mirror

But since I've taught already of what sort
The seeds of all things are, and how distinct
In divers forms they flit of own accord,
Stirred with a motion everlasting on,
And in what mode things be from them create,
And since I've taught what the mind's nature is,
And of what things 'tis with the body knit
And thrives in strength, and by what mode uptorn
That mind returns to its primordials,
Now will I undertake an argument-
One for these matters of supreme concern-

Therefore death to us
Is nothing, nor concerns us in the least,
Since nature of mind is mortal evermore.
And just as in the ages gone before
We felt no touch of ill, when all sides round
To battle came the Carthaginian host,
And the times, shaken by tumultuous war,
Under the aery coasts of arching heaven
Shuddered and trembled, and all humankind
Doubted to which the empery should fall
By land and sea, thus when we are no more,
When comes that sundering of our body and soul

This door you might not open, and you did;
So enter now, and see for what slight thing
You are betrayed... Here is no treasure hid,
No cauldron, no clear crystal mirroring
The sought-for truth, no heads of women slain
For greed like yours, no writhings of distress,
But only what you see... Look yet again—
An empty room, cobwebbed and comfortless.
Yet this alone out of my life I kept
Unto myself, lest any know me quite;
And you did so profane me when you crept

See my colors fall apart? Green
to yellow with just one shade gone,
the changing tints of your sun-struck eyes,
if there were sun. Today the prism held to mine’s

a prison, locking in the light. In one of those mirrors
the colors are true. In one of these pictures the pigment’s
my own. The sound there is aquarelle and indigo,
and dripping distant water, the day’s habitual failure

to be anything substantial. Today a blank like color
by numbers, filled in with fog that frames the lake

And what was the big room he walked in?
  The big room he walked in,
  Over the smooth floor,
  Under the sky light,
  Was his own brain.

And what was it he admired there?
  He admired there
  The oval mirror.

And what was it the oval mirror showed him there?
  It showed him the roots
  Through the ceiling,
  The gross armchair, the bookcase
  Shuttered with glass,
  The Hymns bound in velvet,
  The porcelain oven,
  The giant egg cups,
  The hairy needles,

The beautiful, the fair, the elegant,
Is that which pleases us, says Kant,
Without a thought of interest or advantage.

I used to watch men when they spoke of beauty
And measure their enthusiasm. One
An old man, seeing a ( ) setting sun,
Praised it ( ) a certain sense of duty
To the calm evening and his time of life.
I know another man that never says a Beauty
But of a horse; ( )

Men seldom speak of beauty, beauty as such,
Not even lovers think about it much.
Women of course consider it for hours

And a poet said, "Speak to us of Beauty."

Where shall you seek beauty, and how shall you find her unless she herself be your way and your guide?

And how shall you speak of her except she be the weaver of your speech?

The aggrieved and the injured say, "Beauty is kind and gentle.

Like a young mother half-shy of her own glory she walks among us."

And the passionate say, "Nay, beauty is a thing of might and dread.

Like the tempest she shakes the earth beneath us and the sky above us."

The beautiful, the fair, the elegant,
Is that which pleases us, says Kant,
Without a thought of interest or advantage.

I used to watch men when they spoke of beauty
And measure their enthusiasm. One
An old man, seeing a ( ) setting sun,
Praised it ( ) a certain sense of duty
To the calm evening and his time of life.
I know another man that never says a Beauty
But of a horse; ( )

Men seldom speak of beauty, beauty as such,
Not even lovers think about it much.
Women of course consider it for hours

Reubens, river of forgetfulness, garden of sloth,
Pillow of wet flesh that one cannot love,
But where life throngs and seethes without cease
Like the air in the sky and the water in the sea.

Leonardo da Vinci, sinister mirror,
Where these charming angels with sweet smiles
Charged with mystery, appear in shadows
Of glaciers and pines that close off the country.

Rembrandt, sad hospital full of murmurs
Decorated only with a crucifix,
Where tearful prayers arise from filth

Sleeping-bagged in a duplex wing
with fleas, in rock-cleft or building
radar bats are darkness in miniature,
their whole face one tufty crinkled ear
with weak eyes, fine teeth bared to sing.

Few are vampires. None flit through the mirror.
Where they flutter at evening's a queer
tonal hunting zone above highest C.
Insect prey at the peak of our hearing
drone re to their detailing tee:

ah, eyrie-ire; aero hour, eh?
O'er our ur-area (our era aye
ere your raw row) we air our array