dark

I heard one who said: "Verily,
What word have I for children here?
Your Dollar is your only Word,
The wrath of it your only fear.

"You build it altars tall enough
To make you see but you are blind;
You cannot leave it long enough
To look before you or behind.

"When Reason beckons you to pause,
You laugh and say that you know best;
But what it is you know, you keep
As dark as ingots in a chest.

"You laugh and answer, 'We are young;
Oh, leave us now, and let us grow:'

O Hymen king.

Hymen, O Hymen king,
what bitter thing is this?
what shaft, tearing my heart?
what scar, what light, what fire
searing my eye-balls and my eyes with flame?
nameless, O spoken name,
king, lord, speak blameless Hymen.

Why do you blind my eyes?
why do you dart and pulse
till all the dark is home,
then find my soul
and ruthless draw it back?
scaling the scaleless,
opening the dark?
speak, nameless, power and might;
when will you leave me quite?

What sort of arrow split the sky and this rock?
It's quivering, spreading like a peacock's fan
Like the mist around the shaft and knot less feathers
Of a comet come to nest at midnight.

How blood surges from the gaping wound,
Lips already silencing murmur and cry.
One solemn finger holds back time, confusing
The witness of the eyes where the deed is written.

Silence? We still know the passwords.
Lost sentinels far from the watch fires
We smell the odor of honeysuckle and surf
Rising in the dark shadows.

Fingal, returning from an expedition which he had made into the Roman province, resolved to visit Cathulla, king of Inistore, and brother to Comala, whose story is related at large in the preceding dramatic poem. Upon his coming in sight of Carric-thura, the palace of Cathulla, he observed a flame on its top, which, in those days, was a signal of distress. The wind drove him into a bay at some distance from Carric-thura, and he was obliged to pass the night on shore.

Blue and gold, and mist and sunlight,
Veils of colour blent and blown
In melodic monotone.
Dark and bright, and white and dun light
Clash and flash, as into one light
Trembling thro’ an opal stone,
Over green robes of the mountain
And the blue skirts of the sea,
Spreading from a sacred fountain
Hymeneal harmony.

Drums and trumpets of the ocean,
Oboe spirits of the wind,
Violins of forest kind,
Flutes that breathe the trees’ devotion,

Out on the high "bird islands," Ciboux and Hertford,
the razorbill auks and the silly-looking puffins all stand
with their backs to the mainland
in solemn, uneven lines along the cliff's brown grass-frayed edge,
while the few sheep pastured there go "Baaa, baaa."
(Sometimes, frightened by aeroplanes, they stampede
and fall over into the sea or onto the rocks.)
The silken water is weaving and weaving,
disappearing under the mist equally in all directions,
lifted and penetrated now and then

'Of course,' I said, 'we cannot hope to find
What we are looking for in anyone;
They glitter, maybe, but are not the sun,
This pebble here, that bit of apple rind.
Still, it's the Alpine sun that makes them burn,
And what we're looking for, some indirect
Glint of itself each of us may reflect,
And so shed light about us as we turn.'
Sideways she looked and said, 'How you go on!'
And was the stone and rind, their shinings gone.

'It is some hard dry scale we must break through,

Calm is all nature as a resting wheel.
The kine are couched upon the dewy grass;
The horse alone, seen dimly as I pass,
Is cropping audibly his later meal:
Dark is the ground; a slumber seems to steal
O'er vale, and mountain, and the starless sky.
Now, in this blank of things, a harmony,
Home-felt, and home-created, comes to heal
That grief for which the senses still supply
Fresh food; for only then, when memory
Is hushed, am I at rest. My Friends! restrain
Those busy cares that would allay my pain;

55

By Chivalries as tiny,
A Blossom, or a Book,
The seeds of smiles are planted—
Which blossom in the dark.

The days of the future stand in front of us
Like a line of candles all alight----
Golden and warm and lively little candles.
The days that are past are left behind,
A mournful row of candles that are out;
The nearer ones are still smoking,
Candles cold, and melted, candles bent.,
I don’t want to see them; their shapes hurt me,
It hurts me to remember the light of them at first.
I look before me at my lighted candles,
I don’t want to turn around and see with horror
How quickly the dark line is lengthening,