A Hymn to God the Father

Hear me, O God!
A broken heart
Is my best part.
Use still thy rod,
That I may prove
Therein thy Love.

If thou hadst not
Been stern to me,
But left me free,
I had forgot
Myself and thee.

For sin's so sweet,
As minds ill-bent
Rarely repent,
Until they meet
Their punishment.

Who more can crave
Than thou hast done?
That gav'st a Son,
To free a slave,
First made of nought;


A Hymn for Noon

The sun is swiftly mounted high;
It glitters in the southern sky;
Its beams with force and glory beat,
And fruitful earth is fill'd with heat.
Father, also with Thy fire
Warm the cold, the dead desire,
And make the sacred love of Thee
Within my soul a sun to me.
Let it shine so fairly bright
That nothing else be took for light,
That worldly charms be seen to fade,
And in its lustre find a shade.
Let it strongly shine within
To scatter all the clouds of sin,


A Hymn for Morning

See the star that leads the day
Rising shoots a golden ray,
To make the shades of darkness go
From heaven above and earth below;
And warn us early with the sight
To leave the beds of silent night,
From a heart sincere and sound
From its very deepest ground,
Send devotion up on high
Wing'd with heat to reach the sky.
See the time for sleep has run,
Rise before, or with the sun,
Lift thine hands and humbly pray
The fountain of eternal day,
That as the light serenely fair


A Hedge Of Rubber Trees

The West Village by then was changing; before long
the rundown brownstones at its farthest edge
would have slipped into trendier hands. She lived,
impervious to trends, behind a potted hedge of
rubber trees, with three cats, a canary—refuse
from whose cage kept sifting down and then
germinating, a yearning seedling choir, around
the saucers on the windowsill—and an inexorable
cohort of roaches she was too nearsighted to deal
with, though she knew they were there, and would
speak of them, ruefully, as of an affliction that


A Greek Girl

I may not weep, not weep, and he is dead.
A weary, weary weight of tears unshed
Through the long day in my sad heart I bear;
The horrid sun with all unpitying glare
Shines down into the dreary weaving-room,
Where clangs the ceaseless clatter of the loom,
And ceaselessly deft maiden-fingers weave
The fine-wrought web; and I from morn till eve
Work with the rest, and when folk speak to me
I smile hard smiles; while still continually
The silly stream of maiden speech flows on:--


A Funeral Fantasie

Pale, at its ghastly noon,
Pauses above the death-still wood--the moon;
The night-sprite, sighing, through the dim air stirs;
The clouds descend in rain;
Mourning, the wan stars wane,
Flickering like dying lamps in sepulchres!
Haggard as spectres--vision-like and dumb,
Dark with the pomp of death, and moving slow,
Towards that sad lair the pale procession come
Where the grave closes on the night below.

With dim, deep-sunken eye,


A Friend's Song for Simoisius

The breath of dew, and twilight's grace,
Be on the lonely battle-place;
And to so young, so kind a face,
The long, protecting grasses cling!
(Alas, alas,
The one inexorable thing!)

In rocky hollows cool and deep,
The bees our boyhood hunted sleep;
The early moon from Ida's steep
Comes to the empty wrestling-ring.
(Alas, alas,
The one inexorable thing!)

Upon the widowed wind recede
No echoes of the shepherd's reed,
And children without laughter lead


A British-Roman Song

(A. D. 406)
"A Centurion of the Thirtieth"


My father's father saw it not,
And I, belike, shall never come
To look on that so-holy spot --
That very Rome --

Crowned by all Time, all Art, all Might,
The equal work of Gods and Man,
City beneath whose oldest height --
The Race began!

Soon to send forth again a brood,
Unshakable, we pray, that clings
To Rome's thrice-hammered hardihood --
In arduous things.

Strong heart with triple armour bound,


A Daily Joy to be Alive

No matter how serene things
may be in my life,
how well things are going,
my body and soul
are two cliff peaks
from which a dream of who I can be
falls, and I must learn
to fly again each day,
or die.

Death draws respect
and fear from the living.
Death offers
no false starts. It is not
a referee with a pop-gun
at the startling
of a hundred yard dash.

I do not live to retrieve
or multiply what my father lost
or gained.


A Cry from South Africa

On building a chapel at Cape Town, for the Negro slaves of the colony, in 1828.


Afric, from her remotest strand,
Lifts to high heaven one fetter'd hand,
And to the utmost of her chain
Stretches the other o'er the main:
Then, kneeling 'midst ten thousand slaves,
Utters a cry across the waves,
Of power to reach to either pole,
And pierce, like conscience, through the soul,
Though dreary, faint, and low the sound,
Like life-blood gurgling from a wound,
As if her heart, before it broke,


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