Do not cry for me, Mother, seeing me in the grave.
I
This greatest hour was hallowed and thandered
By angel's choirs; fire melted sky.
He asked his Father:"Why am I abandoned...?"
And told his Mother: "Mother, do not cry..."
II
Magdalena struggled, cried and moaned.
Peter sank into the stone trance...
Only there, where Mother stood alone,
None has dared cast a single glance.
Malvina, the daughter of Toscar, is overheard by Ossian lamenting the death of Oscar her lover. Ossian, to divert her grief, relates his own actions in expedition which he undertook, at Fingal's command, to aid Crothar the petty king of Croma, a country in Ireland, against Rothmar, who invaded his dominions. The story is delivered down thus in tradition. Crothar, king of Croma, being blind with age, and his son too young for the field, Rothmar, the chief of Tromo resolved to avail himself of the opportunity offered of annexing the dominions of Crothar to his own.
is what we called her. The story was
that her father had thrown Drano at her
which was probably true, given the way she slouched
through fifth grade, afraid of the world, recess
especially. She had acne scars
before she had acne—poxs and dips
and bright red patches.
I don't remember
any report in the papers. I don't remember
my father telling me her father had gone to jail.
I never looked close to see the particulars
of Crater Face's scars. She was a blur, a cartoon
When I eat crab, slide the rosy
rubbery claw across my tongue
I think of my mother. She'd drive down
to the edge of the Bay, tiny woman in a
huge car, she'd ask the crab-man to
crack it for her. She'd stand and wait as the
pliers broke those chalky homes, wild-
red and knobby, those cartilage wrists, the
thin orange roof of the back.
I'd come home, and find her at the table
crisply unhousing the parts, laying the
fierce shell on one side, the
soft body on the other. She gave us
Now hearken, ye who take delight
In boasting of your worth!
To many a man, to many a knight,
Beloved in peace and brave in fight,
The Swabian land gives birth.
Of Charles and Edward, Louis, Guy,
And Frederick, ye may boast;
Charles, Edward, Louis, Frederick, Guy--
None with Sir Eberhard can vie--
Himself a mighty host!
And then young Ulerick, his son,
Ha! how he loved the fray!
Young Ulerick, the Count's bold son,
This was the way of it, don't you know --
Ryan was "wanted" for stealing sheep,
And never a trooper, high or low,
Could find him -- catch a weasel asleep!
Till Trooper Scott, from the Stockman's Ford --
A bushman, too, as I've heard them tell --
Chanced to find him drunk as a lord
Round at the Shadow of Death Hotel.
D'you know the place? It's a wayside inn,
A low grog-shanty -- a bushman trap,
Hiding away in its shame and sin
Under the shelter of Conroy's Gap --
Under the shade of that frowning range
Five minutes here, and they must steal two more!
shameful! Here have I been five mortal years
and not seen home nor one dear kindred face,
and these abominable slugs, this guard,
this driver, porters--what are they about?--
keep us here motionless, two minutes, three.--
Aha! at last!
Good! We shall check our minutes;
we're flying after them, like a mad wind
chasing the leaves it has tossed on in front.
Oh glorious wild speed, what giants' play!
and there are men who tell us poetry
'Tis The
SONG OF LITTLE MARY,
Standing at the bar-room door
While the shameful midnight revel
Rages wildly as before.
Father, dear father, come home with me now!
The clock in the steeple strikes one;
You said you were coming right home from the shop,
As soon as your day's work was done.
Our fire has gone out our house is all dark
And mother's been watching since tea, --
With poor brother Benny so sick in her arms,
And no one to help her but me. --
Come home! come home! come home! --
Brother, come back! come back!
Dear brother, what can be the charm,
That holds you so strong -- that keeps you so long
Away from your father's able farm?
Poor Father, he tells how he needs you --
And would it be more than is due.
His labors to share, his burdens to bear,
Who once bore your burdens for you!
'Tis the voice of your sister -- she calls you,
In tones both of love and alarm!
"By dead mother's prayers -- by father's gray hairs --
Dear brother, come back to the farm."
Father, tho' years ago
This poem. is valuable on account of the light it throws on the antiquity of Ossian's compositions. The Caracul mentioned here is the same with Caracalla, the son of Severus, who, in the year 211, commanded an expedition against the Caledonians. The variety of the measure shows that the poem was originally set to music, and perhaps presented before the chiefs upon solemn occasions. Tradition has handed down the story more complete than it is in the poem.
