dark

O
Out of a bed of love
When that immortal hospital made one more moove to soothe
The curless counted body,
And ruin and his causes
Over the barbed and shooting sea assumed an army
And swept into our wounds and houses,
I climb to greet the war in which I have no heart but only
That one dark I owe my light,
Call for confessor and wiser mirror but there is none
To glow after the god stoning night
And I am struck as lonely as a holy marker by the sun

No
Praise that the spring time is all

Los Angeles hums
a little tune --
trucks down
the coast road
for Monday Market
packed with small faces
blinking in the dark.
My mother dreams
by the open window.
On the drainboard
the gray roast humps
untouched, the oven
bangs its iron jaws,
but it's over.
Before her on the table
set for so many
her glass of fire
goes out.
The childish photographs,
the letters and cards
scatter at last.
The dead burn alone
toward dawn.

Spring

The year's first poem done,
with smug self confidence
a haikai poet.

Longer has become the daytime;
a pheasant is fluttering
down onto the bridge.

Yearning for the Bygones

Lengthening days,
accumulating, and recalling
the days of distant past.

Slowly passing days,
with an echo heard here in a
corner of Kyoto.

The white elbow
of a priest, dozing,
in the dusk of spring.

Into a nobleman,
a fox has changed himself

A MIDDLE-AGE INTERLUDE.

ROSA MUNDI; SEU, FULCITE ME FLORIBUS.
A CONCEIT OF MASTER GYSBRECHT,
CANON-REGULAR OF SAID JODOCUS-BY-THE-BAR,
YPRES CITY. CANTUQUE, Virgilius.
AND HATH OFTEN BEEN SUNG
AT HOCK-TIDE AND FESTIVALES. GAVISUS
ERAM, Jessides.

(It would seem to be a glimpse from the
burning of Jacques du Bourg-Mulay, at Paris,
A. D. 1314; as distorted by the refraction from
Flemish brain to brain, during the course of
a couple of centuries.)

[Molay was Grand Master of the Templars

Hist! . . . . . . Hark!
The night is very dark,
And we've to go a mile or so
Across the Possum Park.

Step . . . . . . light,
Keeping to the right;
If we delay, and lose our way,
We'll be out half the night.
The clouds are low and gloomy. Oh!
It's just begun to mist!
We haven't any overcoats
And - Hist! . . . . . . Hist!

(Mo . . . . . . poke!)
Who was that that spoke?
This is not a fitting spot
To make a silly joke.

Dear . . . . . . me!
A mopoke in a tree!

Time’s finger on the dial of my life
Points to high noon! And yet the half-spent day
Leaves less than half remaining, for the dark,
Bleak shadows of the grave engulf the end.

To those who burn the candle to the stick,
The sputtering socket yields but little light.
Long life is sadder than early death.
We cannot count on raveled threads of age
Whereof to weave a fabric. We must use
The warp and woof the ready present yields
And toils while daylight lasts. When I bethink

I

   I saw a dead man's finer part
Shining within each faithful heart
Of those bereft. Then said I: "This must be
   His immortality."

II

   I looked there as the seasons wore,
And still his soul continuously upbore
Its life in theirs. But less its shine excelled
   Than when I first beheld.

III

   His fellow-yearsmen passed, and then
In later hearts I looked for him again;
And found him--shrunk, alas! into a thin
   And spectral mannikin.

IV

ON HIS DEPARTURE FROM BAHIA

When thou stoodst amidst thy countrymen
Our captive and our foe,
What voice of pity was it then
That check'd the fatal blow?

When the name of the mighty 'Man of Fire'
Re-echoed to the sky,
And our chiefs forgot their deadly ire—
Who hail'd thy victory?

What voice like the softest, sweetest note
That rings from the slender white bird's throat,
Has soothed thee so oft to rest?
And thou hast said, so tenderly,

What is Africa to me:
Copper sun or scarlet sea,
Jungle star or jungle track,
Strong bronzed men, or regal black
Women from whose loins I sprang
When the birds of Eden sang?
One three centuries removed
From the scenes his fathers loved,
Spicy grove, cinnamon tree,
What is Africa to me?

So I lie, who all day long
Want no sound except the song
Sung by wild barbaric birds
Goading massive jungle herds,
Juggernauts of flesh that pass
Trampling tall defiant grass

Dry timber under that rich foliage,
At wine-dark midnight in the sacred wood,
Too old for a man's love I stood in rage
Imagining men. Imagining that I could
A greater with a lesser pang assuage
Or but to find if withered vein ran blood,
I tore my body that its wine might cover
Whatever could rccall the lip of lover.

And after that I held my fingers up,
Stared at the wine-dark nail, or dark that ran
Down every withered finger from the top;
But the dark changed to red, and torches shone,