Phantasmagoria CANTO VI Dyscomfyture

As one who strives a hill to climb,
Who never climbed before:
Who finds it, in a little time,
Grow every moment less sublime,
And votes the thing a bore:

Yet, having once begun to try,
Dares not desert his quest,
But, climbing, ever keeps his eye
On one small hut against the sky
Wherein he hopes to rest:

Who climbs till nerve and force are spent,
With many a puff and pant:
Who still, as rises the ascent,
In language grows more violent,
Although in breath more scant:


Peter Rugg the Bostonian

I

The mare is pawing by the oak,
The chaise is cool and wide
For Peter Rugg the Bostonian
With his little son beside;
The women loiter at the wheels
In the pleasant summer-tide.

"And when wilt thou be home, Father?"
"And when, good husband, say:
The cloud hangs heavy on the house
What time thou art away."
He answers straight, he answers short,
"At noon of the seventh day."

"Fail not to come, if God so will,
And the weather be kind and clear."


Peter Quince at the Clavier

I

Just as my fingers on these keys
Make music, so the self-same sounds
On my spirit make a music, too.
Music is feeling, then, not sound;
And thus it is that what I feel,
Here in this room, desiring you,

Thinking of your blue-shadowed silk,
Is music. It is like the strain
Waked in the elders by Susanna;

Of a green evening, clear and warm,
She bathed in her still garden, while
The red-eyed elders, watching, felt

The basses of their beings throb


Peruvian Tales Alzira, Tale II

PIZARRO lands with the Forces--His meeting with ATALIBA --Its un-
happy consequences--ZORAI dies--ATALIBA imprisoned, and strangled
--Despair of ALZIRA .


Flush'd with impatient hope, the martial band,
By stern PIZARRO led, approach the land;
No terrors arm his hostile brow, for guile
Seeks to betray with candour's open smile.
Too artless for distrust, the Monarch springs
To meet his latent foe on friendship's wings.
On as he moves, with dazzling splendour crown'd,
His feather'd chiefs the golden throne surround;


Permanence

Set within a desert lone,
Circled by an arid sea,
Stands a figure carved in stone,
Where a fountain used to be.

Two abraded, pleading hands
Held below a shapeless mouth,
Human-like the fragment stands,
Tortured by perpetual drouth.

Once the form was drenched with spray,
Deluged with the rainbow flushes;
Surplus water dashed away
To the lotus and the rushes.

Time was clothed in rippling fashion,.
Opulence of light and air,
Beauty changing into passion
Every hour and everywhere.


Peace

After Stuart Merrill

Trembling of purple banners in the fight,
Wild neigh of horses in destruction's path,
Howling of trumpets answering yells of wrath,
Dim eyes where slowly fades the living light;
And on the plains, the ghastly heaped up death
O'er which the guns thunder their dull refrain;
And summer is shamed and autumn grieves in rain,
And carnage breathes abroad a hateful breath.
Back! O thou nightmare of the tired world's rest!
The Spring sees blooming at the mother's breast


Peace

I

IN EXCELSIS

Two dwellings, Peace, are thine.
One is the mountain-height,
Uplifted in the loneliness of light
Beyond the realm of shadows,--fine,
And far, and clear,--where advent of the night
Means only glorious nearness of the stars,
And dawn, unhindered, breaks above the bars
That long the lower world in twilight keep.
Thou sleepest not, and hast no need of sleep,
For all thy cares and fears have dropped away;
The night's fatigue, the fever-fret of day,


Pauper Poet's Song

Sun, moon, and stars, the ample air,
The birds shrill whistling everywhere,
Fields white with lambs and daisies;
The pearls of eve, the jewelled morn,
The rose rich blowing on the thorn,
The glow of blush-rose faces;
The silver glint of sun-smit rain,
The shattered sun-gold of the main,
And heaven's sweet breath that moves it;
The earth, our myriad-bosomed nurse,
This whole miraculous universe
Belongs to him who loves it!


Why fret then for the gold of this,


Paris in Spring

The city's all a-shining
Beneath a fickle sun,
A gay young wind's a-blowing,
The little shower is done.
But the rain-drops still are clinging
And falling one by one --
Oh it's Paris, it's Paris,
And spring-time has begun.

I know the Bois is twinkling
In a sort of hazy sheen,
And down the Champs the gray old arch
Stands cold and still between.
But the walk is flecked with sunlight
Where the great acacias lean,
Oh it's Paris, it's Paris,
And the leaves are growing green.


Passer Mortuus Est

Death devours all lovely things;
Lesbia with her sparrow
Shares the darkness,—presently
Every bed is narrow.

Unremembered as old rain
Dries the sheer libation,
And the little petulant hand
Is an annotation.

After all, my erstwhile dear,
My no longer cherished,
Need we say it was not love,
Now that love is perished?


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