beauty

In the midnight of darkness and terror,
When I would grope nearer to God,
With my back to a record of error
And the highway of sin I have trod,
There comes to me shapes I would banish –
The shapes of the deeds I have done;
And I pray and I plead till they vanish –
All vanish and leave me, save one.

That one, with a smile like the splendour
Of the sun in the middle-day skies –
That one, with a spell that is tender –
That one with a dream in her eyes –
Cometh close, in her rare southern beauty,

We have another viceroy now, -- those days are dead and done
Of Delilah Aberyswith and depraved Ulysses Gunne.


Delilah Aberyswith was a lady -- not too young --
With a perfect taste in dresses and a badly-bitted tongue,
With a thirst for information, and a greater thirst for praise,
And a little house in Simla in the Prehistoric Days.

By reason of her marriage to a gentleman in power,
Delilah was acquainted with the gossip of the hour;
And many little secrets, of the half-official kind,

Behold an Indian isle, reposed
Upon the deep’s enamoured breast,
Even like a royal bride, be-rosed
With passion in her happy rest.
Or, when the morn is there disclosed,
Or eve is robing in the west,
The deep, as by that isle embossed
With central gauds of sumless cost,
And else outspread in circuit—wide
And round as heaven from side to side—
Might figure to a fancy bold
A wide vast shield of fretted gold,
Dropped by some conquer’d elder god,
When on his track, where’er he trod,

XXXI (



version)
Look, Delia, how we 'steem the half-blown rose,
The image of thy blush and summer's honour,
Whilst in her tender green she doth enclose
That pure sweet beauty time bestows upon her.
No sooner spreads her glory in the air
But straight her full-blown pride is in declining;
She then is scorn'd that late adorn'd the fair:
So clouds thy beauty after fairest shining.
No April can revive thy wither'd flowers,
Whose blooming grace adorns thy beauty now;

XLVI
Let others sing of knights and paladines
In aged accents and untimely words;
Paint shadows in imaginary lines
Which well the reach of their high wits records:
But I must sing of thee, and those fair eyes
Authentic shall my verse in time to come,
When yet th' unborn shall say, "Lo where she lies
Whose beauty made him speak that else was dumb."
These are the arks, the trophies I erect,
That fortify thy name against old age;
And these thy sacred virtues must protect

VI
Fair is my love, and cruel as she's fair:
Her brow shades frowns although her eyes are sunny,
Her smiles are lightning though her pride despair,
And her disdains are gall, her favours honey;
A modest maid, deck'd with a blush of honour,
Whose feet do tread green paths of youth and love,
The wonder of all eyes that look upon her:
Sacred on earth, design'd a saint above.
Chastity and beauty, which were deadly foes,
Live reconciled friends within her brow;

Death! that struck when I was most confiding
In my certain faith of joy to be -
Strike again, Time's withered branch dividing
From the fresh root of Eternity!

Leaves, upon Time's branch, were growing brightly,
Full of sap, and full of silver dew;
Birds beneath its shelter gathered nightly;
Daily round its flowers the wild bees flew.

Sorrow passed, and plucked the golden blossom;
Guilt stripped off the foliage in its pride;
But, within its parent's kindly bosom,
Flowed for ever Life's restoring-tide.

In youth I longed to paint
The loveliness I saw;
And yet by dire constraint
I had to study Law.
But now all that is past,
And I have no regret,
For I am free at last
Law to forget.
II
To beauty newly born
With brush and tube I play;
And though my daubs you scorn,
I'll learn to paint some day.
When I am eighty old,
Maybe I'll better them,
And you may yet behold
A gem.
III
Old Renoir used to paint,

You whom I could not save
Listen to me.
Try to understand this simple speech as I would be ashamed of another.
I swear, there is in me no wizardry of words.
I speak to you with silence like a cloud or a tree.

What strengthened me, for you was lethal.
You mixed up farewell to an epoch with the beginning of a new one,
Inspiration of hatred with lyrical beauty,
Blind force with accomplished shape.

Here is the valley of shallow Polish rivers. And an immense bridge
Going into white fog. Here is a broken city,

Dear heart, why will you use me so?
Dear eyes that gently me upbraid,
Still are you beautiful -- - but O,
How is your beauty raimented!

Through the clear mirror of your eyes,
Through the soft sigh of kiss to kiss,
Desolate winds assail with cries
The shadowy garden where love is.

And soon shall love dissolved be
When over us the wild winds blow -- -
But you, dear love, too dear to me,
Alas! why will you use me so?