people

Sleepless I listen to the surge and drone
And drifting roar of the town’s undertone;
Till through quiet falling rain I hear the bells
Tolling and chiming their brief tune that tells
Day’s midnight end. And from the day that’s over
No flashes of delight I can recover;
But only dreary winter streets, and faces
Of people moving in loud clanging places:
And I in my loneliness, longing for you...

For all I did to-day, and all I’ll do
To-morrow, in this city of intense

A RETURN TO THE COVER OF

THIS BOOK



Dear Trout Fishing in America:



I met your friend Fritz in Washington Square. He told me

to tell you that his case went to a jury and that he was acquit-

ted by the jury.

He said that it was important for me to say that his case

went to a jury and that he was acquitted by the jury,

said it again.

He looked in good shape. He was sitting in the sun. There's

SEA, SEA RIDER


The man who owned the bookstore was not magic. He was not a

three-legged crow on the dandelion side of the mountain.

He was, of course, a Jew, a retired merchant seaman

who had been torpedoed in the North Atlantic and floated

there day after day until death did not want him. He had a

young wife, a heart attack, a Volkswagen and a home in

Marin County. He liked the works of George Orwell, Richard

Aldington and Edmund Wilson.

WITNESS FOR TROUT FISHING

IN AMERICA PEACE

In San Francisco around Easter time last year, they had a

trout fishing in America peace parade. They had thousands

of red stickers printed and they pasted them on their small

foreign cars, and on means of national communication like

telephone poles.

The stickers had WITNESS FOR TROUT FISHING IN AM-

ERICA PEACE printed on them.

Then this group of college- and high-school-trained Com-

THE COVER FOR

TROUT FISHING IN AMERICA



The cover for Trout Fishing in America is a photograph taken

late in the afternoon, a photograph of the Benjamin Franklin

statue in San Francisco's Washington Square.

Born 1706--Died 1790, Benjamin Franklin stands on a

pedestal that looks like a house containing stone furniture.

He holds some papers in one hand and his hat in the other.

Then the statue speaks, saying in marble:

From all of this I am the only one who leaves.
From this bench I go away, from my pants,
from my great situation, from my actions,
from my number split side to side,
from all of this I am the only one who leaves.

From the Champs Elysées or as the strange
alley of the Moon makes a turn,
my death goes away, my cradle leaves,
and, surrounded by people, alone, cut loose,
my human resemblance turns around
and dispatches its shadows one by one.

And I move away from everything, since everything

Our lives avoided tragedy
Simply by going on and on,
Without end and with little apparent meaning.
Oh, there were storms and small catastrophes.

Simply by going on and on
We managed. No need for the heroic.
Oh, there were storms and small catastrophes.
I don't remember all the particulars.

We managed. No need for the heroic.
There were the usual celebrations, the usual sorrows.
I don't remember all the particulars.
Across the fence, the neighbors were our chorus.

Surging like a vast current of salmon or sheatfish,
Coiling up and down like an iron serpent
That rears now its torso, now its head,
The armed horsemen breast the prairie grass. --
But hold! my song's device breaks down:
My Muse begs a rest, having drained her cup
Empty of sweet nectar; and so, farewell
To you, on that steppeland rise,


My pair of golden, sun-drenched statues!
My iron ranks wallowing in the grass and herbage!
One needs here the yearning of a Malczewski--

Two dumpy women with buns were drinking coffee
In a narrow kitchen—at least I think a kitchen
And I think it was whitewashed, in spite of all the shade.
They were flat brown, they were as brown as coffee.
Wearing brown muslin? I really could not tell.
How I loved this painting, they had grown so old
That everything had got less complicated,
Brown clothes and shade in a sunken whitewashed kitchen.

But it’s not like that for me: age is not simpler
Or less enjoyable, not dark, not whitewashed.

Little bush maiden, wondering-eyed,
Playing alone in the creek-bed dry,
In the small green flat on every side
Walled in by the Moonbi ranges high;
Tell me the tale of your lonely life
'Mid the great grey forests that know no change.
"I never have left my home," she said,
"I have never been over the Moonbi Range.
"Father and mother are long since dead,
And I live with granny in yon wee place."
"Where are your father and mother?" I said.
She puzzled awhile with thoughtful face,