dream

The little pansies by the road have turned
Away their purple faces and their gold,
And evening has taken all the bees from the thyme,
And all the scent is shed away by the cold.

Against the hard and pale blue evening sky
The mountain's new-dropped summer snow is clear
Glistening in steadfast stillness: like transcendent
Clean pain sending on us a chill down here.

Chirst on the Cross! -- his beautiful young man's body
Has fallen dead upon the nails, and hangs
White and loose at last, with all the pain

ALL the world over, I wonder, in lands that I never have trod,
Are the people eternally seeking for the signs and steps of a God?
Westward across the ocean, and Northward across the snow,
Do they all stand gazing, as ever, and what do the wisest know?

Here, in this mystical India, the deities hover and swarm
Like the wild bees heard in the treetops, or the gusts of a gathering storm;
In the air men hear their voices, their feet on the rocks are seen,

Dead is he? Yes, our stranger guest said dead--
said it by noonday, when it seemed a thing
most natural and so indifferent
as if the tale ran that a while ago
there died a man I talked with a chance hour
when he by chance was near me. If I spoke
"Good news for us but ill news for the dead
when the gods sweep a villain down to them,"
'twas the prompt trick of words, like a pat phrase
from some one other's song, found on the lips
and used because 'tis there: for through all day

"Once...Once upon a time..."
Over and over again,
Martha would tell us her stories,
In the hazel glen.

Hers were those clear gray eyes
You watch, and the story seems
Told by their beautifulness
Tranquil as dreams.

She'd sit with her two slim hands
Clasped round her bended knees;
While we on our elbows lolled,
And stared at ease.

Her voice and her narrow chin,
Her grave small lovely head,
Seemed half the meaning
Of the words she said.

Who is this that sits by the way, by the wild wayside,
In a rent stained raiment, the robe of a cast-off bride,
In the dust, in the rainfall sitting, with soiled feet bare,
With the night for a garment upon her, with torn wet hair?
She is fairer of face than the daughters of men, and her eyes,
Worn through with her tears, are deep as the depth of skies.

This is she for whose sake being fallen, for whose abject sake,
Earth groans in the blackness of darkness, and men's hearts break.

I'D a dream to-night
   As I fell asleep,
O! the touching sight
   Makes me still to weep:
Of my little lad,
Gone to leave me sad,
Ay, the child I had,
   But was not to keep.

As in heaven high,
   I my child did seek,
There in train came by
   Children fair and meek,
Each in lily white,
With a lamp alight;
Each was clear to sight,
   But they did not speak.

Then, a little sad,
Came my child in turn,
But the lamp he had,

In Mike Maloney's Nugget bar the hooch was flowin' free,
An' One-eyed Mike was shakin' dice wi' Montreal Maree,
An roarin' rageful warning when the boys got overwild,
When peekin' through the double door he spied a tiny child.
Then Mike Maloney muttered: "Hell! Now ain't that jest too bad;
It's Dud McClusky's orphen Nell a-lookin' for her dad.
An' him in back, a-lushin' wine wi' Violet de Vere-
Three times I've told the lousy swine to keep away from here."
"Pore leetle sing! He leaves her lone, so he go on ze spree:

On this festive first of May,
Wending wistfully my way
Three sad sights I saw today.

The first was such a lovely lad
He lit with grace the sordid street;
Yet in a monk's robe he was clad,
With tonsured head and sandalled feet.
Though handsome as a movie star
His eyes had holiness in them,
As if he saw afaint, afar
A stable-stall in Bethlehem.

The second was a crippled maid
Who gazed and gazed with eager glance
Into a window that displayed
The picture of a ballet dance.

Lord, Thou hast made this world below the shadow of a dream,
An', taught by time, I tak' it so -- exceptin' always Steam.
From coupler-flange to spindle-guide I see Thy Hand, O God --
Predestination in the stride o' yon connectin'-rod.
John Calvin might ha' forged the same -- enorrmous, certain, slow --
Ay, wrought it in the furnace-flame -- ~my~ "Institutio".
I cannot get my sleep to-night; old bones are hard to please;
I'll stand the middle watch up here -- alone wi' God an' these

'Twas after dread Pultowa's day,
When fortune left the royal Swede -
Around a slaughtered army lay,
No more to combat and to bleed.
The power and glory of the war,
Faithless as their vain votaries, men,
Had passed to the triumphant Czar,
And Moscow’s walls were safe again -
Until a day more dark and drear,
And a more memorable year,
Should give to slaughter and to shame
A mightier host and haughtier name;
A greater wreck, a deeper fall,
A shock to one - a thunderbolt to all.

II