was onerous as it separated him from his beloved, made his residence
among the hermitages of Ramagiri, whose waters were blessed by the bathing
of the daughter of Janaka1 and whose shade trees grew in profusion.

That lover, separated from his beloved, whose gold armlet had slipped from
his bare forearm, having dwelt on that mountain for some months, on the first

Fair crown of stars of purest ray,
   Hung aloft on Mapau tree,
What floral beauties ye display,
   Stars of snowy purity;
Around the dark-leaved mapau's head
Unsullied garlands ye have spread.

Concealed were all thy beauties rare
   'Neath the dark umbrageous shade,
But still to gain the loftiest spray,
   Thy weak stem its efforts made;
Now, every obstacle o'ercome,
Thou smilest from thy leafy home.

That home secure, 'mid sombre leaves
   Yielded by thy stalwart spouse,

She was four, he was one, it was raining, we had colds,
we had been in the apartment two weeks straight,
I grabbed her to keep her from shoving him over on his
face, again, and when I had her wrist
in my grasp I compressed it, fiercely, for a couple
of seconds, to make an impression on her,
to hurt her, our beloved firstborn, I even almost
savored the stinging sensation of the squeezing,
the expression, into her, of my anger,
"Never, never, again," the righteous
chant accompanying the clasp. It happened very

Per me si va nella citta dolente.

--Dante

Poi di tanto adoprar, di tanti moti
D'ogni celeste, ogni terrena cosa,
Girando senza posa,
Per tornar sempre la donde son mosse;
Uso alcuno, alcun frutto
Indovinar non so.

Sola nel mondo eterna, a cui si volve
Ogni creata cosa,
In te, morte, si posa
Nostra ignuda natura;
Lieta no, ma sicura
Dell' antico dolor . . .
Pero ch' esser beato
Nega ai mortali e nega a' morti il fato.

--Leopardi

PROEM

When you consider the radiance, that it does not withhold
itself but pours its abundance without selection into every
nook and cranny not overhung or hidden; when you consider

that birds' bones make no awful noise against the light but
lie low in the light as in a high testimony; when you consider
the radiance, that it will look into the guiltiest

swervings of the weaving heart and bear itself upon them,
not flinching into disguise or darkening; when you consider
the abundance of such resource as illuminates the glow-blue