women

A Letter To My Aunt Discussing The Correct Approach To Modern Poetry


To you, my aunt, who would explore
The literary Chankley Bore,
The paths are hard, for you are not
A literary Hottentot
But just a kind and cultured dame
Who knows not Eliot (to her shame).
Fie on you, aunt, that you should see
No genius in David G.,
No elemental form and sound
In T.S.E. and Ezra Pound.
Fie on you, aunt! I'll show you how
To elevate your middle brow,
And how to scale and see the sights

Chloe,

In verse by your command I write.
Shortly you'll bid me ride astride, and fight:
These talents better with our sex agree
Than lofty flights of dangerous poetry.
Amongst the men, I mean the men of wit
(At least they passed for such before they writ),
How many bold adventureers for the bays,
Proudly designing large returns of praise,
Who durst that stormy, pathless world explore,
Were soon dashed back, and wrecked on the dull shore,
Broke of that little stock they had before!

Listen, and when thy hand this paper presses,
O time-worn woman, think of her who blesses
What thy thin fingers touch, with her caresses.

O mother, for the weight of years that break thee!
O daughter, for slow time must yet awake thee,
And from the changes of my heart must make thee!

O fainting traveller, morn is gray in heaven.
Dost thou remember how the clouds were driven?
And are they calm about the fall of even?

Pause near the ending of thy long migration;

"PRAISE God from whom all blessings flow."
Praise Him who sendeth joy and woe.
The Lord who takes, -- the Lord who gives, --
O praise Him, all that dies, and lives.
He opens and He shuts his hand,
But why, we cannot understand:
Pours and dries up his mercies' flood,
And yet is still All-perfect Good.
We fathom not the mighty plan,
The mystery of God and man;
We women, when afflictions come,
We only suffer and are dumb.
And when, the tempest passing by,

Unwillingly Miranda wakes,
Feels the sun with terror,
One unwilling step she takes,
Shuddering to the mirror.

Miranda in Miranda's sight
Is old and gray and dirty;
Twenty-nine she was last night;
This morning she is thirty.

Shining like the morning star,
Like the twilight shining,
Haunted by a calendar,
Miranda is a-pining.

Silly girl, silver girl,
Draw the mirror toward you;
Time who makes the years to whirl
Adorned as he adored you.

On a little hill amid fertile fields lies a small cemetery,
a Jewish cemetery behind a rusty gate, hidden by shrubs,
abandoned and forgotten. Neither the sound of prayer
nor the voice of lamentation is heard there
for the dead praise not the Lord.
Only the voices of our children ring out, seeking graves
and cheering
each time they find one--like mushrooms in the forest, like
wild strawberries.
Here's another grave! There's the name of my mother's
mothers, and a name from the last century. And here's a name,

Rapt with the rage of mine own ravish'd thought,
Through contemplation of those goodly sights,
And glorious images in heaven wrought,
Whose wondrous beauty, breathing sweet delights
Do kindle love in high-conceited sprights;
I fain to tell the things that I behold,
But feel my wits to fail, and tongue to fold.

Vouchsafe then, O thou most Almighty Spright,
From whom all gifts of wit and knowledge flow,
To shed into my breast some sparkling light
Of thine eternal truth, that I may show

You may have heard of Proclus, sir,
If you have been a reader;
And you may know a bit of her
Who helped the Lycian leader.
I have my doubts -- the head you "sport"
(Now mark me, don't get crusty)
Is hardly of the classic sort --
Your lore, I think, is fusty.

Most likely you have stuck to tracts
Flushed through with flaming curses --
I judge you, neighbour, by your acts --
So don't you damn my verses.

But to my theme. The Asian sage,
Whose name above I mention,

'Twas at the Seige of Matagarda, during the Peninsular War,
That a Mrs Reston for courage outshone any man there by far;
She was the wife of a Scottish soldier in Matagarda Port,
And to attend to her husband she there did resort.

'Twas in the Spring of the year 1810,
That General Sir Thomas Graham occupied Matagarda with 150 men;
These consisted of a detachment from the Scots Brigade,
And on that occasion they weren't in the least afraid.

And Captain Maclaine of the 94th did the whole of them command,

Poetry is the supreme fiction, madame.
Take the moral law and make a nave of it
And from the nave build haunted heaven. Thus,
The conscience is converted into palms,
Like windy citherns hankering for hymns.
We agree in principle. That's clear. But take
The opposing law and make a peristyle,
And from the peristyle project a masque
Beyond the planets. Thus, our bawdiness,
Unpurged by epitaph, indulged at last,
Is equally converted into palms,
Squiggling like saxophones. And palm for palm,