pink

The blue forest, chilled and blue, like the lips of the dead
if the lips were gone. The year has been cut in half
with dull scissors, the solstice still looking for its square
on the calendar. Perhaps the scissors were really
lawn mowers or hoes. Perhaps God's calendar is Chinese.
As first I didn't understand those burlap dolls
slouched in Central Pennsylvania craft stores.
Where were the button eyes, the tiny pearl nostrils?
the smudgy pink watercolor cheeks?

I enter the woods--part Gretel, part Little Red.

Ah, could I lay me down in this long grass
And close my eyes, and let the quiet wind
Blow over me—I am so tired, so tired
Of passing pleasant places! All my life,
Following Care along the dusty road,
Have I looked back at loveliness and sighed;
Yet at my hand an unrelenting hand
Tugged ever, and I passed. All my life long
Over my shoulder have I looked at peace;
And now I fain would lie in this long grass
And close my eyes.
Yet onward!
Cat birds call

I

I have discovered that most of
the beauties of travel are due to
the strange hours we keep to see them:

the domes of the Church of
the Paulist Fathers in Weehawken
against a smoky dawn -- the heart stirred --
are beautiful as Saint Peters
approached after years of anticipation.

II

Though the operation was postponed
I saw the tall probationers
in their tan uniforms
hurrying to breakfast!

III

-- and from basement entries

The opals hiding your lids
as you sleep, as you ride ponies
mysteriously, spring to bloom
like the blue flowers of autumn

each nine o'clock. And curls
tumble languorously towards
the yawning rubber band, tan,
your hand pressing all that

riotous black sleep into
the quiet form of daylight
and its sunny disregard for
the luminous volutions, oh!

and the budding waltzes
we swoop through in nights.
Before dawn you roar with
your eyes shut, unsmiling,

Lone amid the cafe's cheer,
Sad of heart am I to-night;
Dolefully I drink my beer,
But no single line I write.
There's the wretched rent to pay,
Yet I glower at pen and ink:
Oh, inspire me, Muse, I pray,
It is later than you think!
II
Hello! there's a pregnant phrase.
Bravo! let me write it down;
Hold it with a hopeful gaze,
Gauge it with a fretful frown;
Tune it to my lyric lyre . . .
Ah! upon starvation's brink,
How the words are dark and dire:
It is later than you think.
III

"Three Triangles"

TRIANGLE ONE
I
My husband put some poison in my beer,
And fondly hoped that I would drink it up.
He would get rid of me - no bloody fear,
For when his back was turned I changed the cup.
He took it all, and if he did not die,
Its just because he's heartier than I.
II
And now I watch and watch him night and day
dreading that he will try it on again.
I'm getting like a skeleton they say,
And every time I feel the slightest pain
I think: he's got me this time. . . . Oh the beast!

The room is full of you!—As I came in
And closed the door behind me, all at once
A something in the air, intangible,
Yet stiff with meaning, struck my senses sick!—

Sharp, unfamiliar odors have destroyed
Each other room's dear personality.
The heavy scent of damp, funereal flowers,—
The very essence, hush-distilled, of Death—
Has strangled that habitual breath of home
Whose expiration leaves all houses dead;
And wheresoe'er I look is hideous change.
Save here. Here 'twas as if a weed-choked gate

1670

In Winter in my Room
I came upon a Worm—
Pink, lank and warm—
But as he was a worm
And worms presume
Not quite with him at home—
Secured him by a string
To something neighboring
And went along.

A Trifle afterward
A thing occurred
I'd not believe it if I heard
But state with creeping blood—
A snake with mottles rare
Surveyed my chamber floor
In feature as the worm before
But ringed with power—

The very string with which
I tied him—too

So Davies wrote: ' This leaves me in the pink. '
Then scrawled his name: ' Your loving sweetheart Willie '
With crosses for a hug. He'd had a drink
Of rum and tea; and, though the barn was chilly,
For once his blood ram warm; he had pay to spend,
Winter was passing; soon the year would mend.

He couldn't sleep that night. Stiff in the dark
He groaned and thought of Sundays at the farm,
When he'd go out as cheerful as a lark
In his best suit to wander arm-in-arm
With brown-eyed Gwen, and whisper in her ear

My quietness has a man in it, he is transparent
and he carries me quietly, like a gondola, through the streets.
He has several likenesses, like stars and years, like numerals.

My quietness has a number of naked selves,
so many pistols I have borrowed to protect myselves
from creatures who too readily recognize my weapons
and have murder in their heart!
though in winter
they are warm as roses, in the desert
taste of chilled anisette.
At times, withdrawn,
I rise into the cool skies