Three And One

Sometimes she seems so helpless and mild,
So full of sweet unreason and so weak,
So prone to some capricious whim or freak;
Now gay, now tearful, and now anger-wild,
By her strange moods of waywardness beguiled
And entertained, I stroke her pretty cheek,
And soothing words of peace and comfort speak;
And love her as a father loves a child.

Sometimes when I am troubled and sore pressed
On every side by fast advancing care,
She rises up with such majestic air,


The Weakling

I AM a weakling. God, who made
The still, strong man, made also me.
The God who could the tiger plan,
In his lithe splendour unafraid—
A thing of flame and poetry—
That Puissance made of me—a Man!

The One who reared His vast design—
Star, atom, system, germ, and soul—
Could fashion forth this tremulous
And paltry little heart of mine!
The God who could conceive the Whole,
Himself blasphemed in building thus.


The Upas Tree

Deep in the desert's misery,
far in the fury of the sand,
there stands the awesome Upas Tree
lone watchman of a lifeless land.

The wilderness, a world of thirst,
in wrath engendered it and filled
its every root, every accursed
grey leafstalk with a sap that killed.

Dissolving in the midday sun
the poison oozes through its bark,
and freezing when the day is done
gleams thick and gem-like in the dark.

No bird flies near, no tiger creeps;
alone the whirlwind, wild and black,


The Tiger

Tiger! Tiger! burning bright
In the forest of the night
What immortal hand or eye
Could frame thy fearful symmetry?

In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand dare seize the fire?

And What shoulder, and what art,
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? and what dread feet?

What the hammer? what the chain?
In what furnace was thy brain?
What the anvil? what dread grasp


The Tiger

The tiger, on the other hand,
Is kittenish and mild,
And makes a pretty playfellow
For any little child.
And mothers of large families
(Who claim to common sense)
Will find a tiger well repays
The trouble and expense.


The Tale of the Tiger-Tree

A Fantasy, dedicated to the little poet Alice Oliver Henderson, ten years old.

The Fantasy shows how tiger-hearts are the cause of war in all ages. It shows how the mammoth forces may be either friends or enemies of the struggle for peace. It shows how the dream of peace is unconquerable and eternal.



I

Peace-of-the-Hea rt, my own for long,
Whose shining hair the May-winds fan,
Making it tangled as they can,
A mystery still, star-shining yet,
Through ancient ages known to me


The Spooniad

[The late Mr. Jonathan Swift Somers, laureate of Spoon River, planned The Spooniad as an epic in twenty-four books, but unfortunately did not live to complete even the first book. The fragment was found among his papers by William Marion Reedy and was for the first time published in Reedy's Mirror of December 18th, 1914.]


Of John Cabanis' wrath and of the strife
Of hostile parties, and his dire defeat
Who led the common people in the cause
Of freedom for Spoon River, and the fall
Of Rhodes' bank that brought unnumbered woes


The Sphinx

In a dim corner of my room for longer than
my fancy thinks
A beautiful and silent Sphinx has watched me
through the shifting gloom.

Inviolate and immobile she does not rise she
does not stir
For silver moons are naught to her and naught
to her the suns that reel.

Red follows grey across the air, the waves of
moonlight ebb and flow
But with the Dawn she does not go and in the
night-time she is there.

Dawn follows Dawn and Nights grow old and
all the while this curious cat


The River's Tale

Prehistoric


Twenty bridges from Tower to Kew--
(Twenty bridges or twenty-two)--
Wanted to know what the River knew,
For they were young, and the Thames was old
And this is the tale that River told:--


"I walk my beat before London Town,
Five hours up and seven down.
Up I go till I end my run
At Tide-end-town, which is Teddington.
Down I come with the mud in my hands
And plaster it over the Maplin Sands.
But I'd have you know that these waters of mine


The riders of the plains

Who is it lacks the knowledge? Who are the curs that dare
To whine and sneer that they do not fear the whelps in the Lion's lair?
But we of the North will answer, while life in the North remains,
Let the curs beware lest the whelps they dare are the Riders of the Plains;
For these are the kind whose muscle makes the power of the Lion's jaw,
And they keep the peace of our people and the honour of British law.

A woman has painted a picture,--'tis a neat little bit of art


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