people

It is stuffy in the steerage where the second-classers sleep,
For there's near a hundred for'ard, and they're stowed away like sheep, --
They are trav'lers for the most part in a straight 'n' honest path;
But their linen's rather scanty, an' there isn't any bath --
Stowed away like ewes and wethers that is shore 'n' marked 'n' draft.
But the shearers of the shearers always seem to travel aft;
In the cushioned cabins, aft,
With saloons 'n' smoke-rooms, aft --
There is sheets 'n' best of tucker for the first-salooners, aft.

Now, with the wars of the world begun, they'll listen to you and me,
Now while the frightened nations run to the arms of democracy,
Now, when our blathering fools are scared, and the years have proved us right –
All unprovided and unprepared, the Outpost of the White!

"Get the people – no matter how," that is the way they rave,
Could a million paupers aid us now, or a tinpot squadron save?
The "loyal" drivel, the blatant boast are as shames that used to be –

Fountain of never ceasing grace,
Thy saints’ exhaustless theme,
Great object of immortal praise,
Essentially supreme;
We bless Thee for the glorious fruits
Thine incarnation gives;
The righteousness which grace imputes,
And faith alone receives.

Whom heaven’s angelic host adores,
Was slaughtered for our sin;
The guilt, O Lord was wholly ours,
The punishment was Thine:
Our God in the flesh, to set us free,
Was manifested here;
And meekly bare our sins, that we
His righteousness might wear.

A dead starfish on a beach
He has five branches
Representing the five senses
Representing the jokes we did not tell each other
Call the earth flat
Call other people human
But let this creature lie
Flat upon our senses
Like a love
Prefigured in the sea
That died.
And went to water
All the oceans
Of emotion. All the oceans of emotion
are full of such ffish
Why
Is this dead one of such importance?

There is no transcience of twilight in
The beauty of your soft dusk-dimpled face,
No flicker of a slender flame in space,
In crucibles, fragility crystalline.
There is no fragrance of the jessamine
About you, no pathos of some old place
At dusk, that crumbles like moth-eater lace
Beneath the touch. Nor has there ever been.

Your love is like the folk-song's flaming rise
In cane-lipped southern people, like their soul
Which burst its bondage in a bold travail;
Your voice is like them singing, soft and wise,

"Every time we get a big gale around here
some people just refuse to batten down."

we estimate that

ice skating into a sixty
mile an hour wind, fully exerting
the legs and swinging arms

you will be pushed backward
an inch every twenty minutes.

in a few days, depending on
the size of the lake,
the backs of your skates
will touch land.

you will then fall on your ass
and be blown into the forest.

if you gather enough speed
by flapping your arms

the sky sinks its blue teeth
into the mountains.

Rising on pure will

(the lurch & lift-off,
the sudden swing
into wide, white snow),

I encourage the cable.

Past the wind
& crossed tips of my skis
& the mauve shadows of pines
& the spoor of bears
& deer,

I speak to my fear,

rising, riding,
finding myself

the only thing
between snow & sky,

the link
that holds it all together.

Halfway up the wire,

Flanders, the name of a place, a country of people,
Spells itself with letters, is written in books.

"Where is Flanders?" was asked one time,
Flanders known only to those who lived there
And milked cows and made cheese and spoke the home language.

"Where is Flanders?" was asked.
And the slang adepts shot the reply: Search me.

A few thousand people milking cows, raising radishes,
On a land of salt grass and dunes, sand-swept with a sea-breath on it:
This was Flanders, the unknown, the quiet,

I drank musty ale at the Illinois Athletic Club with
the millionaire manufacturer of Green River butter
one night
And his face had the shining light of an old-time Quaker,
he spoke of a beautiful daughter, and I knew he had
a peace and a happiness up his sleeve somewhere.
Then I heard Jim Kirch make a speech to the Advertising
Association on the trade resources of South America.
And the way he lighted a three-for-a-nickel stogie and
cocked it at an angle regardless of the manners of
our best people,

The earth keeps some vibration going
There in your heart, and that is you.
And if the people find you can fiddle,
Why, fiddle you must, for all your life.
What do you see, a harvest of clover?
Or a meadow to walk through to the river?
The wind's in the corn; you rub your hands
For beeves hereafter ready for market;
Or else you hear the rustle of skirts
Like the girls when dancing at Little Grove.
To Cooney Potter a pillar of dust
Or whirling leaves meant ruinous drouth;