dark

Mors Janua Vitae.


I am the God of the sensuous fire
That moulds all Nature in forms divine;
The symbols of death and of man’s desire,
The springs of change in the world, are mine;
The organs of birth and the circlet of bones,
And the light loves carved on the temple stones.

I am the lord of delights and pain,
Of the pest that killeth, of fruitful joys;
I rule the currents of heart and vein;
A touch gives passion, a look destroys;
In the heat and cold of my lightest breath

I became a criminal when I fell in love.
Before that I was a waitress.

I didn't want to go to Chicago with you.
I wanted to marry you, I wanted
Your wife to suffer.

I wanted her life to be like a play
In which all the parts are sad parts.

Does a good person
Think this way? I deserve

Credit for my courage--

I sat in the dark on your front porch.
Everything was clear to me:
If your wife wouldn't let you go
That proved she didn't love you.
If she loved you

Silence, and stealth of days! 'tis now
Since thou art gone,
Twelve hundred hours, and not a brow
But clouds hang on.
As he that in some cave's thick damp
Lockt from the light,
Fixeth a solitary lamp,
To brave the night,
And walking from his sun, when past
That glim'ring ray
Cuts through the heavy mists in haste
Back to his day,
So o'r fled minutes I retreat
Unto that hour
Which show'd thee last, but did defeat
Thy light, and power,
I search, and rack my soul to see

"I've been where it hurts." the Kid

He becomes Sierra Kid

I passed Slimgullion, Morgan Mine,
Camp Seco, and the rotting Lode.
Dark walls of sugar pine --,
And where I left the road

I left myself behind;
Talked to no one, thought
Of nothing. When my luck ran out
Lived on berries, nuts, bleached grass.
Driven by the wind
Through great Sonora pass,

THE SIEGE OF CORINTH.


TO

JOHN HOBHOUSE, ESQ.,

THIS POEM IS INSCRIBED BY HIS FRIEND.

January 22, 1816.


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O garden isle, beloved by Sun and Sea, --
Whose bluest billows kiss thy curving bays,
Whose amorous light enfolds thee in warm rays
That fill with fruit each dark-leaved orange-tree, --
What hidden hatred hath the Earth for thee?
Behold, again, in these dark, dreadful days,
She trembles with her wrath, and swiftly lays
Thy beauty waste in wreck and agony!

Is Nature, then, a strife of jealous powers,
And man the plaything of unconscious fate?
Not so, my troubled heart! God reigns above

Should lanterns shine, the holy face,
Caught in an octagon of unaccustomed light,
Would wither up, an any boy of love
Look twice before he fell from grace.
The features in their private dark
Are formed of flesh, but let the false day come
And from her lips the faded pigments fall,
The mummy cloths expose an ancient breast.

I have been told to reason by the heart,
But heart, like head, leads helplessly;
I have been told to reason by the pulse,
And, when it quickens, alter the actions' pace

Heavy-hocked, barrel-bellied,
exhaling billows of steam, they wait
while the corn, wheat, clover,
and potato fields surround us, finished
for the season. We listened to their hooves
shift. Blue tongues lick black shoulders,
impatient horns stab the ground.
Soon Father will open the gate
to where to the last crop sits
sun-softened, stem ends dark, sinking
back into the dirt. For pulling plows,
for yanking oak and hickory grubs
up by the roots, for heaving stumps,

Rain on Rahoon falls softly, softly falling,
Where my dark lover lies.
Sad is his voice that calls me, sadly calling,
At grey moonrise.

Love, hear thou
How soft, how sad his voice is ever calling,
Ever unanswered, and the dark rain falling,
Then as now.

Dark too our hearts, O love, shall lie and cold
As his sad heart has lain
Under the moongrey nettles, the black mould
And muttering rain.

She walks in beauty like the night
of cloudless climes and starry skies;
And all that's best of dark and bright
meets in her aspect and her eyes:
Thus mellow'd to that tender light
which heaven to gaudy day denies.

One shade the more, one ray the less,
had half impair'd the nameless grace
which waves in every raven tress,
or softly lightens o'er her face -
where thoughts serenely sweet express
how pure, how dear their dwelling - place.

And on that cheek, and o'er that brow,