A Forest Hymn

The groves were God's first temples. Ere man learned
To hew the shaft, and lay the architrave,
And spread the roof above them,---ere he framed
The lofty vault, to gather and roll back
The sound of anthems; in the darkling wood,
Amidst the cool and silence, he knelt down,
And offered to the Mightiest solemn thanks
And supplication. For his simple heart
Might not resist the sacred influences,
Which, from the stilly twilight of the place,
And from the gray old trunks that high in heaven


A Song For St. Cecilia's Day, 1687

Stanza 1

From harmony, from Heav'nly harmony
This universal frame began.
When Nature underneath a heap
Of jarring atoms lay,
And could not heave her head,
The tuneful voice was heard from high,
Arise ye more than dead.
Then cold, and hot, and moist, and dry,
In order to their stations leap,
And music's pow'r obey.
From harmony, from Heav'nly harmony
This universal frame began:


A Song for St. Cecilia's Day

FROM harmony, from heavenly harmony,
This universal frame began:
When nature underneath a heap
Of jarring atoms lay,
And could not heave her head,
The tuneful voice was heard from high,
'Arise, ye more than dead!'
Then cold, and hot, and moist, and dry,
In order to their stations leap,
And Music's power obey.
From harmony, from heavenly harmony,
This universal frame began:
From harmony to harmony
Through all the compass of the notes it ran,


A Singing Lesson

Far-fetched and dear-bought, as the proverb rehearses,
Is good, or was held so, for ladies: but nought
In a song can be good if the turn of the verse is
Far-fetched and dear-bought.

As the turn of a wave should it sound, and the thought
Ring smooth, and as light as the spray that disperses
Be the gleam of the words for the garb thereof wrought.

Let the soul in it shine through the sound as it pierces
Men's hearts with possession of music unsought;
For the bounties of song are no jealous god's mercies,


A Maiden To Her Mirror

He said he loved me! Then he called my hair
Silk threads wherewith sly Cupid strings his bow,
My cheek a rose leaf fallen on new snow;
And swore my round, full throat would bring despair
To Venus or to Psyche.

Time and care
Will fade these locks; the merry god, I know,
Uses no grizzled cords upon his bow.
How will it be when I, no longer fair,
Plead for his kiss with cheeks, whence long ago
The early snowflakes melted quite away,
The rose leaf died – and in whose sallow clay


A Poet's Epitaph

Art thou a Statist in the van
Of public conflicts trained and bred?
--First learn to love one living man;
'Then' may'st thou think upon the dead.

A Lawyer art thou?--draw not nigh!
Go, carry to some fitter place
The keenness of that practised eye,
The hardness of that sallow face.

Art thou a Man of purple cheer?
A rosy Man, right plump to see?
Approach; yet, Doctor, not too near,
This grave no cushion is for thee.

Or art thou one of gallant pride,


A Song

Persuade me not, there is a Grace
Proceeds from Silvia's Voice or Lute,
Against Miranda's charming Face
To make her hold the least Dispute.
Musick, which tunes the Soul for Love,
And stirs up all our soft Desires,
Do's but the glowing Flame improve,
Which pow'rful Beauty first inspires.

Thus, whilst with Art she plays, and sings
I to Miranda, standing by,
Impute the Music of the Strings,
And all the melting Words apply


A Similitude

FAIR as the night—when all the astral fires
Of heaven are burning in the clear expanse,
My love is; and her eyes like star-depths glance
Lustrous with glowing thoughts and pure desires,
And that mysterious pathos which inspires
All moods divine in mortal passion’s trance—
All that its earthly music doth enhance
As with the rapture of seraphic lyres!
I gaze upon her till the atmosphere
Sweetens intensely, and to my charmed sight
All fair associated forms appear


A Serious and Pathetical Contemplation of the Mercies of God

For all the mysteries, engines, instruments, wherewith the world is filled, which we are able to frame and use to thy glory.

For all the trades, variety of operations, cities, temples, streets, bridges, mariner's compass, admirable picture, sculpture, writing, printing, songs and music; wherewith the world is beautified and adorned.


Much more for the regent life,
And power of perception,
Which rules within.
That secret depth of fathomless consideration
That receives the information
Of all our senses,


A Red Flower

Your lips are like a southern lily red,
Wet with the soft rain-kisses of the night,
In which the brown bee buries deep its head,
When still the dawn's a silver sea of light.

Your lips betray the secret of your soul,
The dark delicious essence that is you,
A mystery of life, the flaming goal
I seek through mazy pathways strange and new.

Your lips are the red symbol of a dream,
What visions of warm lilies they impart,
That line the green bank of a fair blue stream,


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