sleep

After the red leaf and the gold have gone,
Brought down by the wind, then by hammering rain
Bruised and discolored, when October's flame
Goes blue to guttering in the cusp, this land
Sinks deeper into silence, darker into shade.
There is a knowledge in the look of things,
The old hills hunch before the north wind blows.

Now I can see certain simplicities
In the darkening rust and tarnish of the time,
And say over the certain simplicities,
The running water and the standing stone,

From Andalusian gardens
I bring the rose and rue,
And leaves of subtle odour,
To weave a gift for you.
You’ll know the reason wherefore
The sad is with the sweet;
My flowers may lie, as I would,
A carpet for your feet!
The heart—the heart is constant;
It holds its secret, Dear!
But often in the night time
I keep awake for fear.
I have no hope to whisper,
I have no prayer to send,
God save you from such passion!
God help you from such end!

"His Grace! impossible! what, dead!
Of old age too, and in his bed!
And could that mighty warrior fall,
And so inglorious, after all?
Well, since he's gone, no matter how,
The last loud trump must wake him now;
And, trust me, as the noise grows stronger,
He'd wish to sleep a little longer.
And could he be indeed so old
As by the newspapers we're told?
Threescore, I think, is pretty high;
'Twas time in conscience he should die!
This world he cumber'd long enough;
He burnt his candle to the snuff;

A crazy man that found a cup,
When all but dead of thirst,
Hardly dared to wet his mouth
Imagining, moon-accursed,
That another mouthful
And his beating heart would burst.
October last I found it too
But found it dry as bone,
And for that reason am I crazed
And my sleep is gone.

1917


What boots it on the Gods to call?
Since, answered or unheard,
We perish with the Gods and all
Things made--except the Word.

Ere certain Fate had touched a heart
By fifty years made cold,
I judged thee, Lyde, and thy art
O'erblown and over-bold.

But he--but he, of whom bereft
I suffer vacant days--
He on his shield not meanly left
He cherished all thy lays.

Witness the magic coffer stocked
With convoluted runes
Wherein thy very voice was locked

Art thou a Statist in the van
Of public conflicts trained and bred?
--First learn to love one living man;
'Then' may'st thou think upon the dead.

A Lawyer art thou?--draw not nigh!
Go, carry to some fitter place
The keenness of that practised eye,
The hardness of that sallow face.

Art thou a Man of purple cheer?
A rosy Man, right plump to see?
Approach; yet, Doctor, not too near,
This grave no cushion is for thee.

Or art thou one of gallant pride,

74

A Lady red—amid the Hill
Her annual secret keeps!
A Lady white, within the Field
In placid Lily sleeps!

The tidy Breezes, with their Brooms—
Sweep vale—and hill—and tree!
Prithee, My pretty Housewives!
Who may expected be?

The Neighbors do not yet suspect!
The Woods exchange a smile!
Orchard, and Buttercup, and Bird—
In such a little while!

And yet, how still the Landscape stands!
How nonchalant the Hedge!
As if the "Resurrection"

Is this a life, to break thy sleep,
To rise as soon as day doth peep?
To tire thy patient ox or ass
By noon, and let thy good days pass,
Not knowing this, that Jove decrees
Some mirth, t' adulce man's miseries?
--No; 'tis a life to have thine oil
Without extortion from thy soil;
Thy faithful fields to yield thee grain,
Although with some, yet little pain;
To have thy mind, and nuptial bed,
With fears and cares uncumbered
A pleasing wife, that by thy side
Lies softly panting like a bride;

No news of navies burnt at seas;
No noise of late spawn'd tittyries;
No closet plot or open vent,
That frights men with a Parliament:
No new device or late-found trick,
To read by th' stars the kingdom's sick;
No gin to catch the State, or wring
The free-born nostril of the King,
We send to you; but here a jolly
Verse crown'd with ivy and with holly;
That tells of winter's tales and mirth
That milk-maids make about the hearth;
Of Christmas sports, the wassail-bowl,
That toss'd up, after Fox-i'-th'-hole;

Two voices are there: one is of the deep;
It learns the storm-cloud's thunderous melody,
Now roars, now murmurs with the changing sea,
Now bird-like pipes, now closes soft in sleep:
And one is of an old half-witted sheep
Which bleats articulate monotony,
And indicates that two and one are three,
That grass is green, lakes damp, and mountains steep:
And, Wordsworth, both are thine: at certain times
Forth from the heart of thy melodious rhymes,
The form and pressure of high thoughts will burst: