A Peasant

Iago Prytherch his name, though, be it allowed,
Just an ordinary man of the bald Welsh hills,
Who pens a few sheep in a gap of cloud.
Docking mangels, chipping the green skin
From the yellow bones with a half-witted grin
Of satisfaction, or churning the crude earth
To a stiff sea of clods that glint in the wind—
So are his days spent, his spittled mirth
Rarer than the sun that cracks the cheeks
Of the gaunt sky perhaps once in a week.
And then at night see him fixed in his chair


A Pastoral Ballad IV Disappointment

Ye shepherds give ear to my lay,
And take no more heed of my sheep:
They have nothing to do but to stray;
I have nothing to do but to weep.
Yet do not my folly reprove;
She was fair -- and my passion begun;
She smil'd -- and I could not but love;
She is faithless -- and I am undone.
Perhaps I was void of all thought:
Perhaps it was plain to foresee,
That a nymph so compleat would be sought
By a swain more engaging than me.
Ah! love ev'ry hope can inspire;
It banishes wisdom the while;


A Pastoral Ballad II Hope

My banks they are furnish'd with bees,
Whose murmur invites one to sleep;
My grottos are shaded with trees,
And my hills are white-over with sheep.
I seldom have met with a loss,
Such health do my fountains bestow;
My fountains all border'd with moss,
Where the hare-bells and violets grow.
Not a pine in my grove is there seen,
But with tendrils of woodbine is bound:

Not a beech's more beautiful green,
But a sweet-briar entwines it around.
Not my fields, in the prime of the year,


A Pastoral

Nature feels the touch of noon;
   Not a rustle stirs the grass;
Not a shadow flecks the sky,
Save the brown hawk hovering nigh;
   Not a ripple dims the glass
   Of the wide lagoon.

Darkly, like an armed host
   Seen afar against the blue,
Rise the hills, and yellow-grey
Sleeps the plain in cove and bay,
   Like a shining sea that dreams
   Round a silent coast.

From the heart of these blue hills,
   Like the joy that flows from peace,
Creeps the river far below


A Passing Bell

Mournfully to and fro, to and fro the trees are waving;
What did you say, my dear?
The rain-bruised leaves are suddenly shaken, as a child
Asleep still shakes in the clutch of a sob—
Yes, my love, I hear.

One lonely bell, one only, the storm-tossed afternoon is braving,
Why not let it ring?
The roses lean down when they hear it, the tender, mild
Flowers of the bleeding-heart fall to the throb—
It is such a little thing!

A wet bird walks on the lawn, call to the boy to come and look,


A Parting

The year is on the wing, my love,
With tearful days and nights;
The clouds are on the wing above
With gathering swallow-flights.

The year is on the wing, my sweet,
And in the ghostly race,
With patter of unnumbered feet,
The dead leaves fly apace.

The year is on the wing, and shakes
The last rose from its tree;
And I, whose heart in parting breaks,
Must bid adieu to thee.


A Part of an Ode

to the Immortal Memory and Friendship of that noble pair, Sir Lucius Cary and Sir H. Morison

IT is not growing like a tree
   In bulk, doth make man better be;
Or standing long an oak, three hundred year,
To fall a log at last, dry, bald, and sere:
   A lily of a day
   Is fairer far in May,
   Although it fall and die that night;
   It was the plant and flower of light.
In small proportions we just beauties see;
And in short measures, life may perfect be.

   Call, noble Lucius, then for wine,


A Palm-tree

A single fir-tree, lonely,
on a northern mountain height,
sleeps in a white blanket,
draped in snow and ice.

His dreams are of a palm-tree,
who, far in eastern lands,
weeps, all alone and silent,
among the burning sands.


A Nupial Eve excerpt

The murmur of the mourning ghost
That keeps the shadowy kine,
"Oh, Keith of Ravelston,
The sorrows of thy line!"

Ravelston, Ravelston,
The merry path that leads
Down the golden morning hill,
And thro' the silver meads;

Ravelston, Ravelston,
The stile beneath the tree,
The maid that kept her mother's kine,
The song that sang she!

She sang her song, she kept her kine,
She sat beneath the thorn,
When Andrew Keith of Ravelston


A Noon Song

There are songs for the morning and songs for the night,
For sunrise and sunset, the stars and the moon;
But who will give praise to the fulness of light,
And sing us a song of the glory of noon?
Oh, the high noon, the clear noon,
The noon with golden crest;
When the blue sky burns, and the great sun turns
With his face to the way of the west!

How swiftly he rose in the dawn of his strength;
How slowly he crept as the morning wore by;
Ah, steep was the climbing that led him at length


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