Are you loving enough? There is some one dear,
Some one you hold as the dearest of all
In the holiest shrine of your heart.
Are you making it known? Is the truth of it clear
To the one you love? If death's quick call
Should suddenly tear you apart,
Leaving no time for a long farewell,
Would you feel you had nothing to tell---
Nothing you wished you had said before
The closing of that dark door?

Are you loving enough? The swift years fly---
Oh, faster and faster they hurry away,
And each one carries its dead.

Far are the shades of Arabia,
Where the Princes ride at noon,
'Mid the verdurous vales and thickets,
Under the ghost of the moon;
And so dark is that vaulted purple
Flowers in the forest rise
And toss into blossom 'gainst the phantom stars
Pale in the noonday skies.

Sweet is the music of Arabia
In my heart, when out of dreams
I still in the thin clear mirk of dawn
Descry her gliding streams;
Hear her strange lutes on the green banks
Ring loud with the grief and delight
Of the dim-silked, dark-haired Musicians

No one's despair is like my despair--

You have no place in this garden
thinking such things, producing
the tiresome outward signs; the man
pointedly weeding an entire forest,
the woman limping, refusing to change clothes
or wash her hair.

Do you suppose I care
if you speak to one another?
But I mean you to know
I expected better of two creatures
who were given minds: if not
that you would actually care for each other
at least that you would understand
grief is distributed
between you, among all your kind, for me

Our trees are aspens, but people
mistake them for birches;
they think of us as characters
in a Russian novel, Kitty and Levin
living contentedly in the country.
Our friends from the city watch the birds
and rabbits feeding together
on top of the deep, white snow.
(We have Russian winters in Illinois,
but no sleighbells, possums instead of wolves,
no trusted servants to do our work.)
As in a Russian play, an old man
lives in our house, he is my father;
he lets go of life in such slow motion,
year after year, that the grief

The smooth-worn coin and threadbare classic phrase
Of Grecian myths that did beguile my youth,
Beguile me not as in the olden days:
I think more grief and beauty dwell with truth.
Andromeda, in fetters by the sea,
Star-pale with anguish till young Perseus came,
Less moves me with her suffering than she,
The slim girl figure fettered to dark shame,
That nightly haunts the park, there, like a shade,
Trailing her wretchedness from street to street.
See where she passes -- neither wife nor maid;

And thou art dead, as young and fair
As aught of mortal birth;
And form so soft, and charms so rare,
Too soon return'd to Earth!
Though Earth receiv'd them in her bed,
And o'er the spot the crowd may tread
In carelessness or mirth,
There is an eye which could not brook
A moment on that grave to look.

I will not ask where thou liest low,
Nor gaze upon the spot;
There flowers or weeds at will may grow,
So I behold them not:
It is enough for me to prove
That what I lov'd, and long must love,
Like common earth can rot;

She's gone -- and twice the summer's sun
Has gilt Regina's towers,
And melted wild Angora's snows,
And warmed Exina's bowers.
The flowerets twice on hill and dale
Have bloomed and died away,
And twice the rustling forest leaves
Have fallen to decay,

And thrice stern winter's icy hand
Has checked the river's flow,
And three times o'er the mountains thrown
His spotless robe of snow.

Two summers springs and autumns sad
Three winters cold and grey --
And is it then so long ago
That wild November day!

After all the Shakespeare, the book
of poems they type is the saddest
in history.

But before they can finish it,
they have to wait for that Someone
who is always

looking to look away. Only then
can they strike the million
keys that spell

humiliation and grief, which are
the great subjects of Monkey
Literature

and not, as some people still
believe, the banana
and the tire.

The ocean heaves around us still
With long and measured swell,
The autumn gales our canvas fill,
Our ship rides smooth and well.
The broad Atlantic's bed of foam
Still breaks against our prow;
I shed no tears at quitting home,
Nor will I shed them now!

Against the bulwarks on the poop
I lean, and watch the sun
Behind the red horizon stoop —
His race is nearly run.
Those waves will never quench his light,
O'er which they seem to close,
To-morrow he will rise as bright
As he this morning rose.

Interr'd beneath this marble stone,
Lie saunt'ring Jack and idle Joan.
While rolling threescore years and one
Did round this globe their courses run;
If human things went ill or well;
If changing empires rose or fell;
The morning passed, the evening came,
And found this couple still the same.
They walk'd and eat, good folks: what then?
Why then they walk'd and eat again:
They soundly slept the night away:
They did just nothing all the day:
And having buried children four,
Would not take pains to try for more.