flower

Is it not strange, the darkest hour
That ever dawned on sinful earth
Should touch the heart with softer power
For comfort than an angel's mirth?
That to the Cross the mourner's eye should turn
Sooner than where the stars of Christmas burn?

Sooner than where the Easter sun
Shines glorious on yon open grave,
And to and fro the tidings run,
"Who died to heal, is risen to save?"
Sooner than where upon the Saviour's friends
The very Comforter in light and love descends?

Lo! I am come to autumn,
When all the leaves are gold;
Grey hairs and golden leaves cry out
The year and I are old.

In youth I sought the prince of men,
Captain in cosmic wars,
Our Titan, even the weeds would show
Defiant, to the stars.

But now a great thing in the street
Seems any human nod,
Where shift in strange democracy
The million masks of God.

In youth I sought the golden flower
Hidden in wood or wold,
But I am come to autumn,
When all the leaves are gold.

She came from the East a fair, young bride,
With a light and a bounding heart,
To find in the distant West a home
With her husband to make a start.

He builded his cabin far away,
Where the prairie flower bloomed wild;
Her love made lighter all his toil,
And joy and hope around him smiled.

She plied her hands to life's homely tasks,
And helped to build his fortunes up;
While joy and grief, like bitter and sweet,
Were mingled and mixed in her cup.

God-Full-of-Mercy, the prayer for the dead.
If God was not full of mercy,
Mercy would have been in the world,
Not just in Him.
I, who plucked flowers in the hills
And looked down into all the valleys,
I, who brought corpses down from the hills,
Can tell you that the world is empty of mercy.
I, who was King of Salt at the seashore,
Who stood without a decision at my window,
Who counted the steps of angels,
Whose heart lifted weights of anguish
In the horrible contests.

I, who use only a small part

Beautiful city of Glasgow, with your streets so neat and clean,
Your stateley mansions, and beautiful Green!
Likewise your beautiful bridges across the River Clyde,
And on your bonnie banks I would like to reside.

Chorus --

Then away to the west -- to the beautiful west!
To the fair city of Glasgow that I like the best,
Where the River Clyde rolls on to the sea,
And the lark and the blackbird whistle with glee.

'Tis beautiful to see the ships passing to and fro,
Laden with goods for the high and the low;

A monosyllabic European called Sax
Invents a horn, walla whirledy wah, a kind of twisted
Brazen clarinet, but with its column of vibrating
Air shaped not in a cylinder but in a cone
Widening ever outward and bawaah spouting
Infinitely upward through an upturned
Swollen golden bell rimmed
Like a gloxinia flowering
In Sax's Belgian imagination

And in the unfathomable matrix
Of mothers and fathers as a genius graven
Humming into the cells of the body
Or cupped in the resonating grail

The young maricones and the horny muchachas,
The big fat widows delirious from insomnia,
The young wives thirty hours' pregnant,
And the hoarse tomcats that cross my garden at night,
Like a collar of palpitating sexual oysters
Surround my solitary home,
Enemies of my soul,
Conspirators in pajamas
Who exchange deep kisses for passwords.
Radiant summer brings out the lovers
In melancholy regiments,
Fat and thin and happy and sad couples;
Under the elegant coconut palms, near the ocean and moon,

A Sonnet is a moment's monument,
Memorial from the Soul's eternity
To one dead deathless hour. Look that it be,
Whether for lustral rite or dire portent,
Of its own arduous fulness reverent:
Carve it in ivory or in ebony,
As Day or Night may rule; and let Time see
Its flowering crest impearl'd and orient.

A Sonnet is a coin: its face reveals
The soul,--its converse, to what Power 'tis due: --
Whether for tribute to the august appeals

From you have I been absent in the spring,
When proud-pied April, dressed in all his trim,
Hath put a spirit of youth in everything,
That heavy Saturn laughed and leaped with him,
Yet nor the lays of birds, nor the sweet smell
Of different flowers in odor and in hue,
Could make me any summer's story tell,
Or from their proud lap pluck them where they grew.
Nor did I wonder at the lily's white,
Nor praise the deep vermilion in the rose;
They were but sweet, but figures of delight,

How, in the light of morning,
Round me thou glowest,
Spring, thou beloved one!
With thousand-varying loving bliss
The sacred emotions
Born of thy warmth eternal
Press 'gainst my bosom,
Thou endlessly fair one!
Could I but hold thee clasp'd
Within mine arms!

Ah! upon thy bosom
Lay I, pining,
And then thy flowers, thy grass,
Were pressing against my heart.
Thou coolest the burning
Thirst of my bosom,
Beauteous morning breeze!
The nightingale then calls me