flower

It's snowing this afternoon and there are no flowers.
There is only this sound of falling, quiet and remote,
Like the memory of scales descending the white keys
Of a childhood piano--outside the window, palms!
And the heavy head of the cereus, inclining,
Soon to let down its white or yellow-white.

Now, only these poor snow-flowers in a heap,
Like the memory of a white dress cast down . . .
So much has fallen.
      &n bsp;       &nb sp;          & nbsp;       And I, who have listened for a step

Ah, happy air that, rough or soft,
   May kiss that face and stay;
And happy beams that from above
   May choose to her their way;
And happy flowers that now and then
   Touch lips more sweet than they!

But it were not so blest to be
   Or light or air or rose;
Those dainty fingers tear and toss
   The bloom that in them glows;
And come or go, both wind and ray
   She heeds not, if she knows.

But if I come thy choice should be
   Either to love or not --

Oh Companion That Abode Is Unmatched,
Where My Complete Beloved Is.

In that Place There Is No Happiness or Unhappiness,
No Truth or Untruth
Neither Sin Nor Virtue.
There Is No Day or Night, No Moon or Sun,
There Is Radiance Without Light.

There Is No Knowledge or Meditation
No Repetition of Mantra or Austerities,
Neither Speech Coming From Vedas or Books.
Doing, Not-Doing, Holding, Leaving
All These Are All Lost Too In This Place.

No Home, No Homeless, Neither Outside or Inside,

I.

Oh Galuppi, Baldassaro, this is very sad to find!
I can hardly misconceive you; it would prove me deaf and blind;
But although I take your meaning, 'tis with such a heavy mind!

II.

Here you come with all your music, and here's all the good it brings.
What, they lived once thus at Venice where the merchants were the kings,
Where Saint Mark's is, where the Doges used to wed the sea with rings?

III.

Ay, because the sea's the street there; and 'tis arched by ... what you call

391

A Visitor in Marl—
Who influences Flowers—
Till they are orderly as Busts—
And Elegant—as Glass—

Who visits in the Night—
And just before the Sun—
Concludes his glistening interview—
Caresses—and is gone—

But whom his fingers touched—
And where his feet have run—
And whatsoever Mouth be kissed—
Is as it had not been—

I lounge in the doorway and languish in vain
While Tom, Dick and Harry are dancing with Jane


My spirit rises to the music's beat;
There is a leaden fiend lurks in my feet!
To move unto your motion, Love, were sweet.

Somewhere, I think, some other where, not here,
In other ages, on another sphere,
I danced with you, and you with me, my dear.

In perfect motion did our bodies sway,
To perfect music that was heard alway;
Woe's me, that am so dull of foot to-day!

We that with like hearts love, we lovers twain,
New wedded in the village by thy fane,
Lady of all chaste love, to thee it is
We bring these amaranths, these white lilies,
A sign, and sacrifice; may Love, we pray,
Like amaranthine flowers, feel no decay;
Like these cool lilies may our loves remain,
Perfect and pure, and know not any stain;
And be our hearts, from this thy holy hour,
Bound each to each, like flower to wedded flower.

A horseman on a hilltop green
Drew rein, and wound his horn;
So bright he looked he might have been
The Herald of the Morn.
His steed was of the sovran strain
In Fancy’s meadows bred—
And pride was in his tossing mane,
And triumph in his tread.

The rider’s eyes like jewels glowed—
The World was in his hand—
As down the woodland way he rode
When Spring was in the land.

From golden hour to golden hour
For him the woodland sang.
And from the heart of every flower

White dawn. Stillness.When the rippling began
      &nbs p;   I took it for sea-wind, coming to our valley with rumors
      &nb sp;   of salt, of treeless horizons. But the white fog
didn't stir; the leaves of my brothers remained outstretched,
unmoving.
   & nbsp;       &n bsp;       &nb sp;Yet the rippling drew nearer – and then
my own outermost branches began to tingle, almost as if
fire had been lit below them, too close, and their twig-tips
were drying and curling.

Sit on the bed. I'm blind, and three parts shell.
Be careful; can't shake hands now; never shall.
Both arms have mutinied against me,-brutes.
My fingers fidget like ten idle brats.

I tried to peg out soldierly,-no use!
One dies of war like any old disease.
This bandage feels like pennies on my eyes.
I have my medals?-Discs to make eyes close.
My glorious ribbons?-Ripped from my own back
In scarlet shreds. (That's for your poetry book.)

A short life and a merry one, my buck!