pink

This peach is pink with such a pink
As suits the peach divinely;
The cunning colour rarely spread
Fades to the yellow finely;
But where to spy the truest pink
Is in my Love's soft cheek, I think.

The snowdrop, child of windy March,
Doth glory in her whiteness;
Her golden neighbours, crocuses,
Unenvious praise her brightness!
But I do know where, out of sight,
My sweetheart keeps a warmer white.

How do the winter moths survive when other moths die? What enables them to avoid freezing as they rest, and what makes it possible for them to fly -- and so to seek food and mates -- in the cold?
Bernd Heinrich, Scientific American

1. The Himalayas

The room lies there, immaculate, bone light
on white walls, shell-pink carpet, and pale, too,
are the wrists and hands of professors gathered
in the outer hall where behind darkness
and a mirror they can observe unseen.
They were told: high in the Himalayas

"Tell Annie I'll be home in time
To help her with her Christmas-tree."
That's what he wrote, and hark! the chime
Of Christmas bells, and where is he?
And how the house is dark and sad,
And Annie's sobbing on my knee!

The page beside the candle-flame
With cruel type was overfilled;
I read and read until a name
Leapt at me and my heart was stilled:
My eye crept up the column -- up
Unto its hateful heading: Killed.

And there was Annie on the stair:
"And will he not be long?" she said.

A capital ship for an ocean trip
Was the Walloping Window Blind.
No gale that blew dismayed her crew
Or troubled the captain's mind.

The man at the wheel was taught to feel
Contempt for the wildest blow.
And it often appeared when the weather had cleared
That he'd been in his bunk below.

The boatswain's mate was very sedate,
Yet fond of amusement too;
And he played hopscotch with the starboard watch
While the captain tickled the crew.

And the gunner we had was apparently mad

Don't listen to me; my heart's been broken.
I don't see anything objectively.

I know myself; I've learned to hear like a psychiatrist.
When I speak passionately,
That's when I'm least to be trusted.

It's very sad, really: all my life I've been praised
For my intelligence, my powers of language, of insight-
In the end they're wasted-

I never see myself.
Standing on the front steps. Holding my sisters hand.
That's why I can't account
For the bruises on her arm where the sleeve ends . . .

my mother pushed my sister out of the apartment door with an empty
suitcase because she kept threatening to run away my sister was sick of me
getting the best of everything the bathrobe with the pink stripes instead of
the red the soft middle piece of bread while she got the crust I was sick with
asthma and she thought this made me a favorite

I wanted to be like the girl in the made-for-tv movie Maybe I'll Come Home
in the Spring which was supposed to make you not want to run away but it

My wife's new pink slippers
have gay pompons.
There is not a spot or a stain
on their satin toes or their sides.
All night they lie together
under her bed's edge.
Shivering I catch sight of them
and smile, in the morning.
Later I watch them
descending the stair,
hurrying through the doors
and round the table,
moving stiffly
with a shake of their gay pompons!
And I talk to them
in my secret mind
out of pure happiness.

Dürer would have seen a reason for living
in a town like this, with eight stranded whales
to look at; with the sweet sea air coming into your house
on a fine day, from water etched
with waves as formal as the scales
on a fish.

One by one in two's and three's, the seagulls keep
flying back and forth over the town clock,
or sailing around the lighthouse without moving their wings --
rising steadily with a slight
quiver of the body -- or flock
mewing where

a sea the purple of the peacock's neck is

The humble garret where I dwell
Is in that Quarter called the Latin;
It isn't spacious -- truth to tell,
There's hardly room to swing a cat in.
But what of that! It's there I fight
For food and fame, my Muse inviting,
And all the day and half the night
You'll find me writing, writing, writing.

Now, it was in the month of May
As, wrestling with a rhyme rheumatic,
I chanced to look across the way,
And lo! within a neighbor attic,
A hand drew back the window shade,
And there, a picture glad and glowing,

The solitary huntsman
No coat of pink doth wear,
But midnight black from cap to spur
Upon his midnight mare.
He drones a tuneless jingle
In lieu of tally-ho:
“I’ll catch a fox
And put him in a box
And never let him go.”

The solitary huntsman,
He follows silent hounds.
No horn proclaims his joyless sport,
And never a hoofbeat sounds.
His hundred hounds, his thousands,
Their master’s will they know:
To catch a fox
And put him in a box
And never let him go.