dream

Oh, why are you shining so bright, big Sun,
And why is the garden so gay?
Do you know that my days of delight are done,
Do you know I am going away?
If you covered your face with a cloud, I 'd dream
You were sorry for me in my pain,
And the heads of the flowers all bowed would seem
To be weeping with me in the rain.

But why is your head so low, sweet heart,
And why are your eyes overcast?
Are they clouded because you know we must part,
Do you think this embrace is our last?

The intact facade's now almost black
in the rain; all day they've torn at the back
of the building, "the oldest concrete structure
in New England," the newspaper said. By afternoon,
when the backhoe claw appears above
three stories of columns and cornices,

the crowd beneath their massed umbrellas cheer.
Suddenly the stairs seem to climb down themselves,
atomized plaster billowing: dust of 1907's
rooming house, this year's bake shop and florist's,
the ghosts of their signs faint above the windows

XLV
Care-charmer Sleep, son of the sable Night,
Brother to Death, in silent darkness born:
Relieve my languish, and restore the light,
With dark forgetting of my cares, return;
And let the day be time enough to mourn
The shipwreck of my ill-adventur'd youth:
Let waking eyes suffice to wail their scorn,
Without the torment of the night's untruth.
Cease dreams, th' imagery of our day-desires,
To model forth the passions of the morrow;
Never let rising sun approve you liars,

Take, since you bade it should bear,
These, of the seed of your sowing,
Blossom or berry or weed.
Sweet though they be not, or fair,
That the dew of your word kept growing,
Sweet at least was the seed.

Men bring you love-offerings of tears,
And sorrow the kiss that assuages,
And slaves the hate-offering of wrongs,
And time the thanksgiving of years,
And years the thanksgiving of ages;
I bring you my handful of songs.

If a perfume be left, if a bloom,

I loved to toy with tuneful rhyme,
My fancies into verse to weave;
For as I walked my words would chime
So bell-like I could scarce believe;
My rhymes rippled like a brook,
My stanzas bloomed like blossoms gay:
And that is why I dream this book
A verseman's holiday.
II
The palm-blades brindle in the blaze
Of sunsets splendouring the sea;
The Gloaming is a lilac haze
That impish stars stab eagerly. . . .
O Land of Song! Oh golden clime!
O happy me, whose work is play!

I

I took the clock down from the shelf;
"At eight," said I, "I shoot myself."
It lacked a minute of the hour,
And as I waited all a-cower,
A skinful of black, boding pain,
Bits of my life came back again. . . .

"Mother, there's nothing more to eat --
Why don't you go out on the street?
Always you sit and cry and cry;
Here at my play I wonder why.
Mother, when you dress up at night,
Red are your cheeks, your eyes are bright;
Twining a ribband in your hair,
Kissing good-bye you go down-stair.

You said, that October,
In the tall dry grass by the orchard
When you chose to be free,
"Again someday, maybe ten years."

After college I saw you
One time. You were strange,
And I was obsessed with a plan.

Now ten years and more have
Gone by: I've always known
where you were—
I might have gone to you
Hoping to win your love back.
You still are single.

I didn't.
I thought I must make it alone. I
Have done that.

Only in dream, like this dawn,

As I sit at my desk wishing
I did not have to edit a book
on poetry and painting a
subject that fascinates me
usually, but today is not as
usual, being today, white sky,
decent amount of sunlight,
forty one degrees in Central Park,
and it makes sense to dream of
Chicago, another big city
with two major league ballclubs,
and the pleasure of seeing Paul
and you, too, Elaine, whom
I never get to see often enough
in our own city of the subway series
the champagne gallery and

Christmas defeated Chanukah
once again last night
by a margin of three billion dollars
or so, but every time I hear
a Yiddish word like bupkes
in a movie (L.A. Confidential)
or when Oleg Cassini in that new play Jackie
calls a garment a shmatta, it's "good
for the Jews," as our parents used to say.
Meanwhile some things have
stayed the same; the drunken lout
in the street is still somebody's father.
Hey, kid, how does it feel to have a pop
that's a flop? And we had such good ideas

This bed thy center is, these walls, thy sphere,
The tarnished, gaudy, wonderful old work
Of hand, of foot, of lip, of eye, of brow,
That never touch with inarticulate pang
Those dying generations-at their song.
The One remains, the many change and pass
The expiring swan, and as he sings he dies.
The earth, the stars, the light, the day, the skies,
A white-haired shadow roaming like a dream
Limitless out of the dusk, out of the cedars and pines,
Think not of them, thou hast thy music too-