A Song of the setting sun

A song of the setting sun!
The sky in the west is red,
And the day is all but done;
While yonder up overhead,
All too soon,
There rises so cold the cynic moon.

A Song of a Winter day!
The wind of the north doth blow,
From a sky that's chill and gray,
On fields where no crops now grow,
Fields long shorn
Of bearded barley and golden corn.

A song of a faded flower!
'Twas plucked in the tender bud,
And fair and fresh for an hour,
In a Lady's hair it stood,
Now, ah! now,


A Song of Sydney

(1894)

High headlands all jealously hide thee,
   O fairest of sea-girdled towns!
Thine Ocean-spouse smileth beside thee,
   While each headland threatens and frowns.
Like Venice, upheld on sea-pinion,
   And fated to reign o'er the free,
Thou wearest, in sign of dominion,
   The zone of the sea.

No winter thy fertile slope hardens,
   O new Florence, set in the South!
All lands give their flowers to thy gardens,
   That glow to thy bright harbour's mouth;


A Sad Child

You're sad because you're sad.
It's psychic. It's the age. It's chemical.
Go see a shrink or take a pill,
or hug your sadness like an eyeless doll
you need to sleep.

Well, all children are sad
but some get over it.
Count your blessings. Better than that,
buy a hat. Buy a coat or pet.
Take up dancing to forget.

Forget what?
Your sadness, your shadow,
whatever it was that was done to you
the day of the lawn party
when you came inside flushed with the sun,
your mouth sulky with sugar,


A Rhyme About an Electrical Advertising Sign

I look on the specious electrical light
Blatant, mechanical, crawling and white,
Wickedly red or malignantly green
Like the beads of a young Senegambian queen.
Showing, while millions of souls hurry on,
The virtues of collars, from sunset till dawn,
By dart or by tumble of whirl within whirl,
Starting new fads for the shame-weary girl,
By maggotry motions in sickening line
Proclaiming a hat or a soup or a wine,
While there far above the steep cliffs of the street


A Red Wheelbarrow

Rest and look at this goddamned wheelbarrow. Whatever
It is. Dogs and crocodiles, sunlamps. Not
For their significance.
For their significant. For being human
The signs escape you. You, who aren't very bright
Are a signal for them. Not,
I mean, the dogs and crocodiles, sunlamps. Not
Their significance.


A Red Flower

Your lips are like a southern lily red,
Wet with the soft rain-kisses of the night,
In which the brown bee buries deep its head,
When still the dawn's a silver sea of light.

Your lips betray the secret of your soul,
The dark delicious essence that is you,
A mystery of life, the flaming goal
I seek through mazy pathways strange and new.

Your lips are the red symbol of a dream,
What visions of warm lilies they impart,
That line the green bank of a fair blue stream,


A Quick One Before I Go

There comes a time in every man's life
when he thinks: I have never had a single
original thought in my life
including this one & therefore I shall
eliminate all ideas from my poems
which shall consist of cats, rice, rain
baseball cards, fire escapes, hanging plants
red brick houses where I shall give up booze
and organized religion even if it means
despair is a logical possibility that can't
be disproved I shall concentrate on the five
senses and what they half perceive and half


A Prodigal

The brown enormous odor he lived by
was too close, with its breathing and thick hair,
for him to judge. The floor was rotten; the sty
was plastered halfway up with glass-smooth dung.
Light-lashed, self-righteous, above moving snouts,
the pigs' eyes followed him, a cheerful stare--
even to the sow that always ate her young--
till, sickening, he leaned to scratch her head.
But sometimes mornings after drinking bouts
(he hid the pints behind the two-by-fours),
the sunrise glazed the barnyard mud with red


A Portrait in Georgia

Hair-braided chestnut,
coiled like a lyncher's rope,
Eyes-fagots,
Lips-old scars, or the first red blisters,
Breath-the last sweet scent of cane,
And her slim body, white as the ash
of black flesh after flame.


A New Poet

Finding a new poet
is like finding a new wildflower
out in the woods. You don't see

its name in the flower books, and
nobody you tell believes
in its odd color or the way

its leaves grow in splayed rows
down the whole length of the page. In fact
the very page smells of spilled

red wine and the mustiness of the sea
on a foggy day - the odor of truth
and of lying.

And the words are so familiar,
so strangely new, words
you almost wrote yourself, if only


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