Oh, I can smile for you, and tilt my head,
And drink your rushing words with eager lips,
And paint my mouth for you a fragrant red,
And trace your brows with tutored finger-tips.
When you rehearse your list of loves to me,
Oh, I can laugh and marvel, rapturous-eyed.
And you laugh back, nor can you ever see
The thousand little deaths my heart has died.
And you believe, so well I know my part,
That I am gay as morning, light as snow,
And all the straining things within my heart
You'll never know.

A middle-northern March, now as always--
gusts from the South broken against cold winds--
but from under, as if a slow hand lifted a tide,
it moves--not into April--into a second March,

the old skin of wind-clear scales dropping
upon the mold: this is the shadow projects the tree
upward causing the sun to shine in his sphere.

So we will put on our pink felt hat--new last year!
--newer this by virtue of brown eyes turning back
the seasons--and let us walk to the orchid-house,
see the flowers will take the prize tomorrow

Still lie the sheltering snows, undimmed and white;
And reigns the winter's pregnant silence still;
No sign of spring, save that the catkins fill,
And willow stems grow daily red and bright.
These are days when ancients held a rite
Of expiation for the old year's ill,
And prayer to purify the new year's will:
Fit days, ere yet the spring rains blur the sight,
Ere yet the bounding blood grows hot with haste,
And dreaming thoughts grow heavy with a greed
The ardent summer's joy to have and taste;

I’M travellin’ down the Castlereagh, and I’m a station hand,
I’m handy with the ropin’ pole, I’m handy with the brand,
And I can ride a rowdy colt, or swing the axe all day,
But there’s no demand for a station-hand along the Castlereagh. +

So it’s shift, boys, shift, for there isn’t the slightest doubt
That we’ve got to make a shift to the stations further out,
With the pack-horse runnin’ after, for he follows like a dog,
We must strike across the country at the old jig-jog.

Roses ruddy and roses white,
What are the joys that my heart discloses?
Sitting alone in the fading light
Memories come to me here tonight
With the wonderful scent of the big red roses.
Memories come as the daylight fades
Down on the hearth where the firelight dozes;
Flicker and flutter the lights and shades,
And I see the face of a queen of maids
Whose memory comes with the scent of roses.

Visions arise of a scent of mirth,
And a ball-room belle who superbly poses --
A queenly woman of queenly worth,

From the first it had been like a
Ballad. It had the beat inevitable. It had the blood.
A wildness cut up, and tied in little bunches,
Like the four-line stanzas of the ballads she had never quite
understood--the ballads they had set her to, in school.


Herself: the milk-white maid, the "maid mild"
Of the ballad. Pursued
By the Dark Villain. Rescued by the Fine Prince.
The Happiness-Ever-After.
That was worth anything.
It was good to be a "maid mild."
That made the breath go fast.


Her bacon burned. She

“Gabble-gabble,… brethren,… gabble-gabble!”
My window frames forest and heather.
I hardly hear the tuneful babble,
Not knowing nor much caring whether
The text is praise or exhortation,
Prayer or thanksgiving, or damnation.

Outside it blows wetter and wetter,
The tossing trees never stay still.
I shift my elbows to catch better
The full round sweep of heathered hill.
The tortured copse bends to and fro
In silence like a shadow-show.

The parson’s voice runs like a river
Over smooth rocks. I like this church:

Take first a Cowslip, then an Asphodel,
A bridal Rose, some snowy Orange flowers;
A Lily next, and by its spotless bell
Place the bright Iris, darling of the showers;
Set gold Nasturtiums, Elder blooms between,
And Heart's-ease to the Orchis marry sweetly;
Then with red Pinks, and slips of Evergreen,
You will possess -- all folded up discreetly --
In one bouquet, that none but you may know,
The name I love beyond all names below.

Dull as I was, to think that a court fly
Presum'd so neer her eye;
When 'twas th' industrious bee
Mistook her glorious face for paradise,
To summe up all his chymistry of spice;
With a brave pride and honour led,
Neer both her suns he makes his bed,
And, though a spark, struggles to rise as red.
Then aemulates the gay
Daughter of day;
Acts the romantick phoenix' fate,
When now, with all his sweets lay'd out in state,
LUCASTA scatters but one heat,

In every presence there is absence.

When we're together, the spaces between
Threaten to enclose our bodies
And isolate our spirits.
The mirror reflects what we are not,
And we wonder if our mate
Suspects a fatal misreading
Of our original text,
Not to mention the dreaded subtext.
Reality, we fear, mocks appearance.
Or is trapped in a hall of mirrors
Where infinite regress prevents
A grateful egress. That is,
We can never know the meaning
Of being two-in-one,
Or if we are one-in-two.