people

Could any shewe where Plynyes people dwell
Whose head stands in their breast; who cannot tell
A smoothing lye because their open hart
And lippes are joyn'd so neare, I would depart
As quick as thought, and there forgett the wrongs
Which I have suffer'd by deceitfull tongues.
I should depart where soules departed bee,
Who being freed from cloudy flesh, can see
Each other so immediately, so cleare
That none needs tongue to speak, nor ears to hear.
Were tongues intended to express the soule,

(Hebrews, iv.2)

Israel in ancient days
Not only had a view
Of Sinai in a blaze,
But learn'd the Gospel too;
The types and figures were a glass,
In which thy saw a Saviour's face.

The paschal sacrifice
And blood-besprinkled door,
Seen with enlighten'd eyes,
And once applied with power,
Would teach the need of other blood,
To reconcile an angry God.

The Lamb, the Dove, set forth
His perfect innocence,
Whose blood of matchless worth

Old Mother Laidinwool had nigh twelve months been dead.
She heard the hops was doing well, an' so popped up her head
For said she: "The lads I've picked with when I was young and fair,
They're bound to be at hopping and I'm bound to meet 'em there!"

Let me up and go
Back to the work I know, Lord!
Back to the work I know, Lord!
For it is dark where I lie down, My Lord!
An' it's dark where I lie down!

Old Mother Laidinwool, she give her bones a shake,

My dress is silent when I tread the ground
Or stay at home or stir upon the waters.
Sometimes my trappings and the lofty air
Raise me above the dwelling-place of men,
And then the power of clouds carries me far
Above the people; and my ornaments
Loudly resound, send forth a melody
And clearly sing, when I am not in touch
With earth or water, but a flying spirit.

People expect old men to die,
They do not really mourn old men.
Old men are different. People look
At them with eyes that wonder when…
People watch with unshocked eyes;
But the old men know when an old man dies.

Gaul, the son of Morni, attended Lathmon into his own country, after his being defeated in Morven, as related in a preceding poem. He was kindly entertained by Nuäth, the father of Lathmon, and fell in love with his daughter Oithona. The lady was no less enamored of Gaul, and a day was fixed for their marriage. In the mean time Fingal, preparing for an expedition into the country of the Britons, sent for Gaul. He obeyed, and went; but not without promising to Oithona to return, it he survived the war, by a certain day.

Hypochondriacs
Spend the winter at the bottom of Florida and the summer on top of
the Adirondriacs.
You go to Paris and live on champagne wine and cognac
If you're dipsomognac.
If you're a manic-depressive
You don't go anywhere where you won't be cheered up, and people say
"There, there!" if your bills are excessive.
But you stick around and work day and night and night and day with
your nose to the sawmill.
If you're nawmill.

Note: Dipsomaniac -- alcoholic

Out of three or four in the room
One is always standing at the window.
Forced to see the injustice amongst the thorns,
The fires on the hills.

And people who left whole
Are brought home in the evening, like small change.

Out of three or four in the room
One is always standing at the window.
Hair dark above his thoughts.
Behind him, the words, wandering, without luggage,
Hearts without provision, prophecies without water
Big stones put there
Standing, closed like letters

Dear Goddess of Corn, whom the ancients we know,
(Among other odd whims of those comical bodies,)
Adorn'd with somniferous poppies, to show,
Thou wert always a true Country-gentleman's Goddess.

Behold in his best, shooting-jacket, before thee,
An eloquent 'Squire, who most humbly beseeches,
Great Queen of the Mark-lane (if the thing doesn't bore thee),
Thou'lt read o'er the last of his -- never-last speeches.

Ah! Ceres, thou know'st not the slander and scorn
Now heap'd upon England's 'Squirearchy, so boasted;

The poem of the mind in the act of finding
What will suffice. It has not always had
To find: the scene was set; it repeated what
Was in the script.
Then the theatre was changed
To something else. Its past was a souvenir.

It has to be living, to learn the speech of the place.
It has to face the men of the time and to meet
The women of the time. It has to think about war
And it has to find what will suffice. It has
To construct a new stage. It has to be on that stage,
And, like an insatiable actor, slowly and