dark

In most self-portraits it is the face that dominates:
Cezanne is a pair of eyes swimming in brushstrokes,
Van Gogh stares out of a halo of swirling darkness,
Rembrant looks relieved as if he were taking a breather
from painting The Blinding of Sampson.

But in this one Goya stands well back from the mirror
and is seen posed in the clutter of his studio
addressing a canvas tilted back on a tall easel.

He appears to be smiling out at us as if he knew
we would be amused by the extraordinary hat on his head

In Rome on the Campo di Fiori
Baskets of olives and lemons,
Cobbles spattered with wine
And the wreckage of flowers.
Vendors cover the trestles
With rose-pink fish;
Armfuls of dark grapes
Heaped on peach-down.

On this same square
They burned Giordano Bruno.
Henchmen kindled the pyre
Close-pressed by the mob.
Before the flames had died
The taverns were full again,
Baskets of olives and lemons
Again on the vendors' shoulders.

I thought of the Campo dei Fiori

This piece, as many more of Ossian's compositions, is addressed to one of the first Christian missionaries. The story of the poem is handed down by tradition thus:- In the country of the Britons, between the walls, two chiefs lived in the days of Fingal, Dunthalmo, Lord of Teutha, supposed to be the Tweed; and Rathmor, who dwelt at Clutha, well known to be the river Clyde. Rathmor was not more renowned for his generosity and hospitality, than Dunthalmo was infamous for his cruelty and ambition.

It is winter in California, and outside
Is like the interior of a florist shop:
A chilled and moisture-laden crop
Of pink camellias lines the path; and what
Rare roses for a banquet or a bride,
So multitudinous that they seem a glut!

A line of snails crosses the golf-green lawn
From the rosebushes to the ivy bed;
An arsenic compound is distributed
For them. The gardener will rake up the shells
And leave in a corner of the patio
The little mound of empty shells, like skulls.

'Of course,' I said, 'we cannot hope to find
What we are looking for in anyone;
They glitter, maybe, but are not the sun,
This pebble here, that bit of apple rind.
Still, it's the Alpine sun that makes them burn,
And what we're looking for, some indirect
Glint of itself each of us may reflect,
And so shed light about us as we turn.'
Sideways she looked and said, 'How you go on!'
And was the stone and rind, their shinings gone.

'It is some hard dry scale we must break through,

If trees were tall and grasses short,
As in some crazy tale,
If here and there a sea were blue
Beyond the breaking pale,

If a fixed fire hung in the air
To warm me one day through,
If deep green hair grew on great hills,
I know what I should do.

In dark I lie; dreaming that there
Are great eyes cold or kind,
And twisted streets and silent doors,
And living men behind.

Let storm clouds come: better an hour,
And leave to weep and fight,
Than all the ages I have ruled

Now at our casement the wind is shrilling,
Poignant and keen
And all the great boughs of the pines between
It is harping a lone and hungering strain
To the eldritch weeping of the rain;
And then to the wild, wet valley flying
It is seeking, sighing,
Something lost in the summer olden.
When night was silver and day was golden;
But out on the shore the waves are moaning
With ancient and never fulfilled desire,
And the spirits of all the empty spaces,
Of all the dark and haunted places,

The Locust drones along the drowsy noon,
The brown bee lingers in the yellow foam,
Blossom on blossom searching deep, but soon
Slides heavy-wingèd home.

The vacant air, half visible, complains
All overburdened of its noontide hour;
Sound after sound in heavy silence wanes
At the strong sun’s burning power.

Let the strong sun burn down the barren plain
And scour the empty heaven, and twist the air
To filmiest flickerings, o’er us in vain
His hollow vault doth glare.

Lights are burning
In quiet rooms
Where lives go on
Resembling ours.

The quiet lives
That follow us—
These lives we lead
But do not own—

Stand in the rain
So quietly
When we are gone,
So quietly . . .
And the last bus
Comes letting dark
Umbrellas out—
Black flowers, black flowers.

And lives go on.
And lives go on
Like sudden lights
At street corners

Or like the lights
In quiet rooms
Left on for hours,

We build with strength and deep tower wall
That shall be shattered thus and thus.
And fair and great are court and hall,
But how fair--this is not for us,
Who know the lack that lurks in all.

We know, we know how all too bright
The hues are that our painting wears,
And how the marble gleams too white;--
We speak in unknown tongues, the years
Interpret everything aright,

And crown with weeds our pride of towers,
And warm our marble through with sun,
And break our pavements through with flowers,