summer

Porlock! thy verdant vale so fair to sight,
Thy lofty hills which fern and furze imbrown,
The waters that roll musically down
Thy woody glens, the traveller with delight
Recalls to memory, and the channel grey
Circling its surges in thy level bay.
Porlock! I shall forget thee not,
Here by the unwelcome summer rain confined;
But often shall hereafter call to mind
How here, a patient prisoner, 'twas my lot
To wear the lonely, lingering close of day,
Making my sonnet by the alehouse fire,

It is time (it was time long ago) I should sever
This chain -- why I wear it I know not -- forever!
Yet I cling to the bond, e'en while sick of the mask
I must wear, as of one whom his commonplace task
And proof-armor of dullness have steeled to her charms!
Ah! how lovely she looked as she flung from her arms,
In heaps to this table (now starred with the stains
Of her booty yet wet with those yesterday rains),
These roses and lilies, and -- what? let me see!
Then was off in a moment, but turned with a glee,

Your thighs are appletrees
whose blossoms touch the sky.
Which sky? The sky
where Watteau hung a lady's
slipper. Your knees
are a southern breeze -- or
a gust of snow. Agh! what
sort of man was Fragonard?
-- As if that answered
anything. -- Ah, yes. Below
the knees, since the tune
drops that way, it is
one of those white summer days,
the tall grass of your ankles
flickers upon the shore --
Which shore? --
the sand clings to my lips --
Which shore?
Agh, petals maybe. How

I'd walk her home after work
buying roses and talking of Bechsteins.
She was full of soul.
Her small room was gorged with heat
and there were no windows.
She'd take off everything
but her pants
and take the pins from her hair
throwing them on the floor
with a great noise.
Like Crete.
We wouldn't make love.
She'd get on the bed
with those nipples
and we'd lie
sweating
and talking of my best friend.
They were in love.
When I got quiet
she'd put on usually Debussy
and

New-mown hay smell and wind of the plain made her
a woman whose ribs had the power of the hills in
them and her hands were tough for work and there
was passion for life in her womb.
She and her man crossed the ocean and the years that
marked their faces saw them haggling with landlords
and grocers while six children played on the stones
and prowled in the garbage cans.
One child coughed its lungs away, two more have adenoids
and can neither talk nor run like their mother,

My garden robin in the Spring
Was rapturous with glee,
And followed me with wistful wing
From pear to apple tree;
His melodies the summer long
He carolled with delight,
As if he could with jewelled song
Find favour in my sight.

And now that Autumn's in the air
He's singing singing still,
And yet somehow I cannot bear
The frenzy of his bill;
The keen wind ruffs his ruddy breast
As to bare boughs he clings;
The sun is sullen in the West
Yet still he sings and sings.

Where the poppy-banners flow
   in and out amongst the corn,
   spotless morn
ever saw us come and go

hand in hand, as girl and boy
   warming fast to youth and maid,
   half afraid
at the hint of passionate joy

still in Summer's rose unshown:
   yet we heard nor knew a fear;
   strong and clear
summer's eager clarion blown

from the sunrise to the set:
   now our feet are far away,
   night and day,
do the old-known spots forget?

Swift, o'er the wild and dreary waste
A NUT-BROWN GIRL was seen to haste;
Wide waving was her unbound hair,
And sun-scorch'd was her bosom bare;
For Summer's noon had shed its beams
While she lay wrapp'd in fev'rish dreams;
While, on the wither'd hedge-row's side,
By turns she slept, by turns she cried,
"Ah ! where lies hid the balsam sweet,
"To heal the wounds of MARGUERITE?"

Dark was her large and sunken eye
Which wildly gaz'd upon the sky;
And swiftly down her freckled face

I am the ancient apple-queen,
As once I was so am I now.
For evermore a hope unseen,
Betwixt the blossom and the bough.

Ah, where's the river's hidden Gold!
And where the windy grave of Troy?
Yet come I as I came of old,
From out the heart of Summer's joy.

This poem is for my wife.
I have made it plainly and honestly:
The mark is on it
Like the burl on the knife.

I have not made it for praise.
She has no more need for praise
Than summer has
Or the bright days.

In all that becomes a woman
Her words and her ways are beautiful:
Love's lovely duty,
the well-swept room.

Wherever she is there is sun
And time and a sweet air:
Peace is there,
Work done.

There are always curtains and flowers
And candles and baked bread