summer

That strain again? It seems to tell
Of something like a joy departed;
I love its mourning accents well,
Like voice of one, ah! broken-hearted.

That note that pensive dies away,
And can each answering thrill awaken,
It sadly, wildly, seems to say,
Thy meek heart mourns its truth forsaken.

Or there was one who never more
Shall meet thee with the looks of gladness,
When all of happier life was o'er,
When first began thy night of sadness.

Sweet mourner, cease that melting strain,

The isles of Greece, the isles of Greece!
Where burning Sappho loved and sung,
Where grew the arts of war and peace,
Where Delos rose, and Phoebus
sprung!
Eternal summer gilds them yet,
But all, except their sun, is set...

The mountains look on Marathon--
And Marathon looks on the sea;
And musing there an hour alone,
I dreamed that Greece might still be free;
For standing on the Persians' grave,

The harsh King--Winter--sat upon the hills,
And reigned and ruled the earth right royally.
He locked the rivers, lakes, and all the rills--
"I am no puny, maudlin king," quoth he,
"But a stern monarch, born to rule, and reign;
And I'll show my power to the end.
The summer's flowery retinue I've slain,
And taken the bold, free North Wind for my friend.

"Spring, Summer, Autumn--feeble queens they were,
With their vast troops of flowers, birds and bees,
Soft winds, that made the long green grasses stir--

There’s many a house of grandeur,
With turret, tower and dome,
That knows not peace or comfort,
And does not prove a home.
I do not ask for splendour
To crown my daily lot,
But this I ask – a kitchen
Where the kettles always hot.

If things are not all ship-shape,
I do not fume or fret,
A little clean disorder
Does not my nerves upset.
But one thing is essential,
Or seems so in my thought,
And that’s a tidy kitchen
Where the kettle’s always hot.

How do we know, by the bank-high river,
Where the mired and sulky oxen wait,
And it looks as though we might wait for ever,
How do we know that the floods abate?
There is no change in the current's brawling--
Louder and harsher the freshet scolds;
Yet we can feel she is falling, falling
And the more she threatens the less she holds,
Down to the drift, with no word spoken,
The wheel-chained wagons slither and slue....
Achtung! The back of the worst is broken!
And--lash your leaders!--we're through--we're through!

Why should this flower delay so long
   To show its tremulous plumes?
Now is the time of plaintive robin-song,
   When flowers are in their tombs.

Through the slow summer, when the sun
   Called to each frond and whorl
That all he could for flowers was being done,
   Why did it not uncurl?

It must have felt that fervid call
   Although it took no heed,
Waking but now, when leaves like corpses fall,
   And saps all retrocede.

Too late its beauty, lonely thing,

How strange it seems! These Hebrews in their graves,
Close by the street of this fair seaport town,
Silent beside the never-silent waves,
At rest in all this moving up and down!

The trees are white with dust, that o'er their sleep
Wave their broad curtains in the southwind's breath,
While underneath these leafy tents they keep
The long, mysterious Exodus of Death.

And these sepulchral stones, so old and brown,
That pave with level flags their burial-place,
Seem like the tablets of the Law, thrown down

How sweet and pleasant grows the way
Through summer time again
While Landrails call from day to day
Amid the grass and grain

We hear it in the weeding time
When knee deep waves the corn
We hear it in the summers prime
Through meadows night and morn

And now I hear it in the grass
That grows as sweet again
And let a minutes notice pass
And now tis in the grain

Tis like a fancy everywhere
A sort of living doubt
We know tis something but it neer
Will blab the secret out

I

Because the night was falling warm and still
Upon a golden day at April’s end,
I thought; I will go up the hill once more
To find the face of him that I have lost,
And speak with him before his ghost has flown
Far from the earth that might not keep him long.

So down the road I went, pausing to see
How slow the dusk drew on, and how the folk
Loitered about their doorways, well-content
With the fine weather and the waxing year.
The miller’s house, that glimmered with grey walls,

With beating heart and lagging feet,
Lord, I approach the Judgment-seat.
All bring hither the fruits of toil,
Measures of wheat and measures of oil;

Gold and jewels and precious wine;
No hands bare like these hands of mine.
The treasure I have nor weighs nor gleams:
Lord, I can bring you only dreams.

In days of spring, when my blood ran high,
I lay in the grass and looked at the sky,
And dreamed that my love lay by my side--
My love was false, and then she died.