The Mores

Far spread the moorey ground a level scene
Bespread with rush and one eternal green
That never felt the rage of blundering plough
Though centurys wreathed spring's blossoms on its brow
Still meeting plains that stretched them far away
In uncheckt shadows of green brown, and grey
Unbounded freedom ruled the wandering scene
Nor fence of ownership crept in between
To hide the prospect of the following eye
Its only bondage was the circling sky
One mighty flat undwarfed by bush and tree
Spread its faint shadow of immensity


The Night-Fire

No engines shrieking rescue storm the night,
And hose and hydrant cannot here avail;
The flames laugh high and fling their challenging light,
And clouds turn gray and black from silver-pale.
The fire leaps out and licks the ancient walls,
And the big building bends and twists and groans.
A bar drops from its place; a rafter falls
Burning the flowers. The wind in frenzy moans.
The watchers gaze, held wondering by the fire,
The dwellers cry their sorrow to the crowd,
The flames beyond themselves rise higher, higher,


The Night of Death

Twas a night of dreadful horror, --
Death was sweeping through the land;
And the wings of dark destruction
Were outstretched from strand to strand

Strong men's hearts grew faint with terror,
As the tempest and the waves
Wrecked their homes and swept them downward,
Suddenly to yawning graves.

'Mid the wastes of ruined households,
And the tempest's wild alarms,
Stood a terror-stricken mother
With a child within her arms.

Other children huddled 'round her,


The Neighbor

Strange violin, why do you follow me?
In how many foreign cities did you
speak of your lonely nights and those of mine.
Are you being played by hundreds? Or by one?

Do in all great cities men exist
who tormented and in deep despair
would have sought the river but for you?
And why does your playing always reach me?

Why is it that I am always neighbor
to those lost ones who are forced to sing
and to say: Life is infinitely heavier
than the heaviness of all things.



The Negro Girl

I.

Dark was the dawn, and o'er the deep
The boist'rous whirlwinds blew;
The Sea-bird wheel'd its circling sweep,
And all was drear to view--
When on the beach that binds the western shore
The love-lorn ZELMA stood, list'ning the tempest's roar.


II.

Her eager Eyes beheld the main,
While on her DRACO dear
She madly call'd, but call'd in vain,
No sound could DRACO hear,
Save the shrill yelling of the fateful blast,
While ev'ry Seaman's heart, quick shudder'd as it past.



The Negatives

On March 1, 1958, four deserters from the French Army of North Africa,
August Rein, Henri Bruette, Jack Dauville, & Thomas Delain, robbed a
government pay station at Orleansville. Because of the subsequent
confession of Dauville the other three were captured or shot. Dauville
was given his freedom and returned to the land of his birth, the U.S.A.

AUGUST REIN:
from a last camp near St. Remy

I dig in the soft earth all
afternoon, spacing the holes
a foot or so from the wall.


The Need to Love

The need to love that all the stars obey
Entered my heart and banished all beside.
Bare were the gardens where I used to stray;
Faded the flowers that one time satisfied.

Before the beauty of the west on fire,
The moonlit hills from cloister-casements viewed
Cloud-like arose the image of desire,
And cast out peace and maddened solitude.

I sought the City and the hopes it held:
With smoke and brooding vapors intercurled,
As the thick roofs and walls close-paralleled
Shut out the fair horizons of the world---


The Name

What is my name to you? 'T will die:
a wave that has but rolled to reach
with a lone splash a distant beach;
or in the timbered night a cry ...

'T will leave a lifeless trace among
names on your tablets: the design
of an entangled gravestone line
in an unfathomable tongue.

What is it then? A long-dead past,
lost in the rush of madder dreams,
upon your soul it will not cast
Mnemosyne's pure tender beams.

But if some sorrow comes to you,
utter my name with sighs, and tell


The Mountain Village

"The mountain village was destroy'd;
But see how soon is fill'd the void!
Shingles and boards, as by magic arise,
The babe in his cradle and swaddling-clothes lies;
How blest to trust to God's protection!"

Behold a wooden new erection,
So that, if sparks and wind but choose,
God's self at such a game must lose!


The Mountain Squatter

Here in my mountain home,
On rugged hills and steep,
I sit and watch you come,
O Riverinia Sheep!
You come from the fertile plains
Where saltbush (sometimes) grows,
And flats that (when it rains)
Will blossom like the rose.

But when the summer sun
Gleams down like burnished brass,
You have to leave your run
And hustle off for grass.

'Tis then that -- forced to roam --
You come to where I keep,
Here in my mountain home,
A boarding-house for sheep.


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