dark

WHERE o'er my head, the deaf'ning Tempest blew,
And Night's cold lamp cast forth a feeble ray;
Where o'er the woodlands, vivid light'nings flew,
Cleft the strong oak, and scorch'd the blossom'd spray;
At morn's approach, I mark the sun's warm glow
O'er the grey hill a crimson radiance throw;
I mark the silv'ry fragrant dew,
Give lustre to the vi'let's hue;
The shallow rivers o'er their pebbly way,
In slow meanders murmuring play;
Day spreads her beams, the lofty forest tree,

Evening is part of the jig-saw truth of her,
ply-wood ply-flesh, her insolent reply
blinding the ace with a straight shot to centre,
the woman's a delicate devil in twenty places
blander and blonder, tinder tenderly
setting the smiles on fire in men's faces.

On any evening gets you ready for dark
swathes and saves you for the magic carpet
spirits you anywhere anytime anyhow
over the bridges the tunnels the hills the foothills
the pools lakes oceans cataracts crystal floes

In Lake Forest, a suburb of Chicago,
a woman sits at her desk to write
me a letter. She holds a photograph
of me up to the light, one taken
17 years ago in a high school class
in Providence. She sighs, and the sigh
smells of mouthwash and tobacco.
If she were writing by candlelight
she would now be in the dark, for
a living flame would refuse to be fed
by such pure exhaustion. Actually
she is in the dark, for the man
she's about to address in her odd prose
had a life span of one 125th of a second

My OBERON, with ev'ry sprite
"That gilds the vapours of the night,
"Shall dance and weave the verdant ring
"With joy that mortals thus can sing;
"And when thou sigh'st MARIA'S name,
"And mourn'st to feel a hopeless flame,
"Eager they'll catch the tender note
"Just parting from thy tuneful throat,
"And bear it to the careless ear
"Of her who scorn'd a lover's tear. "

- QUEEN OF THE FARIES TO IL FERITO.


SWEET MAB! at thy command I flew
O'er glittering floods of midnight dew,

Oh! beautiful Oban with your lovely bay,
Your surroundings are magnificent on a fine summer-day;
There the lover of the picturesque can behold,
As the sun goes down, the scenery glittering like gold.

And on a calm evening, behind the village let him climb the hill,
And as he watches the sun go down, with delight his heart will fill
As he beholds the sun casting a golden track across the sea,
Clothing the dark mountains of Mull with crimson brilliancy.

Not less light shall the gold and the green lie
On the cyclonic curl and diamonded eye, than
Love lay yesterday on the breast like a beast.
Not less light shall God tread my maze of nerve
Than that great dread of tomorrow drove over
My maze of days. Not less terrible that tread
Stomping upon your grave than I shall tread there.
Who is a god to haunt the tomb but Love?

Therefore I shall be there at morning and midnight,
Not with a straw in my hair and a tear as Ophelia
Floating along my sorrow, but I shall come with

I told a truth, a tragic truth
That tore the sullen sky;
A million shuddered at my sooth
And anarchist was I.
Red righteousness was in my word
To winnow evil chaff;
Yet while I swung crusading sword
I heard the devil laugh.

I framed a lie, a rainbow lie
To glorify a thought;
And none was so surprised as I
When fast as fire it caught.
Like honey people lapped my lie
And peddled it abroad,
Till in a lift of sunny sky

O Love, dark animal,
With your strangeness go
Like any freak or clown:
Appease tee child in her
Because she is alone
Many years ago
Terrified by a look
Which was not meant for her.
Brush your heavy fur
Against her, long and slow
Stare at her like a book,
Her interests being such
No one can look too much.
Tell her how you know
Nothing can be taken
Which has not been given:
For you time is forgiven:
Informed by hell and heaven
You are not mistaken

O gather me the rose, the rose,
While yet in flower we find it,
For summer smiles, but summer goes,
And winter waits behind it.

For with the dream foregone, foregone,
The deed foreborn forever,
The worm Regret will canker on,
And time will turn him never.

So were it well to love, my love,
And cheat of any laughter
The fate beneath us, and above,
The dark before and after.

The myrtle and the rose, the rose,
The sunshine and the swallow,

Old women look intently at Nothing when the doctor
announces a cancer, dark fruit, under the
shrunk left breast.

Girls' hands hold Nothing when the train sucks their
men from the platform and scoops them down the
slipway of rail.

Nothing beats in deafened ears on the empty and
godless altars of mountain tops.

Nothing is the final strength of the strong: the
last poison on the crumpling lips of the weak.


Submitted by Stephen Fryer