Sonnet III Love's Testament

O thou who at Love's hour ecstatically
Unto my heart dost evermore present,
Clothed with his fire, thy heart his testament;
Whom I have neared and felt thy breath to be
The inmost incense of his sanctuary;
Who without speech hast owned him, and, intent
Upon his will, thy life with mine hast blent,
And murmured, “I am thine, thou'rt one with me!”
O what from thee the grace, to me the prize,
And what to Love the glory,—when the whole
Of the deep stair thou tread'st to the dim shoal
And weary water of the place of sighs,


Sonnet I Love Enthroned

I marked all kindred Powers the heart finds fair:—
Truth, with awed lips; and Hope, with eyes upcast;
And Fame, whose loud wings fan the ashen Past
To signal-fires, Oblivion's flight to scare;
And Youth, with still some single golden hair
Unto his shoulder clinging, since the last
Embrace wherein two sweet arms held him fast;
And Life, still wreathing flowers for Death to wear.
Love's throne was not with these; but far above
All passionate wind of welcome and farewell
He sat in breathless bowers they dream not of;


Sonnet II. Translated From Milton

As on a hill-top rude, when closing day
Imbrowns the scene, some past'ral maiden fair
Waters a lovely foreign plant with care,
That scarcely can its tender bud display
Borne from its native genial airs away,
So, on my tongue these accents new and rare
Are flow'rs exotic, which Love waters there,
While thus, o sweetly scornful! I essay
Thy praise in verse to British ears unknown,
And Thames exchange for Arno's fair domain;
So Love has will'd, and oftimes Love has shown
That what He wills he never wills in vain.


Sonnet III Look In Thy Glass, and Tell the Face Thou Viewest

Look in thy glass, and tell the face thou viewest
Now is the time that face should form another;
Whose fresh repair if now thou not renewest,
Thou dost beguile the world, unbless some mother.
For where is she so fair whose unear'd womb
Disdains the tillage of thy husbandry?
Or who is he so fond will be the tomb
Of his self-love, to stop posterity?
Thou art thy mother's glass, and she in thee
Calls back the lovely April of her prime:
So thou through windows of thine age shall see


Sonnet CXXX My mistress' eyes are nothing like the sun

My mistress' eyes are nothing like the sun;
Coral is far more red than her lips' red:
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damask'd, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound.
I grant I never saw a goddess go:
My mistress, when she walks, treads on the ground.


Sonnet 95 How sweet and lovely dost thou make the shame

How sweet and lovely dost thou make the shame
Which, like a canker in the fragrant rose,
Doth spot the beauty of thy budding name!
O, in what sweets dost thou thy sins enclose!
That tongue that tells the story of thy days,
Making lascivious comments on thy sport,
Cannot dispraise, but in a kind of praise,
Naming thy name, blesses an ill report.
O, what a mansion have those vices got
Which for their habitation chose out thee,
Where beauty's veil doth cover every blot,
And all things turns to fair that eyes can see!


Sonnet 92 But do thy worst to steal thyself away

But do thy worst to steal thyself away,
For term of life thou art assured mine;
And life no longer than thy love will stay,
For it depends upon that love of thine.
Then need I not to fear the worst of wrongs,
When in the least of them my life hath end.
I see a better state to me belongs
Than that which on thy humour doth depend:
Thou canst not vex me with inconstant mind,
Since that my life on thy revolt doth lie.
O what a happy title do I find,
Happy to have thy love, happy to die!


Sonnet 76 Why is my verse so barren of new pride

Why is my verse so barren of new pride?
So far from variation or quick change?
Why with the time do I not glance aside
To new-found methods, and to compounds strange?
Why write I still all one, ever the same,
And keep invention in a noted weed,
That every word doth almost tell my name,
Showing their birth and where they did proceed?
O, know, sweet love, I always write of you,
And you and love are still my argument;
So all my best is dressing old words new,
Spending again what is already spent.


Sonnet 63 Against my love shall be, as I am now

Against my love shall be, as I am now,
With Time's injurious hand crushed and o'erworn;
When hours have drained his blood and filled his brow
With lines and wrinkles; when his youthful morn
Hath travelled on to age's steepy night,
And all those beauties whereof now he's king
Are vanishing, or vanished out of sight,
Stealing away the treasure of his spring;
For such a time do I now fortify
Against confounding age's cruel knife,
That he shall never cut from memory
My sweet love's beauty, though my lover's life.


Sonnet 62 Sin of self-love possesseth all mine eye

Sin of self-love possesseth all mine eye,
And all my soul, and all my every part;
And for this sin there is no remedy,
It is so grounded inward in my heart.
Methinks no face so gracious is as mine,
No shape so true, no truth of such account;
And for my self mine own worth do define,
As I all other in all worths surmount.
But when my glass shows me myself indeed
Beated and chapped with tanned antiquity,
Mine own self-love quite contrary I read;
Self so self-loving were iniquity.


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