She tells her love while half asleep,
In the dark hours,
With half-words whispered low:
As Earth stirs in her winter sleep
And put out grass and flowers
Despite the snow,
Despite the falling snow.
I think the dead are tender. Shall we kiss? --
My lady laughs, delighting in what is.
If she but sighs, a bird puts out its tongue.
She makes space lonely with a lovely song.
She lilts a low soft language, and I hear
Down long sea-chambers of the inner ear.
We sing together; we sing mouth to mouth.
The garden is a river flowing south.
She cries out loud the soul's own secret joy;
She dances, and the ground bears her away.
She knows the speech of light, and makes it plain
A lively thing can come to life again.
Shall the Harp then be silent, when he who first gave
To our country a name, is withdrawn from all eyes?
Shall a Minstrel of Erin stand mute by the grave
Where the first -- where the last of her Patriots lies?
No -- faint though the death-song may fall from his lips,
Though his Harp, like his soul, may with shadows be crost,
Yet, yet shall it sound, 'mid a nation's eclipse,
And proclaim to the world what a star hath been lost; --
What a union of all the affections and powers
‘What does a certain woman know of the hour of her death?’ - Mandelstam
Tallest, suavest of us, why Memory,
forcing you to appear from the past, pass
down a train, swaying, to find me
clear profiled through the window-glass?
Angel or bird? How we debated!
The poet thought you like translucent straw.
Through dark lashes, your eyes, Georgian,
looking, with gentleness, on it all.
Shade, forgive. Blue skies, Flaubert,
Insomnia, late-blooming lilac flower,
bring you, and the magnificence of the year,
Between the avenues of cypresses,
All in their scarlet cloaks, and surplices
Of linen, go the chaunting choristers,
The priests in gold and black, the villagers.
And all along the path to the cemetery
The round, dark heads of men crowd silently
And black-scarved faces of women-folk, wistfully
Watch at the banner of death, and the mystery.
And at the foot of a grave a father stands
With sunken head, and forgotten, folded hands;
And at the foot of a grave a woman kneels
When the heavy sand is yielding backward from your blistered feet,
And across the distant timber you can SEE the flowing heat;
When your head is hot and aching, and the shadeless plain is wide,
And it's fifteen miles to water in the scrub the other side --
Don't give up, don't be down-hearted, to a man's strong heart be true!
Take the air in through your nostrils, set your lips and see it through --
For it can't go on for ever, and -- `I'll have my day!' says you.
When you're camping in the mulga, and the rain is falling slow,
Go not away, thou weary soul:
Heaven has in store a precious dole
Here on Bethsaida's cold and darksome height,
Where over rocks and sands arise
Proud Sirion in the northern skies,
And Tabor's lonely peak, 'twixt thee and noonday light.
And far below, Gennesaret's main
Spreads many a mile of liquid plain,
(Though all seem gathered in one eager bound,)
Then narrowing cleaves you palmy lea,
Towards that deep sulphureous sea,
Where five proud cities lie, by one dire sentence drowned.
I was but what you'd brush
with your palm, what your leaning
brow would hunch to in evening's
raven-black hush.
I was but what your gaze
in that dark could distinguish:
a dim shape to begin with,
later - features, a face.
It was you, on my right,
on my left, with your heated
sighs, who molded my helix
whispering at my side.
It was you by that black
window's trembling tulle pattern
who laid in my raw cavern
a voice calling you back.
September rain falls on the house.
In the failing light, the old grandmother
sits in the kitchen with the child
beside the Little Marvel Stove,
reading the jokes from the almanac,
laughing and talking to hide her tears.
She thinks that her equinoctial tears
and the rain that beats on the roof of the house
were both foretold by the almanac,
but only known to a grandmother.
The iron kettle sings on the stove.
She cuts some bread and says to the child,
It's time for tea now; but the child
1
Senlin sits before us, and we see him.
He smokes his pipe before us, and we hear him.
Is he small, with reddish hair,
Does he light his pipe with meditative stare,
And a pointed flame reflected in both eyes?
Is he sad and happy and foolish and wise?
Did no one see him enter the doors of the city,
Looking above him at the roofs and trees and skies?
'I stepped from a cloud', he says, 'as evening fell;
I walked on the sound of a bell;
I ran with winged heels along a gust;
