Le Roy Goldman

"What will you do when you come to die,
If all your life long you have rejected Jesus,
And know as you lie there, He is not your friend?"
Over and over I said, I, the revivalist.
Ah, yes! but there are friends and friends.
And blessed are you, say I, who know all now,
You who have lost, ere you pass,
A father or mother, or old grandfather or mother
Some beautiful soul that lived life strongly,
And knew you all through, and loved you ever,
Who would not fail to speak for you,
And give God an intimate view of your soul,


L'Amitie To Mrs. M. Awbrey

Soule of my soule! my Joy, my crown, my friend!
A name which all the rest doth comprehend;
How happy are we now, whose sols are grown,
By an incomparable mixture, One:
Whose well acquainted minds are not as neare
As Love, or vows, or secrets can endeare.
I have no thought but what's to thee reveal'd,
Nor thou desire that is from me conceal'd.
Thy heart locks up my secrets richly set,
And my breast is thy private cabinet.
Thou shedst no teare but what but what my moisture lent,


Lament for Culloden

THE lovely lass o' Inverness,
   Nae joy nor pleasure can she see;
For e'en and morn she cries, 'Alas!'
   And aye the saut tear blin's her e'e:
'Drumossie moor, Drumossie day,
   A waefu' day it was to me!
For there I lost my father dear,
   My father dear and brethren three.

'Their winding-sheet the bluidy clay,
   Their graves are growing green to see;
And by them lies the dearest lad
   That ever blest a woman's e'e!
Now wae to thee, thou cruel lord,
   A bluidy man I trow thou be;


Late Spring

I

Ah, who will tell me, in these leaden days,
Why the sweet Spring delays,
And where she hides, -- the dear desire
Of every heart that longs
For bloom, and fragrance, and the ruby fire
Of maple-buds along the misty hills,
And that immortal call which fills
The waiting wood with songs?
The snow-drops came so long ago,
It seemed that Spring was near!
But then returned the snow
With biting winds, and all the earth grew sere,
And sullen clouds drooped low


Late Moon

2 a.m.
December, and still no mon
rising from the river.

My mother
home from the beer garden
stands before the open closet

her hands still burning.
She smooths the fur collar,
the scarf, opens the gloves

crumpled like letters.
Nothing is lost
she says to the darkness, nothing.

The moon finally above the town,
The breathless stacks,
the coal clumps,

the quiet cars
whitened at last.
Her small round hand whitens,


Last Instructions to a Painter

After two sittings, now our Lady State
To end her picture does the third time wait.
But ere thou fall'st to work, first, Painter, see
If't ben't too slight grown or too hard for thee.
Canst thou paint without colors? Then 'tis right:
For so we too without a fleet can fight.
Or canst thou daub a signpost, and that ill?
'Twill suit our great debauch and little skill.
Or hast thou marked how antic masters limn
The aly-roof with snuff of candle dim,
Sketching in shady smoke prodigious tools?


Last Curtain

I know that the day will come
when my sight of this earth shall be lost,
and life will take its leave in silence,
drawing the last curtain over my eyes.

Yet stars will watch at night,
and morning rise as before,
and hours heave like sea waves casting up pleasures and pains.

When I think of this end of my moments,
the barrier of the moments breaks
and I see by the light of death
thy world with its careless treasures.
Rare is its lowliest seat,
rare is its meanest of lives.


Lars

"Tell us a story of these Isles," they said,
The daughters of the West, whose eyes had seen
For the first time the circling sea, instead
Of the blown prairie's waves of grassy green:

"Tell us of wreck and peril, storm and cold,
Wild as the wildest." Under summer stars
With the slow moonrise at our back, I told
The story of the young Norwegian, Lars.

That youth with the black eyebrows sharply drawn
In strong curves like some sea-bird's wings outspread
O'er his dark eyes, is Lars, and this fair dawn


Landscape of a Vomiting Multitude

The fat lady came out first,
tearing out roots and moistening drumskins.
The fat lady
who turns dying octopuses inside out.
The fat lady, the moon's antagonist,
was running through the streets and deserted buildings
and leaving tiny skulls of pigeons in the corners
and stirring up the furies of the last centuries' feasts
and summoning the demon of bread through the sky's clean-swept hills
and filtering a longing for light into subterranean tunnels.
The graveyards, yes the graveyards


Lamentations

I found him in the guard-room at the Base.
From the blind darkness I had heard his crying
And blundered in. With puzzled, patient face
A sergeant watched him; it was no good trying
To stop it; for he howled and beat his chest.
And, all because his brother had gone west,
Raved at the bleeding war; his rampant grief
Moaned, shouted, sobbed, and choked, while he was kneeling
Half-naked on the floor. In my belief
Such men have lost all patriotic feeling.


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