dark

Lord God that dost me save and keep,
All day to thee I cry;
And all night long, before thee weep
Before thee prostrate lie.
Into thy presence let my praier
With sighs devout ascend
And to my cries, that ceaseless are,
Thine ear with favour bend.
For cloy'd with woes and trouble store
Surcharg'd my Soul doth lie,
My life at death's uncherful dore
Unto the grave draws nigh.
Reck'n'd I am with them that pass
Down to the dismal pit

Aug. 13. 1653.


Lord in thine anger do not reprehend me
Nor in thy hot displeasure me correct;
Pity me Lord for I am much deject
Am very weak and faint; heal and amend me,
For all my bones, that even with anguish ake,
Are troubled, yea my soul is troubled sore
And thou O Lord how long? turn Lord, restore
My soul, O save me for thy goodness sake
For in death no remembrance is of thee;
Who in the grave can celebrate thy praise?
Wearied I am with sighing out my dayes.

This day winding down now
At God speeded summer's end
In the torrent salmon sun,
In my seashaken house
On a breakneck of rocks
Tangled with chirrup and fruit,
Froth, flute, fin, and quill
At a wood's dancing hoof,
By scummed, starfish sands
With their fishwife cross
Gulls, pipers, cockles, and snails,
Out there, crow black, men
Tackled with clouds, who kneel
To the sunset nets,
Geese nearly in heaven, boys
Stabbing, and herons, and shells
That speak seven seas,
Eternal waters away

Jerry MacMullen, the millionaire,
Driving a red-meat bus out there --
How did he win his Croix de Guerre?
Bless you, that's all old stuff:
Beast of a night on the Verdun road,
Jerry stuck with a woeful load,
Stalled in the mud where the red lights glowed,
Prospect devilish tough.

"Little Priscilla" he called his car,
Best of our battered bunch by far,
Branded with many a bullet scar,
Yet running so sweet and true.
Jerry he loved her, knew her tricks;
Swore: "She's the beat of the best big six,

When they taught me that what mattered most
was not the strict iambic line goose-stepping
over the page but the variations
in that line and the tension produced
on the ear by the surprise of difference,
I understood yet didn't understand
exactly, until just now, years later
in spring, with the trees already lacy
and camellias blowsy with middle age,
I looked out and saw what a cold front had done
to the garden, sweeping in like common language,
unexpected in the sensuous
extravagance of a Maryland spring.

Even the shrewd and bitter,
Gnarled by the old world's greed,
Cherished the stranger softly
Seeing his utter need.
Shelter and patient hearing,
These were their gifts to him,
To the minstrel chanting, begging,
As the sunset-fire grew dim.
The rich said "you are welcome."
Yea, even the rich were good.
How strange that in their feasting
His songs were understood!
The doors of the poor were open,
The poor who had wandered too,
Who slept with never a roof-tree
Under the wind and dew.

Here Freedom stood by slaughtered friend and foe,
And, ere the wrath paled or that sunset died,
Looked through the ages; then, with eyes aglow,
Laid them to wait that future, side by side.

(Lines for a monument to the American and British soldiers of the Revolutionary War who fell on the Princeton battlefield and were buried in one grave.)

Now lamp-lit gardens in the blue dusk shine
Through dogwood, red and white;
And round the gray quadrangles, line by line,
The windows fill with light,

Fate, out of the deep sea's gloom,
When a man's heart's pride grows great,
And nought seems now to foredoom
Fate,

Fate, laden with fears in wait,
Draws close through the clouds that loom,
Till the soul see, all too late,

More dark than a dead world's tomb,
More high than the sheer dawn's gate,
More deep than the wide sea's womb,
Fate.

You like my bird-sung gardens: wings and flowers;
Calm landscapes for emotion; star-lit lawns;
And Youth against the sun-rise ... ‘Not profound;
‘But such a haunting music in the sound:
‘Do it once more; it helps us to forget’.

Last night I dreamt an old recurring scene—
Some complex out of childhood; (sex, of course!)
I can’t remember how the trouble starts;
And then I’m running blindly in the sun
Down the old orchard, and there’s something cruel
Chasing me; someone roused to a grim pursuit

WITHOUT increasing his genius, the author may have improved his language, in the eleven years that the following poems have been in the hands of the public. Errors in diction might have been committed at twenty-four, which the experience of a riper age may remove; and some exuberances in imagery may be restrained with advantage, by a degree of judgment acquired in the progress of time. Impressed with this opinion, he ran over the whole with attention and accuracy; and he hopes he has brought the work to a state of correctness which will preclude all future improvements.