Atalanta's Race

Through thick Arcadian woods a hunter went,
Following the beasts upon a fresh spring day;
But since his horn-tipped bow but seldom bent,
Now at the noontide nought had happed to slay,
Within a vale he called his hounds away,
Hearkening the echoes of his lone voice cling
About the cliffs and through the beech-trees ring.

But when they ended, still awhile he stood,
And but the sweet familiar thrush could hear,
And all the day-long noises of the wood,
And o'er the dry leaves of the vanished year


Atalanta In Camden -Town

AY, 'twas here, on this spot,
In that summer of yore,
Atalanta did not
Vote my presence a bore,
Nor reply to my tenderest talk "She had
heard all that nonsense before."

She'd the brooch I had bought
And the necklace and sash on,
And her heart, as I thought,
Was alive to my passion;
And she'd done up her hair in the style that
the Empress had brought into fashion.

I had been to the play
With my pearl of a Peri -
But, for all I could say,
She declared she was weary,


At Night

The wind is singing through the trees to-night,
A deep-voiced song of rushing cadences
And crashing intervals. No summer breeze
Is this, though hot July is at its height,
Gone is her gentler music; with delight
She listens to this booming like the seas,
These elemental, loud necessities
Which call to her to answer their swift might.
Above the tossing trees shines down a star,
Quietly bright; this wild, tumultuous joy
Quickens nor dims its splendour. And my mind,
O Star! is filled with your white light, from far,


At Algeciras - A Meditaton Upon Death

The heron-billed pale cattle-birds
That feed on some foul parasite
Of the Moroccan flocks and herds
Cross the narrow Straits to light
In the rich midnight of the garden trees
Till the dawn break upon those mingled seas.

Often at evening when a boy
Would I carry to a friend -
Hoping more substantial joy
Did an older mind commend -
Not such as are in Newton's metaphor,
But actual shells of Rosses' level shore.

Greater glory in the Sun,
An evening chill upon the air,
Bid imagination run


As ye came from the Holy Land

AS ye came from the holy land
   Of Walsinghame,
Met you not with my true love
   By the way as you came?

How should I know your true love,
   That have met many a one
As I came from the holy land,
   That have come, that have gone?

She is neither white nor brown,
   But as the heavens fair;
There is none hath her form divine
   In the earth or the air.

Such a one did I meet, good sir,
   Such an angelic face,
Who like a nymph, like a queen, did appear


As Slow Our Ship

As slow our ship her foamy track
Against the wind was cleaving,
Her trembling pennant still look'd back
To that dear isle 'twas leaving.
So loath we part from all we love,
From all the links that bind us;
So turn our hearts as on we rove,
To those we've left behind us.

When, round the bowl, of vanish'd years
We talk, with joyous seeming, --
With smiles that might as well be tears,
So faint, so sad their beaming;
While memory brings us back again
Each early tie that twined us,


At The Door

All actors look for them-the defining moments
When what a character does is what he is.
The script may say, He goes to the door
And exits or She goes out the door stage left.

But you see your fingers touching the doorknob,
Closing around it, turning it
As if by themselves. The latch slides
Out of the strike-plate, the door swings on its hinges,
And you're about to take that step
Over the threshold into a different light.

For the audience, you may simply be


At One O'Clock In The Morning

Alone, at last! Not a sound to be heard but the rumbling of some belated and decrepit cabs. For a few hours
we shall have silence, if not repose. At last the tyranny of the human face has disappeared, and I myself shall be the
only cause of my sufferings.
At last, then, I am allowed to refresh myself in a bath of darkness! First of all, a double turn of the lock. It
seems to me that this twist of the key will increase my solitude and fortify the barricades which at this instant
separate me from the world.


At Fontainebleau

It was a day of sun and rain,
Uncertain as a child's swift moods;
And I shall never spend again
So blithe a day among the woods.

Was it because the Gods were pleased
That they were awful in our eyes,
Whom we in very deed appeased
With barley-cakes of sacrifice?

The forest knew her and was glad,
And laughed for very joy to know
Her child was with her; then, grown sad,
She wept, because her child must go.

And Alice, like a little Faun,


At Dawn and Dusk

At Dawn and Dusk
Love-Laurel
IN MEMORY OF HENRY KENDALL

AH! that God once would touch my lips with song
To pierce, as prayer doth heaven, earth’s breast of iron,
So that with sweet mouth I might sing to thee,
O sweet dead singer buried by the sea,
A song, to woo thee, as a wooing siren,
Out of that silent sleep which seals too long
Thy mouth of melody.
For, if live lips might speak awhile to dead,
Or any speech could reach the sad world under
This world of ours, song surely should awake


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