dark

Far from my heavenly home,
Far from my Father’s breast,
Fainting I cry, blest Spirit, come
And speed me to my rest.

My spirit homeward turns
And fain would thither flee;
My heart, O Zion, droops and yearns,
When I remember thee.

To thee, to thee I press,
A dark and toilsome road;
When shall I pass the wilderness,
And reach the saint’s abode?

God of my life, be near;
On Thee my hopes I cast:
O guide me through the desert here,
And bring me home at last.

THE ARGUMENT OF THE FIRST CANTOSir Hudibras his passing worth,
The manner how he sallied forth;
His arms and equipage are shown;
His horse's virtues, and his own.
Th' adventure of the bear and fiddle
Is sung, but breaks off in the middle.
When civil fury first grew high,
And men fell out, they knew not why;
When hard words, jealousies, and fears,
Set folks together by the ears,
And made them fight, like mad or drunk,
For Dame Religion, as for punk;
Whose honesty they all durst swear for,

Dark clouds are smouldering into red
While down the craters morning burns.
The dying soldier shifts his head
To watch the glory that returns;
He lifts his fingers toward the skies
Where holy brightness breaks in flame;
Radiance reflected in his eyes,
And on his lips a whispered name.

You’d think, to hear some people talk,
That lads go West with sobs and curses,
And sullen faces white as chalk,
Hankering for wreaths and tombs and hearses.
But they’ve been taught the way to do it

How shall my animal
Whose wizard shape I trace in the cavernous skull,
Vessel of abscesses and exultation's shell,
Endure burial under the spelling wall,
The invoked, shrouding veil at the cap of the face,
Who should be furious,
Drunk as a vineyard snail, flailed like an octopus,
Roaring, crawling, quarrel
With the outside weathers,
The natural circle of the discovered skies
Draw down to its weird eyes?

How shall it magnetize,
Towards the studded male in a bent, midnight blaze

They stood on the bridge at midnight,
In a park not far from town;
They stood on the bridge at midnight
Because they didn't sit down.
The moon rose o'er the city
Behind the dark church spire;
The moon rose o'er the city
And kept on rising higher.
How often, oh! how often
They whispered words so soft;
How often, oh! how often,
How often, oh! how oft.

There's never a stone at the sleeper's head,
There's never a fence beside,
And the wandering stock on the grave may tread
Unnoticed and undenied;
But the smallest child on the Watershed
Can tell you how Gilbert died.
For he rode at dusk with his comrade Dunn
To the hut at the Stockman's Ford;
In the waning light of the sinking sun
They peered with a fierce accord.
They were outlaws both -- and on each man's head
Was a thousand pounds reward.

They had taken toll of the country round,

How full of God those evening skies,
Arrayed in calmest loveliness;
But ah! To think how many eyes
Are wet with weeping none the less.
Nay, hearts are aching, eyes are wet
The more that they so richly glow,
Since in the past some glory set,
To leave them in the dark of woe.

To leave them dark, and such a tinge
O’er every aftersunset throw,
That it should only seem to fringe
The pall of a dead long ago.

Ah well-a-day! But so it is,

-- for Jane kenyon


It is a day after many days of storms.
Having been washed and washed, the air glitters;
small heaped cumuli blow across the sky; a shower
visible against the firs douses the crocuses.
We knew it would happen one day this week.
Now, when I learn you have died, I go
to the open door and look across at New Hampshire
and see that there, too, the sun is bright
and clouds are making their shadowy ways along the horizon;
and I think: How could it not have been today?

DEDICATED TO LUCY BATES

(Being a reminiscence of certain private theatricals.)


Oh, cabaret dancer, I know a dancer,
Whose eyes have not looked on the feasts that are vain.
I know a dancer, I know a dancer,
Whose soul has no bond with the beasts of the plain:
Judith the dancer, Judith the dancer,
With foot like the snow, and with step like the rain.

Oh, thrice-painted dancer, vaudeville dancer,
Sad in your spangles, with soul all astrain,

Budging the sluggard ripples of the Somme,
A barge round old Cérisy slowly slewed.
Softly her engines down the current screwed,
And chuckled softly with contented hum,
Till fairy tinklings struck their croonings dumb.
The waters rumpling at the stern subdued;
The lock-gate took her bulging amplitude;
Gently from out the gurgling lock she swum.

One reading by that calm bank shaded eyes
To watch her lessening westward quietly.
Then, as she neared the bend, her funnel screamed.
And that long lamentation made him wise