I said, This Misery Must End

I SAID, This misery must end:
Shall I, that am a man and know
that sky and wind are yet my friend,
sit huddled under any blow?
so speaking left the dismal room
and stept into the mother-night
all fill’d with sacred quickening gloom
where the few stars burn’d low and bright,
and darkling on my darkling hill
heard thro’ the beaches’ sullen boom
heroic note of living will
rung trumpet-clear against the fight;
so stood and heard, and rais’d my eyes


I Arise from Dreams of Thee

I arise from dreams of thee
In the first sweet sleep of night,
When the winds are breathing low,
And the stars are shining bright
I arise from dreams of thee,
And a spirit in my feet
Has led me -- who knows how? --
To thy chamber-window, sweet!

The wandering airs they faint
On the dark, the silent stream, --
The champak odors fall
Like sweet thoughts in a dream,
The nightingale's complaint,
It dies upon her heart,
As I must die on thine,
O, beloved as thou art!


I Only Am Escaped Alone to Tell Thee

I tell you that I see her still
At the dark entrance of the hall.
One gas lamp burning near her shoulder
Shone also from her other side
Where hung the long inaccurate glass
Whose pictures were as troubled water.
An immense shadow had its hand
Between us on the floor, and seemed
To hump the knuckles nervously,
A giant crab readying to walk,
Or a blanket moving in its sleep.

You will remember, with a smile
Instructed by movies to reminisce,
How strict her corsets must have been,


I Love The Tsarskoselsky Gardens

I love the Tsarskoselsky Gardens
Late in the fall when, in soft haze
Enfolded, as in sleep's embrace
They lie... The cold's breath slowly hardens,
And on the dull glass of the lake,
Clad in that same fine haze, white-winged
And strangely languid visions linger
And seem bemused, but half-awake.

The skies are grey, by not a star lit...
The evening's shadows onward press
And softly lick the steps dark scarlet
Of Catherine's lofty palaces.
Then dark the gardens grow and dreamy,


I Hear the Oriole's Always-Grieving Voice

I hear the oriole's always-grieving voice,
And the rich summer's welcome loss I hear
In the sickle's serpentine hiss
Cutting the corn's ear tightly pressed to ear.
And the short skirts of the slim reapers
Fly in the wind like holiday pennants,
The clash of joyful cymbals, and creeping
From under dusty lashes, the long glance.

I don't expect love's tender flatteries,
In premonition of some dark event,
But come, come and see this paradise
Where together we were blessed and innocent.


I have a Rendezvous with Death

I have a rendezvous with Death
At some disputed barricade,
When Spring comes back with rustling shade
And apple-blossoms fill the air—
I have a rendezvous with Death
When Spring brings back blue days and fair.

It may be he shall take my hand
And lead me into his dark land
And close my eyes and quench my breath—
It may be I shall pass him still.
I have a rendezvous with Death
On some scarred slope of battered hill,
When Spring comes round again this year
And the first meadow-flowers appear.


I Hardly Remember

I hardly remember your voice, but the pain of you
floats in some remote current of my blood.
I carry you in my depths, trapped in the sludge
like one of those corpses the sea refuses to give up.

It was a spoiled remnant of the South. A beach
without fishing boats, where the sun was for sale.
A stretch of shore, now a jungle of lights and languages
that grudgingly offered, defeated, its obligation of sand.

The night of that day punished us at its whim.
I held you so close I could barely see you.


I Grant You Ample Leave

"I grant you ample leave
To use the hoary formula 'I am'
Naming the emptiness where thought is not;
But fill the void with definition, 'I'
Will be no more a datum than the words
You link false inference with, the 'Since' & 'so'
That, true or not, make up the atom-whirl.
Resolve your 'Ego', it is all one web
With vibrant ether clotted into worlds:
Your subject, self, or self-assertive 'I'
Turns nought but object, melts to molecules,


I Grant You Ample Leave

"I grant you ample leave
To use the hoary formula 'I am'
Naming the emptiness where thought is not;
But fill the void with definition, 'I'
Will be no more a datum than the words
You link false inference with, the 'Since' & 'so'
That, true or not, make up the atom-whirl.
Resolve your 'Ego', it is all one web
With vibrant ether clotted into worlds:
Your subject, self, or self-assertive 'I'
Turns nought but object, melts to molecules,
Is stripped from naked Being with the rest


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