dark

AS slow I climb the cliff's ascending side,
Much musing on the track of terror past
When o'er the dark wave rode the howling blast
Pleas'd I look back, and view the tranquil tide,
That laves the pebbled shore; and now the beam
Of evening smiles on the grey battlement,
And yon forsaken tow'r, that time has rent.
The lifted oar far off with silver gleam
Is touch'd and the hush'd billows seem to sleep.
Sooth'd by the scene, ev'n thus on sorrow's breast
A kindred stillness steals and bids her rest;

I wrung my hands under my dark veil. . .
"Why are you pale, what makes you reckless?"
-- Because I have made my loved one drunk
with an astringent sadness.

I'll never forget. He went out, reeling;
his mouth was twisted, desolate. . .
I ran downstairs, not touching the banisters,
and followed him as far as the gate.

And shouted, choking: "I meant it all
in fun. Don't leave me, or I'll die of pain."
He smiled at me -- oh so calmly, terribly --
and said: "Why don't you get out of the rain?"

Before having known
The black mexican dogs
Who sleep without dreaming
The butt-naked monkeys
Gobbling up tropics
The silver spiders in
Webs riddled with bubbles
I wouldn't want to die
Not knowing if the moon
Behind its fake nickel look
Has a sharper side
If the sun is cold
If the four seasons
Are really only four
Not having tried
To wear a dress
On the boulevards
Not having peeped
Through a sewer peephole
Not having put my dick

I would I were a careless child,
Still dwelling in my highland cave,
Or roaming through the dusky wild,
Or bounding o'er the dark blue wave;
The cumbrous pomp of Saxon pride
Accords not with the freeborn soul,
Which loves the mountain's craggy side,
And seeks the rocks where billows roll.

Fortune! take back these cultured lands,
Take back this name of splendid sound!
I hate the touch of servile hands,
I hate the slaves that cringe around.
Place me among the rocks I love,

M.B.

I threw my arms about those shoulders, glancing
at what emerged behind that back,
and saw a chair pushed slightly forward,
merging now with the lighted wall.
The lamp glared too bright to show
the shabby furniture to some advantage,
and that is why sofa of brown leather
shone a sort of yellow in a corner.
The table looked bare, the parquet glossy,
the stove quite dark, and in a dusty frame

I said fate plays a game without a score,
and who needs fish if you've got caviar?
The triumph of the Gothic style would come to pass
and turn you on--no need for coke, or grass.
I sit by the window. Outside, an aspen.
When I loved, I loved deeply. It wasn't often.

I said the forest's only part of a tree.
Who needs the whole girl if you've got her knee?
Sick of the dust raised by the modern era,
the Russian eye would rest on an Estonian spire.
I sit by the window. The dishes are done.

People sit numbly at the counter
waiting for breakfast or service.
Today it's Hartford, Connecticut
more than twenty-five years after
the last death of Wallace Stevens.
I have come in out of the cold
and wind of a Sunday morning
of early March, and I seem to be
crying, but I'm only freezing
and unpeeled. The waitress brings
me hot tea in a cracked cup,
and soon it's all over my paper,
and so she refills it. I read
slowly in The New York Times
that poems are dying in Iowa,

I

I see the boys of summer in their ruin
Lay the gold tithings barren,
Setting no store by harvest, freeze the soils;
Theire in their heat the winter floods
Of frozen loves they fetch their girls,
And drown the cargoed apples in their tides.

These boys of light are curdlers in their folly,
Sour the boiling honey;
The jacks of frost they finger in the hives;
There in the sun the frigid threads
Of doubt and dark they feed their nerves;
The signal moon is zero in their voids.

This dream of water-what does it harbor?
I see Argentina and Paraguay
under a curfew of glass, their colors
breaking, like oil. The night in Uruguay

is black salt. I'm driving toward Utah,
keeping the entire hemisphere in view-
Colombia vermilion, Brazil blue tar,
some countries wiped clean of color: Peru

is titanium white. And always oceans
that hide in mirrors: when beveled edges
arrest tides or this world's destinations
forsake ships. There's Sedona, Nogales

Anyone here had a go at themselves
for a laugh? Anyone opened their wrists
with a blade in the bath? Those in the dark
at the back, listen hard. Those at the front
in the know, those of us who have, hands up,
let's show that inch of lacerated skin
between the forearm and the fist. Let's tell it
like it is: strong drink, a crimson tidemark
round the tub, a yard of lint, white towels
washed a dozen times, still pink. Tough luck.
A passion then for watches, bangles, cuffs.
A likely story: you were lashed by brambles