Shake The Superflux

I like walking on streets as black and wet as this one
now, at two in the solemnly musical morning, when everyone else
in this town emptied of Lestrygonians and Lotus-eaters
is asleep or trying or worrying why
they aren't asleep, while unknown to them Ulysses walks
into the shabby apartment I live in, humming and feeling
happy with the avant-garde weather we're having,
the winds (a fugue for flute and oboe) pouring
into the windows which I left open although
I live on the ground floor and there have been


Shade

‘What does a certain woman know of the hour of her death?’ - Mandelstam



Tallest, suavest of us, why Memory,
forcing you to appear from the past, pass
down a train, swaying, to find me
clear profiled through the window-glass?
Angel or bird? How we debated!
The poet thought you like translucent straw.
Through dark lashes, your eyes, Georgian,
looking, with gentleness, on it all.
Shade, forgive. Blue skies, Flaubert,
Insomnia, late-blooming lilac flower,
bring you, and the magnificence of the year,


Shadblow

Because the shad
are swimming
in our waters now,

breaching the skin
of the river with their
tarnished silvery fins,

heading upstream
straight for our tables
where already

knives and forks gleam
in anticipation, these trees
in the woods break

into flower--small, white
flags surrendering
to the season.


Serepta Mason

My life's blossom might have bloomed on all sides
Save for a bitter wind which stunted my petals
On the side of me which you in the village could see.
From the dust I lift a voice of protest:
My flowering side you never saw!
Ye living ones, ye are fools indeed
Who do not know the ways of the wind
And the unseen forces
That govern the processes of life.


Seventh Sunday After Trinity

Go not away, thou weary soul:
Heaven has in store a precious dole
Here on Bethsaida's cold and darksome height,
Where over rocks and sands arise
Proud Sirion in the northern skies,
And Tabor's lonely peak, 'twixt thee and noonday light.

And far below, Gennesaret's main
Spreads many a mile of liquid plain,
(Though all seem gathered in one eager bound,)
Then narrowing cleaves you palmy lea,
Towards that deep sulphureous sea,
Where five proud cities lie, by one dire sentence drowned.


Sestina Here in Katmandu

We have climbed the mountain.
There's nothing more to do.
It is terrible to come down
To the valley
Where, amidst many flowers,
One thinks of snow,

As formerly, amidst snow,
Climbing the mountain,
One thought of flowers,
Tremulous, ruddy with dew,
In the valley.
One caught their scent coming down.

It is difficult to adjust, once down,
To the absense of snow.
Clear days, from the valley,
One looks up at the mountain.
What else is there to do?


Sestina

September rain falls on the house.
In the failing light, the old grandmother
sits in the kitchen with the child
beside the Little Marvel Stove,
reading the jokes from the almanac,
laughing and talking to hide her tears.

She thinks that her equinoctial tears
and the rain that beats on the roof of the house
were both foretold by the almanac,
but only known to a grandmother.
The iron kettle sings on the stove.
She cuts some bread and says to the child,

It's time for tea now; but the child


Septuagesima Sunday

There is a book, who runs may read,
Which heavenly truth imparts,
And all the lore its scholars need,
Pure eyes and Christian hearts.

The works of God above, below,
Within us and around,
Are pages in that book, to show
How God Himself is found.

The glorious sky embracing all
Is like the Maker's love,
Wherewith encompassed, great and small
In peace and order move.

The Moon above, the Church below,
A wondrous race they run,
But all their radiance, all their glow,


September

The grasses are light brown
and ocean comes in
long shimmering lines
under the fleet from last night
which dozes now in the early morning

Here and there horses graze
On somebody's acreage

Strangely, it was not my desire

that bade me speak in church to be released
but memory of the way it used to be in
careless and exotic play

when characters were promises
then recognitions. The world of transformation
is real and not real but trusting.

Enough of the lessons? I mean


Sekhmet, the Lion-headed Goddess of War

He was the sort of man
who wouldn't hurt a fly.
Many flies are now alive
while he is not.
He was not my patron.
He preferred full granaries, I battle.
My roar meant slaughter.
Yet here we are together
in the same museum.
That's not what I see, though, the fitful
crowds of staring children
learning the lesson of multi-
cultural obliteration, sic transit
and so on.

I see the temple where I was born
or built, where I held power.
I see the desert beyond,


Pages

Subscribe to RSS - flower