flower

Since I stroll in the woods more often
than on this frequented path, it's usually
trees I observe; but among fellow humans
what I like best is to see an old woman
fishing alone at the end of a jetty,
hours on end, plainly content.
The Russians mushroom-hunting after a rain
trail after themselves a world of red sarafans,
nightingales, samovars, stoves to sleep on
(though without doubt those are not
what they can remember). Vietnamese families
fishing or simply sitting as close as they can

The great and the little weavers,
They neither rest nor sleep.
They work in the height and the glory,
They toil in the dark and the deep.
The rainbow melts with the shower,
The white-thorn falls in the gust,
The cloud-rose dies into shadow,
The earth-rose dies into dust.
But they have not faded forever,
They have not flowered in vain,
For the great and the little weavers
Are weaving under the rain.

Recede the drums of the thunder
When the Titan chorus tires,

I DUG, beneath the cypress shade,
   What well might seem an elfin's grave;
And every pledge in earth I laid,
   That erst thy false affection gave.

I press'd them down the sod beneath;
   I placed one mossy stone above;
And twined the rose's fading wreath
   Around the sepulchre of love.

Frail as thy love, the flowers were dead
   Ere yet the evening sun was set:
But years shall see the cypress spread,
   Immutable as my regret.

The Grave said to the Rose,
"What of the dews of dawn,
Love's flower, what end is theirs?"
"And what of spirits flown,
The souls whereon doth close
The tomb's mouth unawares?"
The Rose said to the Grave.

The Rose said, "In the shade
From the dawn's tears is made
A perfume faint and strange,
Amber and honey sweet."
"And all the spirits fleet
Do suffer a sky-change,
More strangely than the dew,
To God's own angels new,"
The Grave said to the Rose.

I.
And Willy, my eldest-born, is gone, you say, little Anne?
Ruddy and white, and strong on his legs, he looks like a man.
And Willy's wife has written: she never was over-wise,
Never the wife for Willy: he would n't take my advice.

II.
For, Annie, you see, her father was not the man to save,
Had n't a head to manage, and drank himself into his grave.
Pretty enough, very pretty! but I was against it for one.
Eh!--but he would n't hear me--and Willy, you say, is gone.

III.

This job’s the best I’ve done.’ He bent his head
Over the golden vessel that he’d wrought.
A bird was singing. But the craftsman’s thought
Is a forgotten language, lost and dead.

He sighed and stretch’d brown arms. His friend came in
And stood beside him in the morning sun.
The goldwork glitter’d.... ‘That’s the best I’ve done.
‘And now I’ve got a necklace to begin.’

This was at Gnossos, in the isle of Crete...
A girl was selling flowers along the street.

As I perceive
I am dying now and know
I will not speak again, will not
survive the earth, be summoned
out of it again, not
a flower yet, a spine only, raw dirt
catching my ribs, I call you,
father and master: all around,
my companions are failing, thinking
you do not see. How
can they know you see
unless you save us?
In the summer twilight, are you
close enough to hear
your child's terror? Or
are you not my father,
you who raised me?

Last night, as one who hears a tragic jest,
I woke from dreams, half-laughing, half in tears;
Methought that I had journeyed in the spheres
And stood upon the Planet of the Blest
And found thereon a folk who prayed with zest
Exceeding, and through all their painful years
Like strong souls struggled on 'mid hopes and fears;
"Where dwell the gods," they said, "we shall find rest."
The gods? What gods, I thought, are those who so
Inspire their worshippers with faith that flowers
Immortal? and who make them keep aglow

'NEATH the shadow

Of these bushes,
On the meadow

Where the cooling water gushes.
Phoebus gave me, when a boy,
All life's fullness to enjoy.
So, in silence, as the God
Bade them with his sov'reign nod,
Sacred Muses train'd my days
To his praise.--
With the bright and silv'ry flood
Of Parnassus stirr'd my blood,
And the seal so pure and chaste
By them on my lips was placed.

With her modest pinions, see,
Philomel encircles me!
In these bushes, in yon grove,

How can you stand it—looking at things?
For example, the geranium

out on the patio, the single pink
blossom in the sun? Or stand the sunlight
moving through it,

illuminating, holding the flower open like a high
clear note, an ecstatic
widening

which arrives, arrives. What
do you dowith it? While the shrubs and the lowest
overhanging leaves

lift slightly in the wind, the blossom

doesn't move. It's the object
of affection, and this is how
it hurts you: