sun

After two sittings, now our Lady State
To end her picture does the third time wait.
But ere thou fall'st to work, first, Painter, see
If't ben't too slight grown or too hard for thee.
Canst thou paint without colors? Then 'tis right:
For so we too without a fleet can fight.
Or canst thou daub a signpost, and that ill?
'Twill suit our great debauch and little skill.
Or hast thou marked how antic masters limn
The aly-roof with snuff of candle dim,
Sketching in shady smoke prodigious tools?

Remembering the Strait of Belle Isle or
some northerly harbor of Labrador,
before he became a schoolteacher
a great-uncle painted a big picture.

Receding for miles on either side
into a flushed, still sky
are overhanging pale blue cliffs
hundreds of feet high,

their bases fretted by little arches,
the entrances to caves
running in along the level of a bay
masked by perfect waves.

On the middle of that quiet floor
sits a fleet of small black ships,

According to Brueghel
when Icarus fell
it was spring

a farmer was ploughing
his field
the whole pageantry

of the year was
awake tingling
near

the edge of the sea
concerned
with itself

sweating in the sun
that melted
the wings' wax

unsignificantly
off the coast
there was

a splash quite unnoticed
this was
Icarus drowning

Now this must be the sweetest place
From here to heaven's end;
The field is white and flowering lace,
The birches leap and bend,

The hills, beneath the roving sun,
From green to purple pass,
And little, trifling breezes run
Their fingers through the grass.

So good it is, so gay it is,
So calm it is, and pure.
A one whose eyes may look on this
Must be the happier, sure.

But me- I see it flat and gray
And blurred with misery,
Because a lad a mile away

Where are those dazzling hills touched by the sun,
Those crags in childhood that I used to climb?
Hidden, hidden under mist is yonder mountain,
Hidden is the heart.

A day of cloud, a lifetime falls between,
Gone are the heather moors and the pure stream,
Gone are the rocky places and the green,
Hidden, hidden under sorrow is yonder mountain,
Hidden, hidden.

O storm and gale of tears, whose blinding screen
Makes weather of grief, snow's drifting curtain
Palls th'immortal heights once seen.

It is the sacred hour: above the far
Low emerald hills that northward fold,
Calmly, upon the blue the evening star
Floats, wreathed in dusky gold.
The winds have sung all day; but now they lie
Faint, sleeping; and the evening sounds awake.
The slow bell tolls across the water: I
Am haunted by the spirit of the lake.
It seems as though the sounding of the bell
Intoned the low song of the water-soul,
And at some moments I can hardly tell
The long-resounding echo from the toll.

God send me tears!
Loose the fierce band that binds my tired brain,
Give me the melting heart of other years,
And let me weep again!

Before me pass
The shapes of things inexorably true.
Gone is the sparkle of transforming dew
From every blade of grass.

In life's high noon
Aimless I stand, my promised task undone,
And raise my hot eyes to the angry sun
That will go down too soon.

Turned into gall
Are the sweet joys of childhood's sunny reign;

Last summer, in the blue heat,
Over the beach, in the burning air,
A legless beggar lurched on calloused fists
To where I waited with the sun-dazed birds.
He said, "The summer boils away. My life
Joins to another life; this parched skin
Dries and dies and flakes away,
Becomes your costume when the torn leaves blow."

--Thus in the losing autumn,
Over the streets, I now lurch
Legless to your side and speak your name
Under a gray sky ripped apart
By thunder and the changing wind.

1
O! Solitude, my sweetest choice
Places devoted to the night,
Remote from tumult, and from noise,
How you my restless thoughts delight!
O Heavens! what content is mine,
To see those trees which have appear'd
From the nativity of Time,
And which hall ages have rever'd,
To look to-day as fresh and green,
 As when their beauties first were seen!

2
A cheerful wind does court them so,
And with such amorous breath enfold,
That we by nothing else can know,

L'anno che Gesucristo impastò er monno,
Ché pe impastallo già c'era la pasta,
Verde lo vorze fà, grosso e ritonno,
All'uso d'un cocommero de tasta.

Fece un zole, una luna e un mappamonno,
Ma de le stelle poi dì una catasta:
Su ucelli, bestie immezzo, e pesci in fonno:
Piantò le piante, e doppo disse: "Abbasta".

Me scordavo de dì che creò l'omo,
E coll'omo la donna, Adamo e Eva;
E je proibbì de nun toccaje un pomo.

Ma appena che a maggnà l'ebbe viduti,