sun

This level reach of blue is not my sea;
Here are sweet waters, pretty in the sun,
Whose quiet ripples meet obediently
A marked and measured line, one after one.
This is no sea of mine. that humbly laves
Untroubled sands, spread glittering and warm.
I have a need of wilder, crueler waves;
They sicken of the calm, who knew the storm.

So let a love beat over me again,
Loosing its million desperate breakers wide;
Sudden and terrible to rise and wane;
Roaring the heavens apart; a reckless tide

He who binds to himself a joy
Does the winged life destroy;
But he who kisses the joy as it flies
Lives in eternity's sun rise.

Here, where precipitate Spring with one light bound
Into hot Summer's lusty arms expires;
And where go forth at morn, at eve, at night,
Soft airs, that want the lute to play with them,
And softer sighs, that know not what they want;
Under a wall, beneath an orange-tree
Whose tallest flowers could tell the lowlier ones
Of sights in Fiesole right up above,
While I was gazing a few paces off
At what they seemed to show me with their nods,
Their frequent whispers and their pointing shoots,

A sea-gull with a broken wing,
I found upon the kelp-strewn shore.
It sprawled and gasped; I sighed: "Poor thing!
I fear your flying days are o'er;
Sad victim of a savage gun,
So ends your soaring in the sun."
II
I only wanted to be kind;
Its icy legs I gently caught,
Thinking its fracture I might bind,
But fiercely in its fear it fought;
Till guessing that I meant no ill,
It glared and gaped, but lay quite still.
III
I took it home and gave it food,
And nursed its wing day after day.

All in the beautiful Autumn weather
One thought lingers with me and stays;
Death and winter are coming together,
Though both are veiled by the amber haze
I look on the forest of royal splendour!
I look on the face in my quiet room;
A face all beautiful, sad and tender,
And both are stamped with the seal of doom.

All through the days of Indian summer,
Minute by minute and hour by hour,
I feel the approach of a dreaded Comer –
A ghastly presence of awful power.

Roll up, Eureka's heroes, on that grand Old Rush afar,
For Lalor's gone to join you in the big camp where you are;
Roll up and give him welcome such as only diggers can,
For well he battled for the rights of miner and of Man.
In that bright golden country that lies beyond our sight,
The record of his honest life shall be his Miner's Right;
But many a bearded mouth shall twitch, and many a tear be shed,
And many a grey old digger sigh to hear that Lalor's dead.
Yet wipe your eyes, old fossickers, o'er worked-out fields that roam,

When once the sun sinks in the west,
And dewdrops pearl the evening's breast;
Almost as pale as moonbeams are,
Or its companionable star,
The evening primrose opes anew
Its delicate blossoms to the dew;
And, hermit-like, shunning the light,
Wastes its fair bloom upon the night,
Who, blindfold to its fond caresses,
Knows not the beauty it possesses;
Thus it blooms on while night is by;
When day looks out with open eye,
Bashed at the gaze it cannot shun,
It faints and withers and is gone.

It is a beauteous evening, calm and free,
   The holy time is quiet as a Nun
   Breathless with adoration; the broad sun
Is sinking down in its tranquillity;
The gentleness of heaven broods o'er the sea:
   Listen! the mighty Being is awake,
   And doth with his eternal motion make
A sound like thunder--everlastingly.
Dear Child! dear Girl! that walkest with me here,
   If thou appear untouch'd by solemn thought,
   Thy nature is not therefore less divine:
Thou liest in Abraham's bosom all the year;

I

Oh! weep for the hour,
When to Eveleen's bower,
The Lord of the Valley with false vows came;
The moon hid her light,
From the heavens that night,
And wept behind her clouds o'er the maiden's shame.

II

The clouds pass'd soon
From the chaste cold moon,
And heaven smiled again with her vestal flame;
But none will see the day,
When the clouds shall pass away,
Which that dark hour left upon Eveleen's fame.

III

EYES always open eyes
onions we were all found under
eyes never in a hurry wait for me
blink at the smash preserve the negative hold on a minute
(we are taking actuality as a section through sentiment at that point)

MICROPHONES tearing the remote controls controlling tears
twisting the tender cables urgent flowers suffer so
in evening close the door you can't come in
deface the setting sun when they is done
(three guggly waters play at hide and seek the moon what time is it)