change

`You know Orion always comes up sideways.
Throwing a leg up over our fence of mountains,
And rising on his hands, he looks in on me
Busy outdoors by lantern-light with something
I should have done by daylight, and indeed,
After the ground is frozen, I should have done
Before it froze, and a gust flings a handful
Of waste leaves at my smoky lantern chimney
To make fun of my way of doing things,
Or else fun of Orion's having caught me.
Has a man, I should like to ask, no rights

The sky has given over
its bitterness.
Out of the dark change
all day long
rain falls and falls
as if it would never end.
Still the snow keeps
its hold on the ground.
But water, water
from a thousand runnels!
It collects swiftly,
dappled with black
cuts a way for itself
through green ice in the gutters.
Drop after drop it falls
from the withered grass-stems
of the overhanging embankment.

Wanderer, behold Life's riddle writ in stone,
Fronting Eternity with lidless eyes;
Of all that is beneath the changing skies,
Immutably abiding and alone.
The handiwork of hands unseen, unknown,
When Pharaohs of immortal dynasties
Built Pyramids to brave the centuries,
Cheating Annihilation of her own.

The heart grows hushed before it. Nay, methinks
That Man, and all on which Man wastes his breath,
The World, and all the World inheriteth,
With infinite, inexorable links

There in the fringe of trees between
the upper field and the edge of the one
below it that runs above the valley
one time I heard in the early
days of summer the clear ringing
six notes that I knew were the opening
of the Fingal's Cave Overture
I heard them again and again that year
and the next summer and the year
afterward those six descending
notes the same for all the changing
in my own life since the last time
I had heard them fall past me from
the bright air in the morning of a bird

Oh! my name is JOHN WELLINGTON WELLS -
I'm a dealer in magic and spells,
In blessings and curses,
And ever-filled purses,
In prophecies, witches, and knells!
If you want a proud foe to "make tracks" -
If you'd melt a rich uncle in wax -
You've but to look in
On our resident Djinn,
Number seventy, Simmery Axe.

We've a first-class assortment of magic;
And for raising a posthumous shade
With effects that are comic or tragic,
There's no cheaper house in the trade.

DRAMATIS PERSONAE

Sir Marmaduke Pointdextre, an Elderly Baronet

Alexis, of the Grenadier Guards--His Son

Dr. Daly, Vicar of Ploverleigh

John Wellington Wells, of J. W. Wells & Co., Family Sorcerers

Lady Sangazure, a Lady of Ancient Lineage

Aline, Her Daughter--betrothed to Alexis

Mrs. Partlet, a Pew-Opener

Constance, her Daughter

Chorus of Villagers


(Twelve hours are supposed to elapse between Acts I and II)

DRAMATIS PERSONAE

Sir Marmaduke Pointdextre, an Elderly Baronet

Alexis, of the Grenadier Guards--His Son

Dr. Daly, Vicar of Ploverleigh

John Wellington Wells, of J. W. Wells & Co., Family Sorcerers

Lady Sangazure, a Lady of Ancient Lineage

Aline, Her Daughter--betrothed to Alexis

Mrs. Partlet, a Pew-Opener

Constance, her Daughter

Chorus of Villagers


ACT I -- Grounds of Sir Marmaduke's Mansion, Mid-day

Though the world keeps changing its form
as fast as a cloud, still
what is accomplished falls home
to the Primeval.

Over the change and the passing,
larger and freer,
soars your eternal song,
god with the lyre.

Never has grief been possesed,
never has love been learned,
and what removes us in death

is not revealed.
Only the song through the land
hallows and heals.


Translated by Stephen Mitchell

A tree ascended there. Oh pure transendence!
Oh Orpheus sings! Oh tall tree in the ear!
And all things hushed. Yet even in that silence
a new beginning, beckoning, change appeared.

Creatures of stillness crowded from the bright
unbound forest, out of their lairs and nests;
and it was not from any dullness, not
from fear, that they were so quiet in themselves,

but from just listening. Bellow, roar, shriek
seemed small inside their hearts. And where there had been
at most a makeshift hut to receive the music,

Oh mother, mother, where is happiness?
They took my lover's tallness off to war,
Left me lamenting. Now I cannot guess
What I can use an empty heart-cup for.
He won't be coming back here any more.
Some day the war will end, but, oh, I knew
When he went walking grandly out that door
That my sweet love would have to be untrue.
Would have to be untrue. Would have to court
Coquettish death, whose impudent and strange
Possessive arms and beauty (of a sort)
Can make a hard man hesitate--and change.