river

We read of kings and gods that kindly took
A pitcher fill'd with water from the brook ;
But I have daily tender'd without thanks
Rivers of tears that overflow their banks.
A slaughter'd bull will appease angry Jove,
A horse the Sun, a lamb the god of love,
But she disdains the spotless sacrifice
Of a pure heart, that at her altar lies.
Vesta is not displeased, if her chaste urn
Do with repaired fuel ever burn ;
But my saint frowns, though to her honour'd name
I consecrate a never-dying flame.

Some flowers are withered and some joys have died;
The garden reeks with an East Indian scent
From beds where gillyflowers stand weak and spent;
The white heat pales the skies from side to side;
But in still lakes and rivers, cool, content,
Like starry blooms on a new firmament,
White lilies float and regally abide.
In vain the cruel skies their hot rays shed;
The lily does not feel their brazen glare.
In vain the pallid clouds refuse to share
Their dews, the lily feels no thirst, no dread.

You say we bushmen cannot love—
Our lives are too prosaic: hence
We lose or lack that finer sense
That raises some few men above
Their fellows, setting them apart
As vessels of a finer make—
The acme of the potter’s art—
Are placed apart upon the shelf.
So he is more than common delf,
And, more than brute in human guise,
Who, seeking, finds his nobler self
Twin-mirrored in a woman’s eyes!
Yet these things bring their penalty:
For oft the merest touch will break
These vessels of a finer make;

Where the pools are bright and deep,
Where the grey trout lies asleep,
Up the river and over the lea,
That's the way for Billy and me.

Where the blackbird sings the latest,
Where the hawthorn blooms the sweetest,
Where the nestlings chirp and flee,
That's the way for Billy and me.

Where the mowers mow the cleanest,
Where the hay lies thick and greenest,
There to track the homeward bee,
That's the way for Billy and me.

Where the hazel bank is steepest,

“Gabble-gabble,… brethren,… gabble-gabble!”
My window frames forest and heather.
I hardly hear the tuneful babble,
Not knowing nor much caring whether
The text is praise or exhortation,
Prayer or thanksgiving, or damnation.

Outside it blows wetter and wetter,
The tossing trees never stay still.
I shift my elbows to catch better
The full round sweep of heathered hill.
The tortured copse bends to and fro
In silence like a shadow-show.

The parson’s voice runs like a river

LET others prate of Greece and Rome,
And towns where they may never be,
The muse should wander nearer home.
My country is enough for me;
Her wooded hills that watch the sea,
Her inland miles of springing corn,
At Macedon or Barrakee—
I love the land where I was born.
On Juliet smile the autumn stars
And windswept plains by Winchelsea,
In summer on their sandy bars
Her rivers loiter languidly.
Where singing waters fall and flee
The gullied ranges dip to Lorne

River, myrtle rimmed, and set
Deep amongst unfooted dells—
Daughter of grey hills of wet,
Born by mossed and yellow wells;
Now that soft September lays
Tender hands on thee and thine,
Let me think of blue-eyed days,
Star-like flowers and leaves of shine!

Cities soil the life with rust;
Water banks are cool and sweet;
River, tired of noise and dust,
Here I come to rest my feet.

Now the month from shade to sun
Fleets and sings supremest songs,

There lies a vale in Ida, lovelier
Than all the valleys of Ionian hills.
The swimming vapour slopes athwart the glen,
Puts forth an arm, and creeps from pine to pine,
And loiters, slowly drawn. On either hand
The lawns and meadow-ledges midway down
Hang rich in flowers, and far below them roars
The long brook falling thro' the clov'n ravine
In cataract after cataract to the sea.
Behind the valley topmost Gargarus
Stands up and takes the morning: but in front