people

Once more I put my bonnet on,
And tie the ribbons blue,
My showy poplin dress I don,
That's just as good as new,
And smooth and stately as a swan
Go sailing to my pew.
Once more, Ah! me, how oft, how oft,
Shall I the scene repeat?
With graceful ease and manner soft
I sink into my seat,
And round the congregation waft
The sense of odors sweet.

A finer form, a fairer face
Ne'er bent before the stole,
With more restraint, no spotless lace

We passed each other, turned and stopped for half an hour, then went our way,
I who make other women smile did not make you--
But no man can move mountains in a day.
So this hard thing is yet to do.

But first I want your life:--before I die I want to see
The world that lies behind the strangeness of your eyes,
There is nothing gay or green there for my gathering, it may be,
Yet on brown fields there lies
A haunting purple bloom: is there not something in grey skies
And in grey sea?

Roar of the rushing train fearfully rocking,
Impatient people jammed in line for food,
The rasping noise of cars together knocking,
And worried waiters, some in ugly mood,
Crowding into the choking pantry hole
To call out dishes for each angry glutton
Exasperated grown beyond control,
From waiting for his soup or fish or mutton.
At last the station's reached, the engine stops;
For bags and wraps the red-caps circle round;
From off the step the passenger lightly hops,

A Brother and Sister


O I admire and sorrow! The heart’s eye grieves
Discovering you, dark tramplers, tyrant years.
A juice rides rich through bluebells, in vine leaves,
And beauty’s dearest veriest vein is tears.

Happy the father, mother of these! Too fast:
Not that, but thus far, all with frailty, blest
In one fair fall; but, for time’s aftercast,
Creatures all heft, hope, hazard, interest.

And are they thus? The fine, the fingering beams
Their young delightful hour do feature down

The critical attitude
Strikes many people as unfruitful
That is because they find the state
Impervious to their criticism
But what in this case is an unfruitful attitude
Is merely a feeble attitude. Give criticism arms
And states can be demolished by it.

Canalising a river
Grafting a fruit tree
Educating a person
Transforming a state
These are instances of fruitful criticism
And at the same time instances of art.

We're driving across tableland
somewhere in the world;
it is almost bare of trees.

Upland near void of features
always moves me, but not to thought;
it lets me rest from thinking.

I feel no need to interpret it
as if it were art. Too much
of poetry is criticism now.

That hawk, clinging to
the eaves of the wind, beating
its third wing, its tail

isn't mine to sell. And here is
more like the space that needs
to exist aound an image.

This cloud-roof country reminds me

Behold this little volume here inrolde:
'Tis the Almighty's present to the world:
Hearken earth's earth; each sencelesse thing can heare
His Maker's thunder, though it want an eare:
God's word is senior to his works, nay rather
If rightly weigh'd the world may call it father;
God spake, 'twas done; this great foundation
Is the Creator's Exhalation
Breath'd out in speaking. The best work of man
Is better than his word; but if wee scanne
God's word aright, his works far short doe fall;

The silver trumpets rang across the Dome:
The people knelt upon the ground with awe:
And borne upon the necks of men I saw,
Like some great God, the Holy Lord of Rome.
Priest-like, he wore a robe more white than foam,
And, king-like, swathed himself in royal red,
Three crowns of gold rose high upon his head:
In splendor and in light the Pope passed home.
My heart stole back across wide wastes of years
To One who wandered by a lonely sea,
And sought in vain for any place of rest:

I

Living is no laughing matter:
you must live with great seriousness
like a squirrel, for example--
I mean without looking for something beyond and above living,
I mean living must be your whole occupation.
Living is no laughing matter:
you must take it seriously,
so much so and to such a degree
that, for example, your hands tied behind your back,
your back to the wall,
or else in a laboratory

To be an ape in little of the mountain-making mother
Like swarthy Cheops, but my own hands
For only slaves, is a far sweeter toil than to cut
Passions in verse for a sick people.
I'd liefer bed one boulder in the house-wall than be the time's
Archilochus: we name not Homer: who now
Can even imagine the fabulous dawn when bay-leaves (to a blind
Beggar) were not bitter in the teeth?


Submitted by Holt