red

'Twas in a little western town
An ancient Maiden dwelt:
Her name was MISS, or MISTRESS, Brown,
Or DEBORAH, or DEBBY: She
Was doom'd a Spinster pure to be,
For soft delights her breast ne'er felt:
Yet, she had watchful Ears and Eyes
For ev'ry youthful neighbour,
And never did she cease to labour
A tripping female to surprize.

And why was she so wond'rous pure,
So stiff, so solemn--so demure?
Why did she watch with so much care
The roving youth, the wand'ring fair?

What is yonder white thing in the forest?
Is it snow, or can it swans perchance be?
Were it snow, ere this it had been melted,
Were it swans, they all away had hastend.
Snow, in truth, it is not, swans it is not,
'Tis the shining tents of Asan Aga.
He within is lying, sorely wounded;
To him come his mother and his sister;
Bashfully his wife delays to come there.
When the torment of his wounds had lessen'd,
To his faithful wife he sent this message:
"At my court no longer dare to tarry,
At my court, or e'en amongst my people."

death wants more death, and its webs are full:
I remember my father's garage, how child-like
I would brush the corpses of flies
from the windows they thought were escape-
their sticky, ugly, vibrant bodies
shouting like dumb crazy dogs against the glass
only to spin and flit
in that second larger than hell or heaven
onto the edge of the ledge,
and then the spider from his dank hole
nervous and exposed
the puff of body swelling
hanging there
not really quite knowing,
and then knowing-

They say that dead men tell no tales!

Except of barges with red sails
And sailors mad for nightingales;

Except of jongleurs stretched at ease
Beside old highways through the trees;

Except of dying moons that break
The hearts of lads who lie awake;

Except of fortresses in shade,
And heroes crumbled and betrayed.

But dead men tell no tales, they say!

Except old tales that burn away
The stifling tapestries of day:

Old tales of life, of love and hate,

Under the bunker, where the reek of kerosene
Prepared the marriage rite, leader and whore,
Imperfect kindling even in this wind, burn on.

Someone in uniform hums Brahms. Servants prepare
Eyewitness stories as the night comes down, as smoking coals await
Boots on the stone, the occupying troops. Howl ministers.

Deep in Kyffhauser Mountain's underground,
The Holy Roman Emperor snores on, in sleep enduring
Seven centuries. His long red beard

Grows through the table to the floor. He moves a little.

Oh never weep for love that’s dead
Since love is seldom true
But changes his fashion from blue to red,
From brightest red to blue,
And love was born to an early death
And is so seldom true.

Then harbour no smile on your bonny face
To win the deepest sigh.
The fairest words on truest lips
Pass on and surely die,
And you will stand alone, my dear,
When wintry winds draw nigh.

Sweet, never weep for what cannot be,
For this God has not given.
If the merest dream of love were true

An ancient saga tells us how
In the beginning the First Cow
(For nothing living yet had birth
But Elemental Cow on earth)
Began to lick cold stones and mud:
Under her warm tongue flesh and blood
Blossomed, a miracle to believe:
And so was Adam born, and Eve.
Here now is chaos once again,
Primeval mud, cold stones and rain.
Here flesh decays and blood drips red,
And the Cow’s dead, the old Cow’s dead.

Sung in honor of Rikki-Tikki-Tavi


Singer and tailor am I--
Doubled the joys that I know--
Proud of my lilt to the sky,
Proud of the house that I sew--
Over and under, so weave I my music--so weave I the house that
I sew.

Sing to your fledglings again,
Mother, O lift up your head!
Evil that plagued us is slain,
Death in the garden lies dead.
Terror that hid in the roses is impotent--flung on the dung-hill
and dead!

Who hath delivered us, who?

365

Dare you see a Soul at the White Heat?
Then crouch within the door—
Red—is the Fire's common tint—
But when the vivid Ore
Has vanquished Flame's conditions,
It quivers from the Forge
Without a color, but the light
Of unanointed Blaze.
Least Village has its Blacksmith
Whose Anvil's even ring
Stands symbol for the finer Forge
That soundless tugs—within—
Refining these impatient Ores
With Hammer, and with Blaze
Until the Designated Light
Repudiate the Forge—

When I get to be a composer
I'm gonna write me some music about
Daybreak in Alabama
And I'm gonna put the purtiest songs in it
Rising out of the ground like a swamp mist
And falling out of heaven like soft dew.
I'm gonna put some tall tall trees in it
And the scent of pine needles
And the smell of red clay after rain
And long red necks
And poppy colored faces
And big brown arms
And the field daisy eyes
Of black and white black white black people
And I'm gonna put white hands