dark

Nurse, won't you let him in?
He's barkin' an' scratchen' the door,
Makin' so dreffel a din
I jest can't sleep any more;
Out there in the dark an' the cold,
Hark to him scrape an' whine,
Breakin' his heart o' gold,
Poor little pooch o' mine.

Nurse, I was sat in ma seat
In front o' the barber shop,
When there he was lickin' ma feet
As if he would never stop;
Then all of a sudden I see
That dog-catcher moseyin' by:
"Whose mongrel is that?" says he;
"It's ma pedigree pup," says I.

Swift, o'er the wild and dreary waste
A NUT-BROWN GIRL was seen to haste;
Wide waving was her unbound hair,
And sun-scorch'd was her bosom bare;
For Summer's noon had shed its beams
While she lay wrapp'd in fev'rish dreams;
While, on the wither'd hedge-row's side,
By turns she slept, by turns she cried,
"Ah ! where lies hid the balsam sweet,
"To heal the wounds of MARGUERITE?"

Dark was her large and sunken eye
Which wildly gaz'd upon the sky;
And swiftly down her freckled face

Well, I was tired of life; the silly folk,
The tiresome noises, all the common things
I loved once, crushed me with an iron yoke.
I longed for the cool quiet and the dark,
Under the common sod where louts and kings
Lie down, serene, unheeding, careless, stark,
Never to rise or move or feel again,
Filled with the ecstasy of being dead. . . .

I put the shining pistol to my head
And pulled the trigger hard -- I felt no pain,
No pain at all; the pistol had missed fire

Children of earth are we,
Lovers of land and sea,
Of hill, of brook, of tree,
Of all things fair;
Of all things dark or bright,
Born of the day and night,
Red rose and lily white
And dusky hair.

Yet not alone from earth
Do we derive our birth.
What were our singing worth
Were this the whole?
Somewhere from heaven afar
Hath dropped a fiery star,
Which makes us what we are,
Which is our soul.

'Listen, now, verse should be as natural
As the small tuber that feeds on muck
And grows slowly from obtuse soil
To the white flower of immortal beauty.'

'Natural, hell! What was it Chaucer
Said once about the long toil
That goes like blood to the poem's making?
Leave it to nature and the verse sprawls,
Limp as bindweed, if it break at all
Life's iron crust. Man, you must sweat
And rhyme your guts taut, if you'd build
Your verse a ladder.'
'You speak as though

In the mustardseed sun,
By full tilt river and switchback sea
Where the cormorants scud,
In his house on stilts high among beaks
And palavers of birds
This sandgrain day in the bent bay's grave
He celebrates and spurns
His driftwood thirty-fifth wind turned age;
Herons spire and spear.

Under and round him go
Flounders, gulls, on their cold, dying trails,
Doing what they are told,
Curlews aloud in the congered waves
Work at their ways to death,
And the rhymer in the long tongued room,

1

I move my hand over
slopes, falls, lumps of sight,
Lashes barely able to be touched,
Lips that give way so easily
it's a shock to feel underneath them

The bones smile.

Muffled a little, barely cloaked,
Zygoma, maxillary, turbinate.

2

I put my hand
On the side of your face,
You lean your head a little
Into my hand--and so,
I know you're a dormouse
Taken up in winter sleep,
A lonely, stunned weight.

3

A cheekbone,

Freedom is not to be proved but is rather a postulate
of action. Thus excellent Berdyaev,
who has meant much to me,
although I must shake my head and make a face
when he undertakes to explain
the Holy Ghost. We are unbelievers,
Cindy, which may be (I regularly
think it is) our misfortune. But we are still
existentialist lovers. Yes,
strange Soren Kierkegaard of Hamlet's province
would approve of us--well, somewhat--in our unchurchly
dark
devotions. In Syracuse the rain falls every day,

You, my photographer, you, most aware,
Who climbed to the bridge when the iceberg struck,
Climbed with your camera when the ship's hull broke,
And lighted your flashes and, standing passionate there,
Wound the camera in the sudden burst's flare,
Shot the screaming women, and turned and took
Pictures of the iceberg (as the ship's deck shook)
Dreaming like the moon in the night's black air!

You, tiptoe on the rail to film a child!
The nude old woman swimming in the sea
Looked up from the dark water to watch you there;

Remember midsummer: the fragrance of box, of white
roses
And of phlox. And upon a honeysuckle branch
Three snails hanging with infinite delicacy
-- Clinging like tendril, flake and thread, as self-tormented
And self-delighted as any ballerina,
just as in the orchard,
Near the apple trees, in the over-grown grasses
Drunken wasps clung to over-ripe pears
Which had fallen: swollen and disfigured.
For now it is wholly autumn: in the late
Afternoon as I walked toward the ridge where the hills